{"id":91,"date":"2017-10-09T23:49:55","date_gmt":"2017-10-09T23:49:55","guid":{"rendered":"http:\/\/www.societyforritualarts.com\/coreopsis\/autumn-2017-issue\/?page_id=91"},"modified":"2017-11-01T22:37:53","modified_gmt":"2017-11-01T22:37:53","slug":"reference-and-copyright","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/autumn-2017-issue\/reference-and-copyright\/","title":{"rendered":"Table of Contents"},"content":{"rendered":"
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Coreopsis Journal of Myth and Theatre<\/b><\/strong><\/h2>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_family=”Cinzel” color=”#421004″ font_size=”16″ font_weight=”400″ css=”.vc_custom_1508649608506{background-position: 0 0 !important;background-repeat: no-repeat !important;}”]\n

Autumn 2017 Vol. 6 Number: 2. The Philosophy and Art of Ritual Creation
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Peer Reviewed Journal of The Society for Ritual Arts<\/em>
\nISSN 2333-0627<\/em><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][vc_column_text font_family=”Cinzel” color=”#421004″ font_size=”20″ font_weight=”bold” css=”.vc_custom_1509309574620{padding-top: 14px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”]\n

Table of Contents<\/strong><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″]

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Editorials<\/b><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_size=”18″ font_family=”Cinzel”]Editorial, October, 2017<\/span>
\n<\/strong>The World at Totality: A Season of Anger, Devastation, and Morning<\/a>
\n<\/strong><\/span><\/em>Lezlie A. Kinyon<\/strong>, Ph.D. Editor in Chief,<\/span> Coreopsis Journal of Myth and Theatre<\/span><\/i>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 In a season of devastating wildfires, ritual becomes a tool for healing.<\/span><\/span>[\/vc_column_text]

<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]Meals on Wheels and The Dismantling of America<\/a>
\n<\/strong><\/span><\/em>Lezlie King<\/strong>, Guest Commentator<\/span>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 Politicians may forget the needs of elderly mothers. But this author never will.<\/span><\/span><\/span>[\/vc_column_text]
<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]Now We Must Fight for the Children<\/a>
\n<\/strong><\/span><\/em>Ronald L. Boyer<\/strong>, Guest Writer<\/span>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 Native Americans made decisions for the benefit of the next seven generations; it\u2019s time we did, too.<\/span><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″]
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Papers<\/b><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_size=”18″ font_family=”Cinzel”]The Sign of Jonah:\u00a0Initiatory Symbolism in Biblical Mythopoetics<\/a>
\n<\/strong><\/span><\/em>Ronald L. Boyer<\/strong>, Graduate Theological Union, Berkeley. California<\/span>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 How the belly of the whale, the Harrowing of Hell, the adventures of Pinocchio and other stories lead the listener through death and rebirth.<\/span><\/span>[\/vc_column_text]

<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]The Archetypal Presence of Time<\/a>
\n<\/strong><\/span><\/em>Sharon G. Mijares<\/strong>, Ph.D.<\/span>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 From visionary films to the tragic bombing of UNESCO sites, humanity\u2019s impulse toward creativity and destruction is driven by how we perceive the past, present and future.<\/span><\/span>[\/vc_column_text]
<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]Moving Into Sacred Realms<\/a>
\n<\/strong><\/span><\/em>Selene Vega<\/strong>, Ph.D., Spirit Moving, Santa Cruz; Saybrook University, San Francisco, CA<\/span>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 \u201cRitual is produced by all peoples still in touch with the capacity to express themselves in metaphor.\u201d<\/span><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″]
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Between the Worlds: The Art and Wisdom of the Artist in Residence
\n<\/b><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_size=”18″ font_family=”Cinzel”]Telling the World in a Time of Drought: \u00a0Artists as Myth Makers<\/a>
\n<\/strong><\/span><\/em>Lauren Raine<\/strong>, MFA, Artist in Residence 2017\/18, Society for Ritual Arts<\/span>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 \u201cWhat does it take to find a meaningful identity in a society that marginalizes artists? Try a trip into the halls of Hades.\u201d<\/span><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″]

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Profiles in Art
\n<\/b><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_size=”18″ font_family=”Cinzel”]My Own Kind of Wonderland: An Interview with Hasse Fr\u00f6berg<\/i><\/a>
\n<\/strong><\/span><\/em>Dr. Steven Blomerth<\/strong>, Regular contributor<\/span>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 A founding member of the Swedish band Flower Kings discusses his career in the new wave of Progressive Rock.<\/span><\/span>[\/vc_column_text]

<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]Physio-Psycho-Alchemy: \u00a0The Art of Rafael Montanez Ortiz<\/i><\/a>
\n<\/strong><\/span><\/em>Lauren Raine<\/strong>, MFA, Artist in Residence 2017\/18, Society for Ritual Arts<\/span>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 Release your destructive energies in art. Find your artistic visions in dream. Dream of being interconnected with everything.<\/span><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″]
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Gallery
\n<\/b><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_size=”18″ font_family=”Cinzel”]Valerianna Claff<\/span><\/a><\/em><\/strong>
\n\u00a0 \u00a0\u2013 The evocative art of Valerianna Claff graces this issue’s cover.<\/span><\/span><\/span>[\/vc_column_text]

<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]A musical offering by Jamie Glaser<\/span><\/a><\/em><\/strong>
\n\u00a0 \u00a0\u2013 Tribute to the Survivors and the those lost in Irma, Harvey, Maria, and the Earthquakes in Mexico: A musical offering by Jamie Glaser.<\/span><\/span><\/span>[\/vc_column_text]
<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]Hasse Fr\u00f6berg<\/i><\/a><\/strong><\/span><\/em>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 Live concert video Chasing A Dream<\/em><\/span><\/span>[\/vc_column_text]
<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]The Visionary Art of JoJo Razor<\/i><\/a><\/strong><\/span><\/em>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 I just woke up one day and I was in it. Hell\u2026the underworld\u2026<\/span><\/span>[\/vc_column_text]
<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]With many thanks to the musicians who appear in this issue for sharing their work. \u00a0<\/span><\/span><\/em><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″]
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Reviews <\/strong>| Books<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_size=”18″ font_family=”Cinzel”]New Book Releases<\/strong><\/span><\/a><\/em>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 From Moontime to Isadora Duncan. Books to intrigue the discerning reader.<\/span><\/span>[\/vc_column_text]

<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]Book review: Diana Paxson<\/strong><\/span><\/a> Odin<\/i>
\n<\/strong><\/span><\/em>Jenna Ludwig<\/strong><\/span>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 Taking a closer look at the Norse god who sacrificed his own eye to attain wisdom.<\/span><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″]
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Reviews <\/strong>| Music<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_size=”18″ font_family=”Cinzel”]Jamie Laval: Into the Green<\/strong><\/span><\/a><\/em>
\n<\/span>Roberta Cantow\u00a0and Rita Naomi Shore<\/strong>
\n<\/span><\/i>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 The delicate and nuanced hands of a classically-trained violinist interpret the collective soul of Celtic folk music.<\/span><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″]

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Reviews <\/strong>| New Music Releases<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_size=”18″ font_family=”Cinzel”]New Music Releases<\/i><\/a>
\n<\/strong><\/span><\/em>Compiled with commentary by Robyn Perry<\/strong>, Music Editor<\/span>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 Take a musical journey from the Scottish Highlands to Norwegian Progressive Rock \u2014 with even more delights along the way.<\/span><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″]

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Progressive Notes<\/strong><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_size=”18″ font_family=”Cinzel”]HFMC<\/a>
\n<\/strong><\/span><\/em>Dr. Steven Blomerth<\/strong>, Regular contributor<\/span>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 A raw, live Progressive Rock concert album that surpasses the original studio recordings.<\/span>
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<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]Interview\/Review:<\/strong><\/span> Big Big Train\u2019s Greg Spawton<\/i><\/strong><\/span><\/em><\/a>
\n<\/span>Dr. Steven Blomerth<\/strong>, Regular contributor
\n<\/i>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 \u201cYou can sense that when fans frequently say that they \u2018filled with tears\u2019 as they listened or felt a lump in their throat as they listened.\u201d
\n<\/span><\/span>[\/vc_column_text]
<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]Grimspound <\/strong><\/span><\/em>by Big Big Train<\/strong><\/span><\/a>
\n<\/span>Dr. Steven Blomerth<\/strong>
\n<\/span><\/i>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 Combined with the strongest composing to-date, these varied musical strengths make Grimspound the most musical and compelling of Big Big Train\u2019s albums.<\/span><\/span>[\/vc_column_text]
<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]The Second Brightest Star\u00a0<\/strong><\/span><\/em>by Big Big Train<\/strong><\/span><\/a>
\n<\/span>Dr. Steven Blomerth<\/strong>
\n<\/span><\/i>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 To see the second brightest star depends on where we are.<\/span><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″]
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Announcements<\/b><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_size=”16″ font_family=”Cinzel” font_weight=”bold”]Staff Projects and Announcements<\/strong><\/em><\/span>
\n<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 Find out what what we\u2019ve been up to when you weren\u2019t looking.<\/span>[\/vc_column_text]

<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]Conferences, Festivals and Gatherings, Awards & Paper Calls
\n<\/a><\/em><\/strong><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 Of interest to our readers & the First Annual Society for Ritual Arts Gathering.<\/span>[\/vc_column_text]
<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]Call for Papers Spring & Autumn 2018<\/a>
\n<\/em><\/strong><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 For the next several issues of Coreopsis, we will publish the rituals of resistance. Any and all Traditions and all positive actions are welcomed.<\/span>[\/vc_column_text]
<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]The Society for Ritual Arts Gatherings and Spring Conference for 2017\/18<\/a><\/em><\/strong><\/span>[\/vc_column_text]
<\/div>[vc_column_text font_size=”18″ font_family=”Cinzel”]Opportunities and How to Support Coreopsis Journal
\n<\/a><\/em><\/strong><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 Announcements: News, Networking, and Join us!<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″]
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In Memoriam<\/strong><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_size=”18″ font_family=”Cinzel”]Remembering Those Who Have Passed<\/a><\/strong><\/span><\/em>
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 What is remembered, lives.<\/span><\/span><\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″]

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Final Word<\/strong><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_size=”18″ font_family=”Cinzel”]GHOSTS<\/strong><\/span><\/em><\/a>
\nLauren Raine<\/strong>, MFA, Artist in residence
\n<\/span><\/i><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u2013 There are many ways to haunt the world.<\/span><\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″]

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Copyright and\u00a0Reference<\/strong><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text font_size=”18″ font_family=”Cinzel”]The name<\/span> Coreopsis: A Journal of Myth and Theatre<\/span><\/em>, the format, and the website are the sole property of Lezlie A. Kinyon, Ph.D., Founding Editor, Society for Ritual Arts, President. A twice-yearly (Spring and Autumn) publication of \u00a0<\/span>The Society for Ritual Arts<\/span><\/a> and are copyrighted <\/span>under the United States and international law. ISSN 2333-0627<\/span><\/span><\/p>\n

All papers, editorials, artworks and creative works are the property of the individual authors and artists.<\/span><\/p>\n

Copyright:<\/strong> <\/span>Coreopsis Journal of Myth & Theater, a publication of the <\/span>Society for Ritual Arts<\/span><\/a>, 2017, all rights reserved, Berkeley, CA.<\/span><\/span>[\/vc_column_text]

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Artworks:<\/strong><\/span><\/p>\n[\/vc_column_text][vc_column_text font_size=”18″ font_family=”Cinzel”]\n

Artworks are by Valeriana Claff, Lauren Raine, Greg Spawton, Hasse Froberg, Jamie Glaser, Thea Boodhoo, and L. Kinyon. All rights reserved, used by permission<\/span><\/p>\n[\/vc_column_text]

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Cover Art:<\/strong><\/span><\/p>\n[\/vc_column_text][vc_column_text font_size=”18″ font_family=”Cinzel”]\n

Valeriana Claff<\/a>: \u201cMarsh Sunrise\u201d watercolor, 7.5\u2033 x11\u2033, VClaff, 2017, All Rights reserved, Used by Permission.<\/span><\/p>\n[\/vc_column_text]

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Reference:<\/strong><\/span><\/p>\n[\/vc_column_text][vc_column_text font_size=”18″ font_family=”Cinzel”]\n

General: Ed. \u00a0Lezlie A. Kinyon, ISSN 2333-0627<\/span><\/p>\n

APA: Kinyon, L., Ph.D. (Ed.). 6(2) \u00a0(2017). Retrieved from: <\/span>http:\/\/societyforritualarts.com\/coreopsis\/<\/span><\/a><\/span><\/p>\n

MLA: Kinyon, Lezlie, Ph.D., ed. Coreopsis Journal of Myth & Theatre, 6(2) (2017). Society for Ritual Arts. Autumn 2016. Web.<\/span><\/p>\n[\/vc_column_text]

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Thank you to everyone who made this issue of Coreopsis Journal possible. See you in the Spring of 2018!<\/span><\/strong><\/span><\/p>\n[\/vc_column_text][vc_column_text font_size=”18″ font_family=”Cinzel”][\/vc_column_text]

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[vc_row css=”.vc_custom_1508569007365{background-image: url(https:\/\/societyforritualarts.com\/coreopsis\/autumn-2017-issue\/wp-content\/uploads\/2017\/10\/bkgd_reference_copyright.jpg?id=2210) !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner][vc_column_text font_family=”Stalemate” color=”#dd3333″ font_size=”35″ font_weight=”bold” css=”.vc_custom_1509425972826{background-position: 0 0 !important;background-repeat: no-repeat !important;}”] Coreopsis Journal of Myth and Theatre [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner 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