{"id":1041,"date":"2019-09-14T00:55:04","date_gmt":"2019-09-14T07:55:04","guid":{"rendered":"http:\/\/www.societyforritualarts.com\/coreopsis\/autumn-2019-issue\/?page_id=1041"},"modified":"2019-09-20T15:05:55","modified_gmt":"2019-09-20T22:05:55","slug":"rituals-of-resistance","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/","title":{"rendered":"Rituals of Resistance"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”3.29.3″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/paper-square.png” hover_enabled=”0″][et_pb_row _builder_version=”3.29.3″ hover_enabled=”0″][et_pb_column _builder_version=”3.29.3″ type=”4_4″][et_pb_image _builder_version=”3.29.3″ src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/coreopsis-winter-2019-header.png” admin_label=”logo” hover_enabled=”0″ align=”center”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.4″ fb_built=”1″ _i=”0″ _address=”0″][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.27.4″ _i=”0″ _address=”0.0″][et_pb_column type=”1_2″ _builder_version=”3.27.4″ _i=”0″ _address=”0.0.0″][et_pb_text module_class=”noindent” _builder_version=”3.29.2″ _i=”0″ _address=”0.0.0.0″]<\/p>\n

Rituals of Resistance: Keeping our Hearts Whole & Strong<\/h1>\n

 <\/p>\n

Autumn, 2019. Volume 7 Number 2<\/h2>\n

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ISSN 2333-0627<\/p>\n

Cover art: By Gus DiZerega \u201cSolstice Moon\u201d<\/p>\n

 <\/p>\n

 <\/p>\n

Somehow we know that only living beings can be responsible and experience freedom. What is it about living beings, and about human beings in particular, such that this is the case? And what does that imply to the way we organize our human enterprises? <\/em>\u2013 Reflection, Responsibility and Freedom: we are not robots.<\/strong> Humberto Maturana Romesin and Pille Bunnell, 2001<\/p>\n

Publication Date: September 20, 2019[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.27.4″ _i=”1″ _address=”0.0.1″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/09\/winter-moon.jpg” _builder_version=”3.27.4″ _i=”0″ _address=”0.0.1.0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ fb_built=”1″ _i=”1″ _address=”1″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”1.0″][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”1.0.0″][et_pb_blurb title=”When All Seems Bleak and Dark…” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMTkifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/09\/Scan-101129-0072-4.jpg” admin_label=”When All Seems Bleak and Dark…” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMTkifX0=@” _i=”0″ _address=”1.0.0.0″]<\/p>\n

Keeping our Hearts Whole & Strong<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”1″ _address=”1.0.1″][et_pb_blurb title=”Peace Ritual in Israel: December 2014″ url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjY3NCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/Anat_Anath.png” admin_label=”Peace Ritual Israel” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjY3NCJ9fQ==@” _i=”0″ _address=”1.0.1.0″]<\/p>\n

One of the Israeli\u00a0Neopagans decided to implement a peace ritual in a woodland area near Tel-Aviv during\u00a0December 2014, and invite the rest of the community.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”2″ _address=”1.0.2″][et_pb_blurb title=”What Happens in Alison’s Room: Depictions of Art and Craft in Orphan Black” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjIyMiJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/Orphan-Black-Tatiana-Maslany400.jpg” admin_label=”Alison’s Room” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjIyMiJ9fQ==@” _i=”0″ _address=”1.0.2.0″ image__hover_enabled=”on|desktop”]<\/p>\n

Representations of art and craft are essential to several major character arcs and subplots of the series. These representations … underline the show\u2019s concern with the competing effects of nature and nurture on the skills and life-paths the clones pursue.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ fb_built=”1″ _i=”2″ _address=”2″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”2.0″][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”2.0.0″][et_pb_blurb title=”Earth-speak: Envisioning a Conversant World” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjM2MCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/039-Avebury.jpg” admin_label=”Earth Speak” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjM2MCJ9fQ==@” _i=”0″ _address=”2.0.0.0″ image__hover_enabled=”on|desktop”]<\/p>\n

When I saw Silbury through the mist, what opened before me was a vision of a time when the entire landscape was the sacred body of the deity.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”1″ _address=”2.0.1″][et_pb_blurb title=”Cripples, Bastards, Broken Things… and Villainesses: Game of Thrones’ Final Season” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjM4NiJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/rise__ser_brienne_of_tarth_by_inna_vjuzhanina_dd5llu2.png” admin_label=”Game of Thrones” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjM4NiJ9fQ==@” border_radii__hover_enabled=”on|desktop” _i=”0″ _address=”2.0.1.0″]<\/p>\n

Literature\u2019s assessment of characters as good or evil, successful or destroyed hinges on its endings. Epic television like Game of Thrones<\/em> is no exception.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”2″ _address=”2.0.2″][et_pb_blurb title=”Is Trump a Modern-Day Minotaur?” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjMwNyJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/09\/minotrump-e.png” admin_label=”Minotaur” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjMwNyJ9fQ==@” border_radii__hover_enabled=”on|desktop” _i=”0″ _address=”2.0.2.0″]<\/p>\n

The response was instantaneous and passionate. His base saw it as a prophetic miracle and his critics as their worst apocalyptic nightmare. Very few voters were in the middle and those who were, sat out the election. While the new administration, which did not expect to win the election, attempted to get organized, the Resistance began forming literally overnight.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ fb_built=”1″ _i=”3″ _address=”3″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”3.0″][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”3.0.0″][et_pb_blurb title=”A Chat with Gus diZerega” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjYxNSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/Moon3mask.png” admin_label=”Interview diZerega” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjYxNSJ9fQ==@” _i=”0″ _address=”3.0.0.0″]<\/p>\n

Virtually every drawing of a natural scene is of a place where I have been and loved, or in some cases, is based on capturing the feel of such a place.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”1″ _address=”3.0.1″][et_pb_blurb title=”Gallery: Gus diZerega” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg2MCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/09\/wintersolstice-standingstone.jpg” admin_label=”Gallery diZerega” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg2MCJ9fQ==@” _i=”0″ _address=”3.0.1.0″ image__hover_enabled=”on|desktop”]<\/p>\n

Pen-and-ink drawings by Gus diZerega<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”2″ _address=”3.0.2″][et_pb_blurb title=”Hasse Fr\u00f6berg of The Flower Kings: More Delicate and More Heavy” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjU5OSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/bigbigtrain-grandtour.jpg” admin_label=”Interview Hasse” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjU5OSJ9fQ==@” border_radii__hover_enabled=”on|desktop” _i=”0″ _address=”3.0.2.0″]<\/p>\n

Sometimes you just need that little thing to ignite the spark, to get inspired. That wrong note in the chord led me to write what’s probably the most beautiful theme I’ve written so far.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ fb_built=”1″ _i=”4″ _address=”4″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”4.0″][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”4.0.0″][et_pb_blurb title=”Hasse Fr\u00f6berg\u2019s Musical Companion” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg5OCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/09\/ParallelLife.jpg” admin_label=”HFMC video” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjMwNyJ9fQ==@” _i=”0″ _address=”4.0.0.0″]<\/p>\n

Video from\u00a0Hasse Fr\u00f6berg\u2019s Musical Companion
Parallel Life – Sleeping with the Ghost<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”1″ _address=”4.0.1″][et_pb_blurb title=”New Book Releases” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjI2NiJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/09\/bookreleases-covers.jpg” admin_label=”new book releases” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjI2NiJ9fQ==@” _i=”0″ _address=”4.0.1.0″ image__hover_enabled=”on|desktop”]<\/p>\n

New Book Releases<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”2″ _address=”4.0.2″][et_pb_blurb title=”Review: The Witches\u2019 Runes: A Traditional Divination System” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg0NCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/WitchesRunes.jpg” admin_label=”Witches’ Runes review” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg0NCJ9fQ==@” border_radii__hover_enabled=”on|desktop” _i=”0″ _address=”4.0.2.0″]<\/p>\n

When your intuition meets the right tool, baroque or minimalist, the same key turns in the same door, and the wisdom that is available flows from the same source.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ fb_built=”1″ _i=”5″ _address=”5″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”5.0″][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”5.0.0″][et_pb_blurb title=”Review: Blind Walls” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgzNyJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/BlindWalls.jpg” admin_label=”review blind walls” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgzNyJ9fQ==@” _i=”0″ _address=”5.0.0.0″]<\/p>\n

Blind Walls<\/em>\u00a0is a darkly gentle, languid ghost story that meanders like Weatherlee House itself.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”1″ _address=”5.0.1″][et_pb_blurb title=”Review: Integrated Care for the Traumatized: A Whole-Person Approach” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkwOSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/09\/IntegratedCarefortheTraumatized.jpg” admin_label=”review Integrated Care” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkwOSJ9fQ==@” _i=”0″ _address=”5.0.1.0″ image__hover_enabled=”on|desktop”]<\/p>\n

The Whole-Person Approach<\/strong> is one that offers a treatment model incorporating \u201cintention, awareness, and mindfulness as the mediating variables between cognition and behavior.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”2″ _address=”5.0.2″][et_pb_blurb title=”New Music Releases” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjExNiJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/09\/album-covers.jpg” admin_label=”new music releases” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjExNiJ9fQ==@” border_radii__hover_enabled=”on|desktop” _i=”0″ _address=”5.0.2.0″]<\/p>\n

New music releases for Autumn 2019.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ fb_built=”1″ _i=”6″ _address=”6″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”6.0″][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”6.0.0″][et_pb_blurb title=”Somewhere Between the…” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjY2In19@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/telesterion.jpg” admin_label=”deCles review” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjY2In19@” _i=”0″ _address=”6.0.0.0″]<\/p>\n

It is important here to understand something about H. P. Lovecraft as inspiration. While Lovecraft was a master of linear plotting, his strongest power was the evocation of mood.\u00a0<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”1″ _address=”6.0.1″][et_pb_blurb title=”Review:%22Swimming the Horses%22″ url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE5MyJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/Swimming-the-Horses.jpg” admin_label=”review swimming the horses” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE5MyJ9fQ==@” _i=”0″ _address=”6.0.1.0″ image__hover_enabled=”on|desktop”]<\/p>\n

I suppose you could call it folkmusic, of a sort, and definitely Celtic, of a sort, but it’s primarily weird and wondrous.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”2″ _address=”6.0.2″][et_pb_blurb title=”In Memoriam: The Forever Princess and her Queen” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjcwOCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/Debbie-Reynolds-Carrie-Fisher.jpg” admin_label=”in memoriam” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjcwOCJ9fQ==@” border_radii__hover_enabled=”on|desktop” _i=”0″ _address=”6.0.2.0″]<\/p>\n

Carrie Fisher & Debbie Reynolds<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ fb_built=”1″ _i=”7″ _address=”7″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”7.0″][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”7.0.0″][et_pb_blurb title=”What Have We Been Doing?” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkyOSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/09\/mercantile-logo.jpg” admin_label=”staff announcements” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkyOSJ9fQ==@” _i=”0″ _address=”7.0.0.0″]<\/p>\n

Staff Announcements<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”1″ _address=”7.0.1″][et_pb_blurb title=”Festivals & Conferences” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjU4NiJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/geneva-3.jpg” admin_label=”festivals” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjU4NiJ9fQ==@” _i=”0″ _address=”7.0.1.0″ image__hover_enabled=”on|desktop”]<\/p>\n

Activities of interest.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”2″ _address=”7.0.2″][et_pb_blurb title=”Call for Papers: Spring 2020″ url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwNTYifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/09\/seascape-ship-sunset.jpg” admin_label=”call for papers” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwNTYifX0=@” border_radii__hover_enabled=”on|desktop” _i=”0″ _address=”7.0.2.0″]<\/p>\n

Quests: Magical Journeys and Wayside Attractions<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ fb_built=”1″ _i=”8″ _address=”8″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”8.0″][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”0″ _address=”8.0.0″][et_pb_blurb title=”Final Word” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjY2MiJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/09\/160423c6-Piercing-Mask-_Photo-e.jpg” admin_label=”poetry” _builder_version=”3.29.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjY2MiJ9fQ==@” _i=”0″ _address=”8.0.0.0″]<\/p>\n

Poetry: Rich Unger<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”1″ _address=”8.0.1″][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ _i=”2″ _address=”8.0.2″][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Rituals of Resistance: Keeping our Hearts Whole & Strong   Autumn, 2019. Volume 7 Number 2   ISSN 2333-0627 Cover art: By Gus DiZerega \u201cSolstice Moon\u201d     Somehow we know that only living beings can be responsible and experience freedom. What is it about living beings, and about human beings in particular, such that […]<\/p>\n","protected":false},"author":1,"featured_media":867,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"iawp_total_views":21,"footnotes":""},"class_list":["post-1041","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nRituals of Resistance » Coreopsis Journal Autumn 2019<\/title>\n<meta name=\"description\" content=\"\u201cRituals of Resistance: Keeping Our Hearts Whole and Strong\u201d. 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