{"id":266,"date":"2019-08-22T00:05:15","date_gmt":"2019-08-22T07:05:15","guid":{"rendered":"http:\/\/www.societyforritualarts.com\/coreopsis\/autumn-2019-issue\/?page_id=266"},"modified":"2019-09-20T01:32:56","modified_gmt":"2019-09-20T08:32:56","slug":"new-book-releases","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/new-book-releases","title":{"rendered":"New Book Releases"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ admin_label=”Top thru Author” _builder_version=”3.27.3″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/paper-square.png” min_height=”495px” custom_margin=”0px||-40px||false|false” custom_padding=”0px||0px||true|false” saved_tabs=”all” fb_built=”1″ _i=”0″ _address=”0″][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.26.7″ _i=”0″ _address=”0.0″][et_pb_column type=”1_4″ _builder_version=”3.26.6″ _i=”0″ _address=”0.0.0″][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.26.6″ _i=”1″ _address=”0.0.1″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/coreopsis-winter-2019-header.png” admin_label=”Coreopsis logo” _builder_version=”3.26.6″ _i=”0″ _address=”0.0.1.0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”3.26.7″ _i=”1″ _address=”0.1″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”0.1.0″][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”1″ _address=”0.1.1″][et_pb_text module_id=”callout” module_class=”noindent” _builder_version=”3.29.3″ text_font=”||on||||||” hover_enabled=”0″ _i=”0″ _address=”0.1.1.0″ background_color=”rgba(224,151,148,0.45)” border_radii=”on|12px|12px|12px|12px” border_width_all=”1px” border_color_all=”#000000″ custom_padding=”12px|12px|12px|12px|true|true” custom_margin=”0px|0px|0px|0px|true|true”]

(Some of these links go to amazon.com. As an Amazon Associate we earn from qualifying purchases. This program does not affect your price at all. Amazon gives us a small commission, which helps support this Coreopsis Journal website and the programs of the Society for Ritual Arts.)<\/em><\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”2″ _address=”0.1.2″][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”3.26.7″ _i=”2″ _address=”0.2″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”0.2.0″][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”1″ _address=”0.2.1″][et_pb_text admin_label=”Title & Author” module_id=”author” _builder_version=”3.27.4″ custom_css_main_element=”color:#bf1a46; ||font-family:Almendra;||font-size:28px;||margin-top:-25px;” _i=”0″ _address=”0.2.1.0″]

New Book Releases<\/h1>\n<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”2″ _address=”0.2.2″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/paper-square.png” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_module=”137″ saved_tabs=”all” fb_built=”1″ _i=”0″ _address=”1″][et_pb_row column_structure=”1_5,1_5,3_5″ _builder_version=”3.26.6″ _i=”0″ _address=”1.0″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”1.0.0″][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”1″ _address=”1.0.1″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/VibrantVoices.jpg” _builder_version=”3.27.2″ _i=”0″ _address=”1.0.1.0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”2″ _address=”1.0.2″][et_pb_text module_class=”noindent” _builder_version=”3.27.4″ _i=”0″ _address=”1.0.2.0″]

Vibrant Voices: Women, Myth and the Arts<\/h2>\n

Women and Myth Press, 2018, ISBN-13: 978-0996961783.<\/p>\n

The second volume of proceedings from the Association for the Study of Women and Mythology includes articles by Miriam Robbins Dexter, Cristina Biaggi, Marna Hauk, Joan Marler, Gina Belton, Annie Finch, Ann Filemyr, Simone Clunie, and Laura Fragua-Cota, among others.<\/p>\n

It is available for purchase from http:\/\/www.goddess-ink.com\/vibrant-voices<\/a>. Review copies are available.<\/p>\n

Also available on Amazon<\/a><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.26.7″ _i=”1″ _address=”1.1″][et_pb_column type=”4_4″ _builder_version=”3.26.7″ _i=”0″ _address=”1.1.0″][et_pb_divider divider_weight=”3px” _builder_version=”3.26.7″ width=”60%” module_alignment=”center” _i=”0″ _address=”1.1.0.0″][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/paper-square.png” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” saved_tabs=”all” fb_built=”1″ _i=”2″ _address=”2″][et_pb_row column_structure=”1_5,1_5,3_5″ _builder_version=”3.26.6″ _i=”0″ _address=”2.0″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”2.0.0″][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”1″ _address=”2.0.1″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/BlindWalls.jpg” _builder_version=”3.27.2″ _i=”0″ _address=”2.0.1.0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”2″ _address=”2.0.2″][et_pb_text module_class=”noindent” _builder_version=”3.27.4″ _i=”0″ _address=”2.0.2.0″]

Blind Walls<\/h2>\n

Conrad Bishop, Elizabeth Fuller<\/p>\n

a novel of blue-collar ghosts<\/em><\/p>\n

It\u2019s a monstrous maze of a mansion, built by a grief-ridden heiress. A tour guide, about to retire, has given his spiel for so many years that he\u2019s gone blind. On this last tour, he\u2019s slammed with second sight. He sees the ghosts he\u2019s always felt were there: the bedeviled heiress, her servants, and a young carpenter who lands his dream job only to become a lifelong slave to her obsession. The workman\u2019s wife struggles to make it to shore, but he\u2019s cast adrift. And the tour guide comes home to his cat.<\/p>\n

http:\/\/www.independenteye.org\/print\u00a0<\/a>\u00a0 Also available on Amazon<\/a><\/p>\n

Review in this issue by\u00a0Laurie Dietrich, here.<\/a><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.26.7″ _i=”1″ _address=”2.1″][et_pb_column type=”4_4″ _builder_version=”3.26.7″ _i=”0″ _address=”2.1.0″][et_pb_divider divider_weight=”3px” _builder_version=”3.26.7″ width=”60%” module_alignment=”center” _i=”0″ _address=”2.1.0.0″][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/paper-square.png” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” saved_tabs=”all” fb_built=”1″ _i=”3″ _address=”3″][et_pb_row column_structure=”1_5,1_5,3_5″ _builder_version=”3.26.6″ _i=”0″ _address=”3.0″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”3.0.0″][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”1″ _address=”3.0.1″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/OnPaganRoads.jpg” _builder_version=”3.27.2″ _i=”0″ _address=”3.0.1.0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”2″ _address=”3.0.2″][et_pb_text module_class=”noindent” _builder_version=”3.27.4″ _i=”0″ _address=”3.0.2.0″]

On Pagan Roads<\/h2>\n

David Arv Bragi<\/p>\n

July 6, 2019. Bellingham, Washington.<\/p>\n

David Arv Bragi has published a book of historical fiction titled \u201cOn Pagan Roads,\u201d a lively collection of short tales and character sketches describing life among Wiccans, Pagans, hippies, ceremonial magicians, vagabonds, sex workers, street preachers, petty crooks and assorted eccentrics during the late 1970s and early 1980s.<\/p>\n

\u201cBetter historians than I will write the definitive chronicles of Wicca and the twentieth century occult revival,\u201d says Bragi in the book\u2019s introduction. \u201cOn Pagan Roads is simply my personal recollection of those misty, mythical days of yore, when the Mysteries of the Ages smashed headlong into the Age of Polyester.\u201d<\/p>\n

For a free digital copy of the book in PDF or EPUB format, visit https:\/\/grailmedia.com\/wz3\/on-pagan-roads-book\/<\/a>.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.26.7″ _i=”1″ _address=”3.1″][et_pb_column type=”4_4″ _builder_version=”3.26.7″ _i=”0″ _address=”3.1.0″][et_pb_divider divider_weight=”3px” _builder_version=”3.26.7″ width=”60%” module_alignment=”center” _i=”0″ _address=”3.1.0.0″][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/paper-square.png” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” saved_tabs=”all” fb_built=”1″ _i=”4″ _address=”4″][et_pb_row column_structure=”1_5,1_5,3_5″ _builder_version=”3.26.6″ _i=”0″ _address=”4.0″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”4.0.0″][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”1″ _address=”4.0.1″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/PaganMysticism.jpg” _builder_version=”3.27.2″ _i=”0″ _address=”4.0.1.0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”2″ _address=”4.0.2″][et_pb_text module_class=”noindent” _builder_version=”3.27.4″ _i=”0″ _address=”4.0.2.0″]

Pagan Mysticism: Paganism as a World Religion<\/h2>\n

Michael York<\/p>\n

Cambridge Scholars Publishing, Dec 10, 2018<\/p>\n

As a non-dogmatic religion, paganism is a spiritualty that is variously interpreted in terms of nature worship, this-worldliness, the valuing of the physical, and multiple understandings of the sacred. Like most religions, pagan spirituality also entertains the experience of mystical ecstasy as an intense state of psycho-spiritual consciousness that radically diverges from ordinary waking awareness.<\/p>\n

This volume addresses two fundamental questions, namely: \u201chow do the world\u2019s religions understand the mystical and its pursuit?\u201d, and \u201chow and why does paganism offer something different?\u201d Proverbially, the mystical quest is an ultimate human endeavour. The re-emergence of pagan thought in contemporary times challenges the obsolete and unlocks both innovation and available forms of transpersonal emancipation.<\/p>\n

https:\/\/www.cambridgescholars.com\/pagan-mysticism<\/a> Also available on Amazon<\/a><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.26.7″ _i=”1″ _address=”4.1″][et_pb_column type=”4_4″ _builder_version=”3.26.7″ _i=”0″ _address=”4.1.0″][et_pb_divider divider_weight=”3px” _builder_version=”3.26.7″ width=”60%” module_alignment=”center” _i=”0″ _address=”4.1.0.0″][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/paper-square.png” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” saved_tabs=”all” fb_built=”1″ _i=”5″ _address=”5″][et_pb_row column_structure=”1_5,1_5,3_5″ _builder_version=”3.26.6″ _i=”0″ _address=”5.0″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”5.0.0″][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”1″ _address=”5.0.1″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/NeitherBrainNorGhost.jpg” _builder_version=”3.27.2″ _i=”0″ _address=”5.0.1.0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”2″ _address=”5.0.2″][et_pb_text module_class=”noindent” _builder_version=”3.27.4″ _i=”0″ _address=”5.0.2.0″]

Neither Brain nor Ghost: A Nondualist Alternative to the Mind-Brain Identity Theory<\/h2>\n

W. Teed Rockwell – 2005 – Cambridge MA: MIT Press.<\/p>\n

https:\/\/philpapers.org\/rec\/ROCNBN<\/a>\u00a0Also available on Amazon<\/a><\/p>\n

ISBN: 0262681676 0262182475<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.26.7″ _i=”1″ _address=”5.1″][et_pb_column type=”4_4″ _builder_version=”3.26.7″ _i=”0″ _address=”5.1.0″][et_pb_divider divider_weight=”3px” _builder_version=”3.26.7″ width=”60%” module_alignment=”center” _i=”0″ _address=”5.1.0.0″][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/paper-square.png” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” saved_tabs=”all” fb_built=”1″ _i=”6″ _address=”6″][et_pb_row column_structure=”1_5,1_5,3_5″ _builder_version=”3.26.6″ _i=”0″ _address=”6.0″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”6.0.0″][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”1″ _address=”6.0.1″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/JessicaJones.jpg” _builder_version=”3.27.2″ _i=”0″ _address=”6.0.1.0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”2″ _address=”6.0.2″][et_pb_text module_class=”noindent” _builder_version=”3.27.4″ _i=”0″ _address=”6.0.2.0″]

Jessica Jones, Scarred Superhero:\u00a0Essays on Gender, Trauma and Addiction in the Netflix Series<\/h2>\n

Tim Rayborn (Author, Editor), Abigail Keyes (Author, Editor), Foreword by Robert G. Weiner<\/p>\n

Available on Amazon<\/a><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.26.7″ _i=”1″ _address=”6.1″][et_pb_column type=”4_4″ _builder_version=”3.26.7″ _i=”0″ _address=”6.1.0″][et_pb_divider divider_weight=”3px” _builder_version=”3.26.7″ width=”60%” module_alignment=”center” _i=”0″ _address=”6.1.0.0″][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/paper-square.png” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” saved_tabs=”all” fb_built=”1″ _i=”7″ _address=”7″][et_pb_row column_structure=”1_5,1_5,3_5″ _builder_version=”3.26.6″ _i=”0″ _address=”7.0″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”7.0.0″][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”1″ _address=”7.0.1″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/KantianPerspectives.jpg” _builder_version=”3.27.2″ _i=”0″ _address=”7.0.1.0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”2″ _address=”7.0.2″][et_pb_text module_class=”noindent” _builder_version=”3.27.4″ _i=”0″ _address=”7.0.2.0″]

Kantian Perspectives on Issues in Ethics and Bioethics<\/h2>\n

Author: Lina Papadaki<\/p>\n

https:\/\/www.cambridgescholars.com\/kantian-perspectives-on-issues-in-ethics-and-bioethics<\/a><\/p>\n

Also available on Amazon<\/a><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.26.7″ _i=”1″ _address=”7.1″][et_pb_column type=”4_4″ _builder_version=”3.26.7″ _i=”0″ _address=”7.1.0″][et_pb_divider divider_weight=”3px” _builder_version=”3.26.7″ width=”60%” module_alignment=”center” _i=”0″ _address=”7.1.0.0″][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/paper-square.png” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” saved_tabs=”all” fb_built=”1″ _i=”8″ _address=”8″][et_pb_row column_structure=”1_5,1_5,3_5″ _builder_version=”3.26.6″ _i=”0″ _address=”8.0″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”8.0.0″][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”1″ _address=”8.0.1″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/TowardCreativeImagination.jpg” _builder_version=”3.27.2″ _i=”0″ _address=”8.0.1.0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”2″ _address=”8.0.2″][et_pb_text module_class=”noindent” _builder_version=”3.27.4″ _i=”0″ _address=”8.0.2.0″]

Towards Creative Imagination in Victorian Literature<\/h2>\n

Aleksandra Piasecka<\/p>\n

https:\/\/www.cambridgescholars.com\/towards-creative-imagination-in-victorian-literature<\/a><\/p>\n

Also available on Amazon<\/a><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.26.7″ _i=”1″ _address=”8.1″][et_pb_column type=”4_4″ _builder_version=”3.26.7″ _i=”0″ _address=”8.1.0″][et_pb_divider divider_weight=”3px” _builder_version=”3.26.7″ width=”60%” module_alignment=”center” _i=”0″ _address=”8.1.0.0″][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/paper-square.png” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” saved_tabs=”all” fb_built=”1″ _i=”9″ _address=”9″][et_pb_row column_structure=”1_5,1_5,3_5″ _builder_version=”3.26.6″ _i=”0″ _address=”9.0″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”9.0.0″][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”1″ _address=”9.0.1″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/ScienceAndItsPublics.jpg” _builder_version=”3.27.2″ _i=”0″ _address=”9.0.1.0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”2″ _address=”9.0.2″][et_pb_text module_class=”noindent” _builder_version=”3.27.4″ _i=”0″ _address=”9.0.2.0″]

Science and its Publics<\/h2>\n

Alice R. Bell. Sarah R. Davies and Felicity Mellor<\/p>\n

https:\/\/www.cambridgescholars.com\/science-and-its-publics-19<\/a><\/p>\n

Also available on Amazon<\/a><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.26.7″ _i=”1″ _address=”9.1″][et_pb_column type=”4_4″ _builder_version=”3.26.7″ _i=”0″ _address=”9.1.0″][et_pb_divider divider_weight=”3px” _builder_version=”3.26.7″ width=”60%” module_alignment=”center” _i=”0″ _address=”9.1.0.0″][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/paper-square.png” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” saved_tabs=”all” fb_built=”1″ _i=”10″ _address=”10″][et_pb_row column_structure=”1_5,1_5,3_5″ _builder_version=”3.26.6″ _i=”0″ _address=”10.0″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”10.0.0″][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”1″ _address=”10.0.1″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/09\/IndianSummer-coverfront-V2-2in-220dpi-CMYK.png” _builder_version=”3.27.4″ _i=”0″ _address=”10.0.1.0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”2″ _address=”10.0.2″][et_pb_text module_class=”noindent” _builder_version=”3.27.4″ _i=”0″ _address=”10.0.2.0″]

Indian Summer<\/h2>\n

music & reflections
by DJ Hamouris<\/p>\n

24 tunes arranged for standard mountain dulcimer, including\u00a010 originals,\u00a09 duets,\u00a01 trio,\u00a010 songs
PLUS
Notes on each tune. Reflections on performing, starting again,\u00a0practicing, being a late bloomer, composing, arranging, practice tips\u00a0and inspirational quotes.
AND
downloadable recordings of each tune & part.<\/p>\n

$30.00
Pre-order now for shipping in October and shipping charges are on me!<\/p>\n

Table of contents, tab & recording samples at http:\/\/indiansummerbook.com<\/a><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.26.7″ _i=”1″ _address=”10.1″][et_pb_column type=”4_4″ _builder_version=”3.26.7″ _i=”0″ _address=”10.1.0″][et_pb_divider divider_weight=”3px” _builder_version=”3.26.7″ width=”60%” module_alignment=”center” _i=”0″ _address=”10.1.0.0″][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

(Some of these links go to amazon.com. As an Amazon Associate we earn from qualifying purchases. This program does not affect your price at all. Amazon gives us a small commission, which helps support this Coreopsis Journal website and the programs of the Society for Ritual Arts.)New Book Releases Vibrant Voices: Women, Myth and the […]<\/p>\n","protected":false},"author":1,"featured_media":1137,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"iawp_total_views":18,"footnotes":""},"class_list":["post-266","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nNew Book Releases » Coreopsis Journal Autumn 2019<\/title>\n<meta name=\"description\" content=\"New book releases including "Vibrant Voices: Women, Myth and the Arts", "Pagan Mysticism: Paganism as a World Religion", and "Science and its Publics".\" \/>\n<meta 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