{"id":920,"date":"2019-09-14T00:39:56","date_gmt":"2019-09-14T07:39:56","guid":{"rendered":"http:\/\/www.societyforritualarts.com\/coreopsis\/autumn-2019-issue\/?page_id=920"},"modified":"2019-09-20T00:07:32","modified_gmt":"2019-09-20T07:07:32","slug":"table-of-contents","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/table-of-contents","title":{"rendered":"Table of Contents"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ _builder_version=”3.27.4″ fb_built=”1″ _i=”0″ _address=”0″][et_pb_row _builder_version=”3.27.4″ _i=”0″ _address=”0.0″][et_pb_column type=”4_4″ _builder_version=”3.27.4″ _i=”0″ _address=”0.0.0″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2019-issue\/wp-content\/uploads\/2019\/08\/coreopsis-winter-2019-header.png” align=”center” _builder_version=”3.27.4″ _i=”0″ _address=”0.0.0.0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Content Block” _builder_version=”3.27.3″ custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” saved_tabs=”all” fb_built=”1″ _i=”1″ _address=”1″][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”3.26.7″ _i=”0″ _address=”1.0″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”1.0.0″][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”1″ _address=”1.0.1″][et_pb_text module_class=”noindent” _builder_version=”3.29.2″ custom_margin=”||||false|false” _i=”0″ _address=”1.0.1.0″]

Editorials:<\/h2>\n

Lezlie A. Kinyon, Ph.D., Editor in Chief When All Seems Bleak and Dark\u2026<\/em><\/a><\/strong><\/p>\n

Orly Salinas Misrahi, Ph.D., Coreopsis Editor. Ritual for Peace in Israel, December 2014<\/em>\u00a0<\/a><\/strong>
While the Israeli-Palestinian conflict continues, the local Neopagan community performed a peace ritual with the assistance of the local Canaanite gods Ba’al and Anat.<\/em><\/p>\n

Papers:<\/h2>\n

What Happens in Alison\u2019s Room: Depictions of Art and Craft in Orphan Black<\/em><\/a>, Janet Croft, Ph.D., Rutgers<\/strong>
Alison is frequently seen in her craft room, a highly organized and regimented space straight out of a Martha Stewart magazine. This is the expected craft room of the stereotypical suburban soccer mom, but in going through the episodes one by one, we discover that she is rarely shown actually crafting in this space.<\/em><\/p>\n

Earth-speak: Envisioning a Conversant World<\/em><\/a> by Lauren Raine, MFA\u00a0<\/strong>
When I saw Silbury through the mist, what opened before me was a vision of a time when the entire landscape was the sacred body of the deity, a cyclical mythos of an animated Earth that ensouled and enlivened and enstoried every hill, spring, river and forest within a cosmology of conversant belonging. I will never forget that moment of revelation.<\/em><\/p>\n

Cripples, Bastards, Broken Things\u2026 and Villainesses: Game of Thrones\u2019 Final Season<\/em><\/a> By Valerie Estelle Frankel, Ph.D. Mission College and San Jose City College\u00a0<\/strong>
Analyzing the Game of Thrones HBO television show (2011-2019) character by character helps to reveal the issues with the final season: Which characters did the showrunners reward and which did they condemn?<\/em><\/p>\n

Is Trump a Modern-day Minotaur?<\/em><\/a> by Jodi Lorimer\u00a0<\/strong>
As an agent of transformation, Trump has pushed us to meet our darkest selves as Americans, the very darkest being a lack of moral courage to confront the Minotaur in the White House.<\/em><\/p>\n

Artists’ Profiles & Galleries:<\/h2>\n

The Art of Gus di Zerega<\/strong> <\/em><\/a>
interview by Helena Domenic\u00a0<\/strong><\/p>\n

Gus di Zerega\u2019s art<\/a>
<\/strong><\/p>\n

Interview with Hasse Fr\u00f6berg<\/a> <\/strong><\/em>
Steve Blomerth\u00a0<\/strong><\/p>\n

Hasse Fr\u00f6berg’s music<\/strong><\/a><\/p>\n

New Releases:<\/h2>\n

Books<\/a>, compiled by Jerry Kurtya, MA <\/strong><\/p>\n

Music<\/a>, compiled by Steve Blomerth\u00a0<\/strong><\/p>\n

Reviews:<\/h2>\n

Books<\/h3>\n

Laurie Dietrich: Runes, by Dana Corby<\/a>\u00a0<\/em><\/strong>
Privately printed and shared largely by word of mouth for a quarter of a century, The Witches\u2019 Runes: A Traditional Divination System is available again after an absence of many years.<\/em><\/p>\n

Laurie Dietrich: Blind Walls by Bishop & Fuller<\/em><\/a><\/strong>\u00a0<\/em>
Blind Walls is the story of the sightless tour guide\u2019s last tour. It is also the story of those who accompany this tour, ghosts whose stories Smollett has told into rote repetitions, appearing for the first time as walking, talking entities on the dark stage of his internal vision.<\/em><\/p>\n

Sharon G. Mijares, PhD.: Book review \u201cIntegrated Care for the Traumatized: A Whole-Person Approach\u201dEdited by Ilene A. Serlin, Stanley Krippner and Kirwan Rockefeller<\/em><\/a><\/strong>
The medical model prefers treating these symptoms with medication. In contrast, the Whole-Person Approach is one that offers a treatment model incorporating \u201cintention, awareness, and mindfulness as the mediating variables between cognition and behavior.<\/em><\/p>\n

Music<\/h3>\n

Jon deCles: Somewhere Between The\u2026 Eidolorous: \u201cFragments of Thanatos\u201d and \u201cTelestrion\u201d<\/em><\/a><\/strong>
Eidolorous manages a skillful blend of sound throughout. He has a definite voice, and you won\u2019t mistake him for Mimaroglu, but you will catch the references to Schubert and Birger-Bloomdahl. He blends his electronic sounds and his musique concete with his traditional orchestra in a way that keeps you listening attentively.<\/em><\/p>\n

Leslie Fish: Gerry O’Beirne: \u201cSwimming The Horses\u201d<\/em><\/a><\/strong>
Out in the odd and unclassifiable corners of the music biz one sometimes comes across remarkable little gems like this one.<\/em><\/p>\n

In Memoriam Tribute<\/h2>\n

Denise Dumars: The Forever Princess and her Queen\u00a0<\/em><\/a><\/strong>
Carrie Fisher, 10\/21\/1956 \u2013 12\/27\/2016
Debbie Reynolds, 4\/1\/1932 \u2013 12\/28\/2016<\/p>\n

Announcements:<\/h2>\n

What we are up to<\/a>: Staff Written
Festivals & Conferences
<\/a>Call for Papers Spring 2020<\/span><\/a><\/span><\/p>\n

The Final Word<\/h2>\n

Poetry: \u201cRipples of Redemption\u201d<\/a> by Rich Unger\u00a0<\/strong><\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”2″ _address=”1.0.2″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Content Block” _builder_version=”3.27.3″ custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” saved_tabs=”all” fb_built=”1″ _i=”2″ _address=”2″][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”3.26.7″ _i=”0″ _address=”2.0″][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”0″ _address=”2.0.0″][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ _i=”1″ _address=”2.0.1″][et_pb_text module_class=”noindent” _builder_version=”3.29.2″ custom_margin=”||||false|false” _i=”0″ _address=”2.0.1.0″]

COPYRIGHT
The name Coreopsis: A Journal of Myth and Theatre, the format, and the website are the sole property of Lezlie A. Kinyon, Ph.D., Founding Editor, Society for Ritual Arts, President Emerita. A twice-yearly (Spring and Autumn) publication of The Society for Ritual Arts and are copyrighted under the United States and international law.
ISSN 2333-0627<\/p>\n

Papers: All permissions, reprints, and copyrights return to the individual authors upon publication.<\/p>\n

Artworks used by permission of the artists credited.<\/p>\n

Editors for this issue were:
Laurie Dietrich
<\/span>Orly Salinas Misrahi, Ph.D.
<\/span>and, Marylyn Motherbear, Poet in Residence
<\/span>Lezlie A Kinyon, Ph.D., Editor<\/span><\/p>\n

Reference: Coreopsis Journal of Myth and Theatre Rituals of Resistance: Keeping our Hearts Whole & Strong
Autumn, 2019. Volume 7 Number 2. Editor, Lezlie A. Kinyon, Ph.D. Berkeley, CA. ISSN 2333-0627 Society for Ritual Arts www.coreopsis.org<\/p>\n

Thank you to everyone who made this issue of Coreopsis Journal possible.
Web design by Kristen Skold, web@societyforritualarts.com
For copyright and reprint information, please contact
Denise Dumars, Ph.D., Author Liaison at eerieaerie@hotmail.com<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ _i=”2″ _address=”2.0.2″][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Editorials: Lezlie A. Kinyon, Ph.D., Editor in Chief When All Seems Bleak and Dark\u2026 Orly Salinas Misrahi, Ph.D., Coreopsis Editor. Ritual for Peace in Israel, December 2014\u00a0 While the Israeli-Palestinian conflict continues, the local Neopagan community performed a peace ritual with the assistance of the local Canaanite gods Ba’al and Anat. Papers: What Happens in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"iawp_total_views":10,"footnotes":""},"class_list":["post-920","page","type-page","status-publish","hentry"],"yoast_head":"\nTable of Contents » Coreopsis Journal Autumn 2019<\/title>\n<meta name=\"description\" content=\"Table of Contents for Coreopsis Journal of Myth & Theatre, Vol 7, Issue 2. 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