{"id":985,"date":"2020-09-24T19:30:11","date_gmt":"2020-09-25T02:30:11","guid":{"rendered":"http:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/?page_id=985"},"modified":"2020-10-14T10:44:32","modified_gmt":"2020-10-14T17:44:32","slug":"homepage","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/","title":{"rendered":"Homepage"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Top thru Author” _builder_version=”4.3.2″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/08\/paper-texture.png” min_height=”409px” custom_margin=”0px||-40px||false|false” custom_padding=”0px||0px||true|false” saved_tabs=”all”][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.26.7″][et_pb_column type=”1_4″ _builder_version=”3.26.6″][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.26.6″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/08\/coreopsis-winter-2019-header.png” admin_label=”Coreopsis logo” _builder_version=”3.26.6″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”3.26.7″][et_pb_column type=”1_5″ _builder_version=”3.26.6″][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”3.26.7″][et_pb_column type=”1_5″ _builder_version=”3.26.6″][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″][et_pb_text admin_label=”Title & Author” module_id=”author” module_class=”noindent” _builder_version=”4.3.2″ custom_css_main_element=”color:#bf1a46; ||font-family:Almendra;||font-size:28px;||margin-top:-25px;”]<\/p>\n

\u00a0Dancing through the Darkness<\/h1>\n

Autumn 2020 Vol. 8 # 2 ISSN 2333-0627<\/span><\/p>\n

Cover art by Carly JJ Turner<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.3.2″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/08\/paper-texture.png” custom_margin=”-128px|||||”][et_pb_row _builder_version=”4.3.2″][et_pb_column type=”4_4″ _builder_version=”4.3.2″][et_pb_text _builder_version=”4.3.2″]<\/p>\n

\n

\u201cIn between the fire was burning and you could smell, you know from the bones and hair \u2013 and the fire was burning that was like over the whole camp. Was very big, very big.<\/p>\n

<\/i><\/p>\n

And we had to dance. The Germans were standing there laughing and having fun \u2013 some of the Jews had instruments, they were playing the music, like a sub-distance from the Germans and it was an order that we had to dance.<\/p>\n

<\/i><\/p>\n

And Chaim my husband asked me to dance and that was the first time I met Chaim.\u201d <\/p>\n

<\/i>Saartje (Selma) Engel nee Wijnberg. Interview with USHMM.<\/p>\n<\/blockquote>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.3.2″ background_image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/08\/paper-texture.png”][et_pb_row _builder_version=”4.3.2″][et_pb_column type=”4_4″ _builder_version=”4.3.2″][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/09\/FINAL-FINISHED-Coreopsis-Autumn-by-Carly-J.J.-Turner-2020e-1.jpg” _builder_version=”4.3.2″][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”A Personal Journey Through Darkness: Spring and Summer 2020″ url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc2MCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/Fiery-Sunset-e.jpg” _builder_version=”4.6.5″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc2MCJ9fQ==@”]<\/p>\n

Lezlie Kinyon, PhD<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Becoming Antiracist” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc5MCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/hp-1-Mercer-Island-Black-Lives-Matter-Protest-Photo.jpg” _builder_version=”4.3.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc5MCJ9fQ==@” image__hover_enabled=”on|desktop”]<\/p>\n

Rebecca de Broglio, The Northwest School, Seattle, WA.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”It Can Happen Here” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgwMyJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/Think-Before-We-End-it-All-by-Carly-JJ-Turner-Autumn-2020e.png” _builder_version=”4.6.5″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgwMyJ9fQ==@” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Ron Boyer<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Subconscious Processes to Overcome Iatrogenic Addiction: A Case Analysis” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg0OSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/Brain-and-Addiction-by-Carly-JJ-Turner-Autumn-2020-e.png” _builder_version=”4.6.5″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg0OSJ9fQ==@”]<\/p>\n

Brent Green, Ph.D., University of California at Davis Extension, Continuing and Professional Education<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Music as Healer” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg3MyJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/hp-harpadjreal.jpg” _builder_version=”4.3.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg3MyJ9fQ==@” image__hover_enabled=”on|desktop”]<\/p>\n

Margaret Davis, B.A. Music, Magna cum Laude, certified Reiki Master<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Our Time of Coronavirus and Black Lives Matter: Loss, Grief, Trauma, Resilience, and Healing Change” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg4NSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/hp-1-Robin-in-a-Wild-Cherry-Tree.jpg” _builder_version=”4.3.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg4NSJ9fQ==@” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Denita Benyshek, Ph.D.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”A Pedagogical Approach to Teaching Ritual in a Theatre Context: Making the Invisible Visible” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkwNSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/hp-jaffe-jet-of-blood-ritual-photo-3.jpg” _builder_version=”4.3.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkwNSJ9fQ==@”]<\/p>\n

Jerry C. Jaffe, PhD, Professor of Theatre, Lake Erie College<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”There and Back Again (Part I): Transformational Imagery in Peter Jackson\u2019s Film Trilogy The Lord of the Rings” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkzNSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/Through-the-Dark-for-There-and-Back-Again-by-Carly-JJ-Turner-Autumn-2020e.png” _builder_version=”4.6.5″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkzNSJ9fQ==@” image__hover_enabled=”on|desktop”]<\/p>\n

Ronald L. Boyer, Graduate Theological Union<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Words of Wisdom” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMTAifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/Sacred-Prayer-Pipe-by-Carly-J.J.-Turner-Autumn-2020e.png” _builder_version=”4.6.5″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMTAifX0=@” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Carly JJ Turner<\/span><\/p>\n

\u00a0Artist in Residence, 2020\/21<\/span><\/p>\n

\u201cThese beautiful devices we use are made of sand, gold, and crystal. These devices\u2014 portals to other places\u2014they are made from Mother Earth. Mother Earth may help us in ways we do not yet understand.\u201d<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Artist’s Profile: Hasse Froberg interview” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjczNSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/10-The-Flower-Kings-Cover-.jpg” _builder_version=”4.6.5″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjczNSJ9fQ==@”]<\/p>\n

Steve Blomerth, Music Editor<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=” Music by The Healing Muses” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMTcifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/Music-as-Healer-Illustration-by-Carly-JJ-Turner-Autumn-2020e.png” _builder_version=”4.6.5″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMTcifX0=@” image__hover_enabled=”on|desktop”][\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=” Music by Hesse Froberg” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMzQifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/Two-Leaves-Together-by-Carly-J.J.-Turner-Autumn-2020e.png” _builder_version=”4.6.5″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMzQifX0=@” border_radii__hover_enabled=”on|desktop”][\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Art: Paula Camacho” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMzkifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/hp-paula-camacho.jpg” _builder_version=”4.3.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMzkifX0=@”][\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Smoke Apocalypse” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijk5MCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/hp-orange-sky-outside-windows.jpg” _builder_version=”4.3.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijk5MCJ9fQ==@” image__hover_enabled=”on|desktop”]<\/p>\n

Denita Benyshek<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Music Review: Clear Voices and Visions: A Review of Brocel\u00efande\u2019s The Starlit Jewel” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwNDcifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/09\/starlitjewel-300×300.jpg” _builder_version=”4.3.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwNDcifX0=@” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Carly Jean Journeyhawk Turner<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”reviews” _builder_version=”4.3.2″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Music Review: The HU: The Gereg” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwNTYifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/09\/The-Gereg-300×300.jpg” _builder_version=”4.3.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwNTYifX0=@”]<\/p>\n

Denise Dumars, M.A.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Music Review: Naked Kate by Nymphya” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwNzAifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/09\/Naked-Kate-front-cover-300×300-1.jpg” _builder_version=”4.3.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwNzAifX0=@” image__hover_enabled=”on|desktop”]<\/p>\n

Angus McMahan<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Book Review: The Assembly of the Severed Head: A Novel of the Mabinogi, by Hugh Lupton” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwNzkifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/hp-Assembly-Severed-Head.jpg” _builder_version=”4.3.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwNzkifX0=@” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Denise Dumars, M.A.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”New Music” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjExMTAifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/New-Music-Spooky-Record-Player-by-Carly-JJ-Turner-Autumn-2020e.png” _builder_version=”4.6.5″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjExMTAifX0=@”]Compiled by Lezlie Kinyon, Coreopsis Ed. in Chief, and Steve Blomerth, Music Editor.[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”New Publications Autumn 2020″ url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTEifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/new-books-anim.gif” _builder_version=”4.3.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTEifX0=@” image__hover_enabled=”on|desktop”][\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Community Announcements” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEyODQifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/hp-firefighter-with-large-hose.jpg” _builder_version=”4.3.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEyODQifX0=@”][\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”The Year of the Metal Rat: The Re-birth of the Earth” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgyNiJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/Metal-Rat-for-Year-of-The-Rat-by-Carly-JJ-Turner-Autumn-2020e.png” _builder_version=”4.6.5″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgyNiJ9fQ==@” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Marylyn Motherbear Scott<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Out Through the Window” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgyMSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2020-issue\/wp-content\/uploads\/2020\/10\/hp-Ipswich-River-Audubon-March-22-2020.jpg” _builder_version=”4.3.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#D982D3″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgyMSJ9fQ==@”]<\/p>\n

Steve Blomerth, music editor<\/p>\n

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\u00a0Dancing through the Darkness Autumn 2020 Vol. 8 # 2 ISSN 2333-0627 Cover art by Carly JJ Turner \u201cIn between the fire was burning and you could smell, you know from the bones and hair \u2013 and the fire was burning that was like over the whole camp. Was very big, very big. 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