{"id":919,"date":"2022-09-27T05:42:25","date_gmt":"2022-09-27T05:42:25","guid":{"rendered":"http:\/\/box2473.temp.domains\/~socieue2\/coreopsis\/autumn-2022-issue\/?page_id=919"},"modified":"2022-11-07T17:43:26","modified_gmt":"2022-11-08T01:43:26","slug":"coreopsis-journal-autumn-2022","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/","title":{"rendered":"Coreopsis Journal Autumn 2022"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Top thru Author” _builder_version=”4.16″ background_enable_image=”off” min_height=”250px” custom_margin=”0px||-40px||false|false” custom_padding=”0px||0px||true|false” saved_tabs=”all” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/09\/coreopsis-winter-2019-header.png” title_text=”coreopsis-winter-2019-header” admin_label=”Coreopsis logo” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text admin_label=”Title & Author” module_id=”author” module_class=”noindent” _builder_version=”4.19.0″ global_colors_info=”{}”]<\/p>\n

The Moon in a Sacred Tree: the Symbology of Tarot and Alchemy<\/h1>\n

Autumn 2022,\u00a0Volume 10 Number 2,\u00a0\u00a0ISSN 2333-0627<\/span><\/p>\n

Find eyes within, look for the door into the unknown country. Pamela Colman Smith, artist[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/Image-9-11-20-at-7.47-PM.jpg” title_text=”Image 9-11-20 at 7.47 PM” align=”center” _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”noindent” _builder_version=”4.19.0″ _module_preset=”default” custom_padding=”||1px|||” global_colors_info=”{}”]<\/p>\n

Denita Benyshek, “<\/span>A Tree in Winter Remembers Spring.”
<\/span>Engraved glass, King County Arts Commission,
Harborview Medical Center Ethnic Heritage Collection, Seattle, WA.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Editorial: The Magical Royals” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkzMSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/royal.jpg” image_icon_width_tablet=”101px” _builder_version=”4.19.0″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkzMSJ9fQ==@” z_index_tablet=”0″ header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” box_shadow_horizontal_image_tablet=”0px” box_shadow_vertical_image_tablet=”0px” box_shadow_blur_image_tablet=”40px” box_shadow_spread_image_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

Yvonne Owens, Ph.D.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”About the Cover Art for this issue” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkzNSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/Image-9-11-20-at-7.47-PM.jpg” _builder_version=”4.19.0″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkzNSJ9fQ==@” global_colors_info=”{}” image__hover_enabled=”on|desktop” image__hover=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/Image-9-11-20-at-7.47-PM.jpg”]<\/p>\n

Denita Benyshek, Ph.D.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Tarot: Empress and Four Queens of the Tarot” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/empress-1.jpg” _builder_version=”4.19.0″ _dynamic_attributes=”link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijk0MCJ9fQ==@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Orly Mizrahi, Ph.D.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Tarot and Alchemy: Temperance ” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijk0OSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/alchemy-1.jpg” _builder_version=”4.19.0″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijk0OSJ9fQ==@” hover_enabled=”0″ z_index_tablet=”0″ global_colors_info=”{}” title_text=”alchemy” sticky_enabled=”0″]<\/p>\n

Emily Auger, Ph.D.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Tarot in the Time of Corona ” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijk2MCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/corona.jpg” _builder_version=”4.19.0″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijk2MCJ9fQ==@” global_colors_info=”{}” image__hover_enabled=”on|desktop” image__hover=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/10\/Four-Worlds-Woman.jpeg”]Helena Domenic, Ph.D.[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Words of Wisdom” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjExMzMifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/nashay.jpg” alt=”Nashay at South Philly library” _builder_version=”4.19.0″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjExMzMifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”][\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Tarot Deck Review: Tarot in Pandemic and Revolution” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMjkifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/pandemic-revolution.jpg” _builder_version=”4.19.0″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMjkifX0=@” z_index_tablet=”0″ global_colors_info=”{}”]<\/p>\n

Helena Domenic, M.A., M.F.A.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Review: Tarot and Divination Cards” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjExMDQifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/tarot-divination.jpg” _builder_version=”4.19.0″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjExMDQifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Emily E. Auger<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”An Interview with the Green Wizard” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwODQifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/wands.jpg” _builder_version=”4.19.0″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwODQifX0=@” z_index_tablet=”0″ global_colors_info=”{}”]<\/p>\n

Steve Aultman<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”The Rainbow Bridge Oracle” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTAifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/6-the-Star-copy.jpg” _builder_version=”4.19.0″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTAifX0=@” global_colors_info=”{}” image__hover_enabled=”on|desktop” image__hover=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/09\/queries.png”]<\/p>\n

Lauren Raine MFA<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Gallery: Nashay Jones” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTQifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/Spoon-copy.jpg” _builder_version=”4.19.0″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwOTQifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Artist in Residence<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Gallery: the Green Wizard” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjMwNyJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/wands.jpg” _builder_version=”4.19.0″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjMwNyJ9fQ==@” z_index_tablet=”0″ global_colors_info=”{}”]<\/p>\n

author<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Announcements” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwNDUifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/announcements.jpg” _builder_version=”4.19.0″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwNDUifX0=@” global_colors_info=”{}” image__hover_enabled=”on|desktop” image__hover=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/09\/queries.png”]<\/p>\n

Events, Books, Music<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”The Final Word” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjExMDkifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/autumn-2022-issue\/wp-content\/uploads\/2022\/11\/Hans-van-Wyk-copy.jpg” _builder_version=”4.19.0″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eagle Lake||||||||” header_text_align=”left” header_text_color=”#15447f” header_font_size=”20px” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjExMDkifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Hans van Wyk<\/span><\/p>\n

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The Moon in a Sacred Tree: the Symbology of Tarot and Alchemy. 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