jeffandmayabohnhoff.bandcamp.com\/album\/labyrinth<\/a><\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Content Block” _builder_version=”4.16″ background_color=”RGBA(255,255,255,0)” background_enable_image=”off” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” saved_tabs=”all” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ _builder_version=”4.16″ background_color=”RGBA(255,255,255,0)” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ custom_margin=”||||false|false” custom_padding=”||0px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]![\"\"](\"https:\/\/societyforritualarts.com\/coreopsis\/autumn-2023-issue\/wp-content\/uploads\/2023\/09\/Labyrinth.jpg\")
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Labyrinth<\/i> is the brainchild of incredible musical duo Jeff and Maya Bohnhoff, showcasing their considerable songwriting and composition talents, and their stellar instrumental and vocal abilities. This song cycle takes the listener on a sonic journey that seems to reflect and explore the uncertainty so many of us felt through the early days of the pandemic. Using the metaphor of the labyrinth, each track spirals around and down, sometimes through urban despair, other times illuminated by the moon of reason (or is it lunacy?), spiraling ever towards the quiet resolution of the center, and ultimate healing.<\/p>\n
Jeff Bohnhoff is an absolutely amazing guitarist, and most of the tracks feature scintillating guitar solos. Many also include his drum programming and synth\/keyboards. Maya is a marvelous singer and sings all the leads, with occasional backup by Michelle \u201cVixy\u201d Dockrey and Steve Macdonald. Jeff and Maya share the music composition credits, and Jeff wrote all of the song lyrics except for \u201cLighthouse,\u201d which was written by Maya. Mike Mallory (bass), Chris French (saxes), Mary Crowell (piano), Jared Norris (piano), and Betsy Tinney (cello) all add their musical magic, and artist Beckett Gladney created the beautiful cover and interior artwork.<\/p>\n
Labyrinth<\/i> opens with \u201cA Moon Half Full,\u201d featuring driving bass and drums, gripping, evocative lyrics, and a wonderful electric guitar solo. \u201cThe Haze\u201d follows, with tasteful electric guitar licks over sparkles of piano, melodic cello, and a grounding of synth. The lyrics paint a vivid picture, dynamic rhythms support the soaring electric guitar, and a thoughtful saxophone leads out.<\/p>\n
The third track, \u201cLabyrinth,\u201d is a standout, with a Middle Eastern feel throughout, interesting chordal structure, and shifting rhythms suggesting the winding of a labyrinth. The ominous cautionary lyrics seem born of personal experience, and the darkly beautiful chorus is yet quite singable. Relentless rhythms underline the hard-hitting message, and a jazzy sax solo emphasizes the urban feel. Track four, \u201cMaybe It\u2019s True,\u201d changes it up with a mellow love song featuring a beautiful guitar solo, and gorgeous vocal harmonies between Maya and Vixy.<\/p>\n
\u201cLet the Fires Burn\u201d features upbeat lyrics of hope, renewal, and release from the cold hold of winter. The uptempo rock intro layers electric guitar, bass, and drums over sparkling synth, leading to driving female vocals and brilliantly cascading guitar solos. Number six, \u201cLighthouse,\u201d features powerful tom-heavy drums, strong bass, cosmic synth, and some of the most beautifully striking vocals on the album. A repeating melodic motif recalls the rotating light of a lighthouse. The lyrics incorporate maritime imagery and entreat the listener to return to self, calling them home from the sea of despair to the safety of love.<\/p>\n
The lyrics of the next track, \u201cBeyond the Bend,\u201d prophesy dark changes on the horizon. Water, in its various forms, symbolizes safety, security, and escape, serving at the same time as an ominous symbol of rising flood and fearful future. Masterful instrumental work supports Maya\u2019s exquisite and haunting vocals. The eighth track, \u201cRefuge,\u201d is a slow ballad reminiscent of Pink Floyd, with effective use of saxophone throughout. The mournful lyrics seem to speak of the plight of the homeless. \u201cChasing Ghosts\u201d follows, with a dark, foreboding intro and disquieting rhythms supporting lyrics that trace the journey from urban anguish to ultimate redemption.<\/p>\n
One of my favorite tracks on the album is #10, \u201cIn the Deep Luna Sea.\u201d Beautiful acoustic guitar, tasteful percussion, bass, and synth create a musical setting that recalls the rhythms of ocean waves. The sunnily major melody accompanies lyrics that seem to describe the insanity of current times, along with hope for healing and a call out to the seas of the moon and the qualities they represent. The next track, \u201cDon\u2019t Look Away,\u201d opens with wailing synth and tasteful, spare piano supporting beautiful trio vocal arrangements. A soaring electric guitar solo embellishes and underscores the entreating urgency of the lyrics, offering hope and release after the dry season of despair \u2014\u201ca chance of rain, of love regained, it\u2019s all here.\u201d<\/p>\n
Track 12, \u201cVanishing Point,\u201d features evocative lyrics, strong rhythms, and a glorious guitar solo, leading to the closing track, \u201cIt\u2019s Quiet Here.\u201d A church-organ-like synth leads into the beautiful vocal, speaking of rest and redemption at the end of a time of horror and worry \u2014 the quiet in the center of a labyrinth.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ background_enable_image=”off” custom_padding=”0px|||||” saved_tabs=”all” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_divider color=”#37712d” divider_weight=”3px” _builder_version=”4.16″ width=”60%” module_alignment=”center” height=”5px” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,3_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text module_class=”noindent” _builder_version=”4.22.2″ global_colors_info=”{}”]
![\"\"](\"https:\/\/societyforritualarts.com\/coreopsis\/autumn-2023-issue\/wp-content\/uploads\/2023\/09\/MargaretDavis-300x300.jpg\")
<\/p>\n
Margaret Davis is a professional singer, multi-instrumentalist, artist, and calligrapher. She sings and plays Celtic harp, flute, and recorders with the bands Margaret & Kristoph<\/a>, Avalon Rising<\/a>, and Brocel\u00efande<\/a>. She has released 16 CDs on the Flowinglass Music label. Her mythic and magical artwork incorporates gouache painting, lettering, and gold leaf and aims to invoke the life force and represent the archetypal essence of flowers, plants, and animals. MargaretDavisArt.com<\/a><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n\n","protected":false},"excerpt":{"rendered":"Spiraling Home:A review of Labyrinth byJeff and Maya Bohnhoff Margaret Davis jeffandmayabohnhoff.bandcamp.com\/album\/labyrinth Labyrinth is the brainchild of incredible musical duo Jeff and Maya Bohnhoff, showcasing their considerable songwriting and composition talents, and their stellar instrumental and vocal abilities. This song cycle takes the listener on a sonic journey that seems to reflect and explore the […]<\/p>\n","protected":false},"author":4,"featured_media":1441,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"iawp_total_views":5,"footnotes":""},"class_list":["post-1439","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\n
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