![\"\"](\"https:\/\/i0.wp.com\/societyforritualarts.com\/website_799ab241\/wp-content\/uploads\/2024\/10\/WalkingAway.jpg?resize=512%2C341&ssl=1\")
Walking Another Path<\/em><\/h2>\nAutumn 2024.<\/p>\n
Volume 12 Number 2.<\/p>\n
ISSN 2333-0627<\/p>\n
\u201cThey knew their voices broke a silence of a thousand million years, the silence of wind and leaves and wind, blowing and ceasing and blowing again.\u201d<\/i> UK LeGuin, 1972, \u201cThe Ones Who Walk Away from Omelas\u201d in The Wind\u2019s Twelve Quarters<\/i>.<\/p>\n
Cover Art by Lauren Raine, all rights reserved.<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”noindent” _builder_version=”4.27.2″ _module_preset=”default” text_font_size=”24px” background_color=”RGBA(255,255,255,0)” custom_padding=”10px|10px|10px|10px|true|true” border_radii=”on|15px|15px|15px|15px” border_width_all=”10px” global_colors_info=”{}”]<\/p>\n
A note from your Editors:<\/p>\n
Dear Readers, Coreopsis Journal<\/i> has never shied away from difficult subjects, and never will. As a scholarly research journal and, as such, this issue contains sensitive, adult subject material including discussion of gender identity, aging, death, and the hard questions of ethics and morality that Ms. LeGuin\u2019s original story evokes. Including that of endangered children. We all read \u201cOmelas\u201d and want to stop the treatment of the child. We want to say: \u201cWalk away!\u201d and that is what this issue is about, asking those hard questions about the world we live in and what we, as a society, are prepared to sacrifice, by staying or walking away.\u00a0 We welcome your letters and feedback. Please send letters to the editor at: coreopsisjournalofmyththeatre@gmail.com<\/a> and include a note if you do not want your letter published in the Spring 2025 issue. We will try to respond in a timely manner. Thank you, the Editors.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”noindent” _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Many Changes and More Ahead<\/i><\/a><\/p>\n Lezlie Kinyon<\/p>\n <\/p>\n Why Do We Keep Returning to the Omelas?<\/i><\/a><\/p>\n Priya Sridhar<\/p>\n <\/p>\n To Annihilate Utopia – a reply\u00a0<\/i><\/a><\/p>\n Nathaniel Hellerstein[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”noindent” _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n (Re)imagining Gender Through Le Guin and Russ<\/i><\/a><\/p>\n Rory W. Collins<\/p>\n <\/p>\n An Expressive Body: The Beauty of Dancing in Elder Life<\/i><\/a><\/p>\n Martina Young<\/p>\n <\/p>\n The Quest for Baba Yaga: When Folktales Meet Goddesses and the Ancients<\/i><\/a><\/p>\n Kris Spisak[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”noindent” _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n \u201cWherever My Art Takes Me\u201d<\/i><\/a><\/p>\n Interview with Thana Meejinda[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”noindent” _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n The Art of Thana Meejinda<\/a>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”noindent” _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Review of Sharon Knight\u2019s \u201cUndertow\u201d<\/a><\/p>\n by Helena Domenic., M.A., M.F.A., Kutztown University<\/p>\n <\/p>\n Tarot Reviews by Helena Domenic, Kutztown University, M.A., M.F.A<\/p>\n Pulp Tarot<\/i> by Todd Alcott<\/a><\/p>\n The Dark Fairy Tales Tarot<\/i><\/a><\/p>\n <\/p>\n Lenormand Review by Seren Derryth Riddle<\/p>\n Ciro Marchetti\u2019s Gilded Reverie Lenormand- Expanded Edition<\/a>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”noindent” _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Books and publications<\/a><\/p>\n Music<\/a>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”noindent” _builder_version=”4.27.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Escape from Omelas<\/em><\/a><\/p>\n Chana Khol[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”#000000″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”noindent” _builder_version=”4.27.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Reference:<\/b> Coreopsis Journal of Myth and Theatre Walking Away<\/i>, Autumn 2024. Volume 12 Number 2. Editor, Lezlie A. Kinyon, Ph.D. Berkeley, CA. ISSN 2333-0627 Society for Ritual Arts www.coreopsis.org<\/a><\/p>\n Artists in this issue are: Lauren Raine, Denita Benyshek, Helena Domenic, Sonali Roy, Carly J.J. Turner all rights reserved, used by permission.<\/p>\n Editors this issue are: Lezlie Kinyon, Priya Sridhar, Peggy Wheeler, and Sean Sanford<\/p>\n Thank you to everyone who made this issue of Coreopsis Journal<\/i> possible.<\/p>\n Web design by Kristen Skold<\/p>\n For copyright and reprint information, please contact Rev. Denise Dumars, MA, Author Liaison at eerieaerie@hotmail.com<\/p>\nEditorials<\/h2>\n
Papers<\/h2>\n
Artist Profile<\/h2>\n
Gallery<\/h2>\n
Reviews<\/h2>\n
Music<\/h3>\n
Tarot and Lenormand<\/h3>\n
Announcements<\/h2>\n
New Releases<\/h3>\n
The Final Word<\/h2>\n