{"id":252,"date":"2026-09-08T17:21:00","date_gmt":"2026-09-08T17:21:00","guid":{"rendered":"https:\/\/tnf.ola.mybluehost.me\/coreopsis\/autumn-2026-issue\/?page_id=252"},"modified":"2026-09-14T22:26:49","modified_gmt":"2026-09-14T22:26:49","slug":"staff-page","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/autumn-2026-issue\/staff-page\/","title":{"rendered":"Staff Page"},"content":{"rendered":"\n<style data-wp-block-html=\"css\">\n.headings {\n background-image: url(\"\/coreopsis\/autumn-2026-issue\/wp-content\/uploads\/2026\/09\/editorialBackground.jpg\");\n background-repeat: no-repeat;\n background-size: cover;\n margin-bottom: 24px;\n text-align: center;\n padding: 48px 24px 24px 24px;\n}\n.closing {\n font-family: \"Alegreya SC\", serif;\n}\n.board, .editorial, .smallBox {\n column-gap: 24px;\n display: flex;\n}\n\n.left, .right, .smallLeft, .smallRight {\n  flex: 1;\n}\n\nh2 {\n margin-top: 60px;\n text-align: center;\n}\n@media(max-width: 860px){\n .board, .editorial, .smallBox {\n  flex-wrap: wrap;\n }\n .left, .right {\n  flex-basis: 100%;\n }\n}\n<\/style>\n\n<meta property=\"og:title\" content=\"Staff Page\">\n<meta property=\"og:description\" content=\"Staff page.\">\n<meta property=\"og:url\" content=\"\/coreopsis\/autumn-2026-issue\/staff-page\/\">\n<meta property=\"og:type\" content=\"article\">\n<section class=\"headings\">\n   <div class=\"topLinks\">\n    <div class=\"left\">\n      <h3><a href=\"https:\/\/societyforritualarts.com\/coreopsis\/\">Journals Home<\/a><\/h3>\n    <\/div>\n    <div class=\"center\">\n      <h3><a href=\"\/coreopsis\/autumn-2026-issue\/table-of-contents\/\">Table of Contents<\/a><\/h3>\n    <\/div>\n    <div class=\"right\">\n      <h3><a href=\"\/coreopsis\/autumn-2026-issue\/biophilia-from-cultural-services-to-something-we-cant-live-without\/\">First<\/a><\/h3>\n    <\/div>\n  <\/div>\n\t<h1>The Intrepid Editorial Staff<\/h1>\n\t<p><b>Who are we?<\/b><\/p>\n\t<p>There is a small cadre of volunteers who put both <i>Roses &amp; Wildflowers<\/i> and her elder sister <i>Coreopsis Journal of Myth &amp; Theatre<\/i> together. We acknowledge these passionate and dedicated folk here with gratitude.<\/p>\n\t<p>We are proudly listed on <a href=\"https:\/\/duotrope.com\/magazine\/roses-and-wildflowers-35977\">Duotrope<\/a> and <a href=\"https:\/\/thegrinder.diabolicalplots.com\/\">Submissions Grinder<\/a><\/p>\n\t<p>Join the conversation on Discord and stay up to date!<\/p>\n<\/section>\n<main>\n\t<div class=\"editorial\">\n\t\t<div class=\"left\">\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3><a href=\"https:\/\/linktr.ee\/lezliethepoet\">Lezlie A. Kinyon<\/a>, Ph.D., Founding Editor<\/h3>\n\t\t\t\t<p>Writer, Scholar, Poet, Working Artist. Maker of community and magic.<\/p>\n\t\t\t\t<p>Editor of Coreopsis Journal of Myth &amp; Theatre and Roses &amp; Wildflowers Magazine\n\t\t\t\tLoves to walk in nature taking photos of flowers and has recently taken up bird watching.<\/p>\n\t\t\t\t<p>Linktree: <a href=\"https:\/\/linktr.ee\/lezliethepoet\">https:\/\/linktr.ee\/lezliethepoet<\/a><\/p>\n\t\t\t\t<p>Lezlie may be contacted at: \u201cEditor\u201d at <a href=\"mailto:coreopsisjournalofmyththeatre@gmail.com\">coreopsisjournalofmyththeatre@gmail.com<\/a><\/p>\n\t\t\t<\/div>\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3>Priya Sridhar, Assistant Editor<\/h3>\n\t\t\t\t<p>A 2016 MBA graduate and published author, Priya Sridhar has been writing fantasy and science fiction for fifteen years, and counting. Capstone published the Powered series, and Unnerving Press published Offstage Offerings. Priya lives in Miami, Florida with her family.<\/p>\n\t\t\t\t<p>Pryia Sridar is a staff editor and regular contributor for Coreopsis Journal.<\/p>\n\t\t\t<\/div>\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3><a href=\"https:\/\/seniahardwick.neocities.org\">Senia Hardwick<\/a>, Poetry Editor<\/h3>\n\t\t\t\t<p>Senia is a poet, educator, and cat dad. They hold an MFA in poetry from Queens College and contribute regularly to the Poetry Society of New York\u2019s How To Poet Blog. Their first book, An Exchange in Demonology; Improvement of the Self and Others, is available through CLOAK. More can be found on their website:<\/p>\n\t\t\t\t<p><a href=\"https:\/\/seniahardwick.neocities.org\">https:\/\/seniahardwick.neocities.org<\/a><\/p>\n\t\t\t<\/div>\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3>Seren Derryth, Coreopsis Journal, New Releases and Music Editor.<\/h3>\n\t\t\t\t<p>\u2026 is a Witchy Artsy Whimsical Fae!<\/p>\n\t\t\t\t<p>Creating mirth and magic in a multitude of artsy and craftsy ways, Seren likes to work with a multitude of mediums, including spectacular semi-precious stones and gems, sparkly crystals, fantastic pendants and charms, her beloved iPad for digital art, ever trusty colored pencils, gorgeous gouache, and more!<\/p>\n\t\t\t\t<p><a href=\"https:\/\/www.serenderryth.com\/\">https:\/\/www.serenderryth.com\/<\/a><\/p>\n\t\t\t\t<p>Send your new music release announcement to: \u201cNew Music\u201d at <a href=\"mailto:coreopsisroseswild@gmail.com\">coreopsisroseswild@gmail.com<\/a><\/p>\n\t\t\t<\/div>\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3><a href=\"https:\/\/deniseddumars.com\/\">Denise Dumars<\/a>, Ph.D., Author Liaison, Society For Ritual Arts Board President, Sensitivity Reading for Disabilities<\/h3>\n\t\t\t\t<p>Throughout her prolific writing career Denise Dumars has written and published poetry, short stories, articles, and reviews in journals such as Terra Incognita, Cinefantastique, and Talebones. She is a columnist for Star*Line, the journal of the Science Fiction Poetry Association, and a peer reviewer for Coreopsis: A Journal of Myth and Theater. She has also published two collections of short stories; two non-fiction books, including The Dark Archetype (with Lori Nyx), and numerous chapbooks of poetry, the most recent of which is Letting in the Dark (Yellow Bat Press). Denise teaches a variety of English courses in Southern California colleges.<\/p>\n\t\t\t\t<p><a href=\"https:\/\/deniseddumars.com\/\">https:\/\/deniseddumars.com\/<\/a><\/p>\n\t\t\t<\/div>\n\t\t\t<p>(open) <\/p><h3>Artist in Residence 2026\/27<\/h3><p><\/p>\n\t\t\t<h4>The Design Team<\/h4>\n\t\t\t<p><\/p><h3>Monty Rohde<\/h3> Webmaster, Developer<p><\/p>\n\t\t\t<p><\/p><h3><a href=\"https:\/\/jojorazor.com\/\">Jojo Razor<\/a><\/h3> Designer for the templates for Correopsis Journal<p><\/p>\n\t\t\t<p><\/p><h3><a href=\"https:\/\/linktr.ee\/lezliethepoet\">Lezlie Kinyon<\/a><\/h3> Layout and design.<p><\/p>\n\t\t<\/div>\n\t\t<div class=\"right\">\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3>Sonali Roy, Arts Editor\/Director<\/h3>\n\t\t\t\t<p>Sonali Roy, is a freelance journalist and photographer, Sonali Roy, wears several other hats including a painter, 3-D art designer, passionate traveler, singer, music composer, lyricist, and guitarist. Roy is a lover of art and architecture. While not working, Sonali enjoys creative writing, watching and feeding birds, and listening to music. She is devoted to vegetarian diet and practices yoga &amp; meditation regularly. Sonali very much misses her canine friend (and best friend) Fuchoo, who left her forever at the age of eight in 2023.<\/p>  \n\t\t\t\t<p>About my work: I very much love creating 3-D Paint. I enjoy weird and fantasy artworks though I always crave for conveying some reality through my creation. Yes, I&#8217;m weird because I think outside the box. From the very childhood, I&#8217;ve been feeling something one may call &#8216;individual vs society&#8217;, which I later realized is one of the popular themes of European literature. So is my art- whether science fiction or fantasy- uncanny always accompanies me. Maybe I find inspiration in it. Maybe fondness for the weird springs from the excess of tough realities you face. Some say those finding solace in fantasy are escapists. But, trying to find harmony with the wings of imagination is a tough reality, which, more or less, happens to all of us, and we cannot deny it- that&#8217;s all!<\/p>\n\t\t\t<\/div>\n\t\t\t<h2>Sensitivity Readers<\/h2>\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3>Lisa Peppan<\/h3>\n\t\t\t\t<p>Independent author of Alternate Universe\/Portal fantasy. \u201cI\u2019m also an avid family historian (the non-Native side of the family\u2019s been in North America since the early 1600s), and I\u2019ve been known to dress up like it\u2019s the mid-1800s and educate the public about the Hudson\u2019s Bay Company on the Pacific Coast as a volunteer historic reenactor.\u201d<\/p>\n\t\t\t<\/div>\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3>Daria Shestakova<\/h3>\n\t\t\t\t<p>@Lethendralis<\/p>\n\t\t\t\t<p>\u0414\u0430\u0440\u0456\u044f \u0428\u0435\u0441\u0442\u0430\u043a\u043e\u0432\u0430<\/p>\n\t\t\t\t<p>Ukrainian Fantasticist and 2D artist and illustrator.<\/p>\n\t\t\t\t<p><a href=\"https:\/\/linktr.ee\/lethendralis\">https:\/\/linktr.ee\/lethendralis<\/a><\/p>\n\t\t\t<\/div>\n\t\t\t<div class=\"smallBox\">\n\t\t\t\t<div class=\"smallLeft\">\n\t\t\t\t\t<h4>Copy and line editors for 2025\/6<\/h4>\n\t\t\t\t\t<p>Terrence Ward<\/p>\n\t\t\t\t\t<p>Meghan Davis<\/p>\n\t\t\t\t\t<p>Mord McGhee<\/p>\n\t\t\t\t\t<p>Renaye Greenwood<\/p>\n\t\t\t\t\t<p>Eleanor Hudson<\/p>\n\t\t\t\t\t<p>Laura Briskin-Limehouse<\/p>\n\t\t\t\t\t<p>Jean Fox<\/p>\n\t\t\t\t\t<p>Sean Sanford<\/p>\n\t\t\t\t\t<p>and Orly Mizrahi, Ph.D.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"smallRight\">\n\t\t\t\t\t<h4>First readers for Roses &amp; Wildflowers 2025\/6<\/h4>\n\t\t\t\t\t<p>Meghan Davis<\/p>\n\t\t\t\t\t<p>Mord McGhee<\/p>\n\t\t\t\t\t<p>Laura Briskin-Limehouse<\/p>\n\t\t\t\t\t<p>Ian Grey<\/p>\n\t\t\t\t\t<p>Deanna Burleson<\/p>\n\t\t\t\t\t<p>Priya Sridhar<\/p>\n\t\t\t\t\t<p>Renaye Greenwood<\/p>\n\t\t\t\t\t<p>Denise Dumars<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<h4>Peer review<\/h4>\n\t\t\t<p>Coreopsis Journal of Myth and Theatre engages in a double blind review of submitted papers and assigns papers for review on a case-by-case basis. <\/p>\n\t\t<\/div>\t\n\t<\/div>\n        <h2>Advisory Board<\/h2>\n\t<div class=\"board\">\n\t\t<div class=\"left\">\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3>Rodney Shaclkleford, Do. Ph.D. Academic Chair, Society for Ritual Arts Board Member<\/h3>\n\t\t\t\t<p>Associate Professor of Pathology<\/p>\n\t\t\t\t<p>University of South Alabama<\/p>\n\t\t\t<\/div>\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3><a href=\"https:\/\/stanleykrippner.weebly.com\/\">Stanley Krippner<\/a>, Ph.D. Advisor<\/h3>\n\t\t\t\t<p>Professor Stanley Krippner stands as a true trailblazer in the realm of consciousness exploration, pushing boundaries by delving into cross-cultural perspectives and the intriguing realm of non-ordinary experiences that boldly challenge conventional paradigms. With an extensive body of work, he is an award winning prolific author (Personal Mythology and Varieties of Anomalous Experience), and an esteemed researcher, diving into diverse subjects such as dreaming, psychedelics, creativity, shamanism, parapsychology, and trauma.<\/p>\n\t\t\t<\/div>\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3>Helena Domenic, Arts Advisor and Editor  MFA , Society For Ritual Arts Board Secretary<\/h3>\n\t\t\t\t<p>Artist in Residence 2025 (a yearly position)<\/p>\n\t\t\t\t<p>Helena Domenic is an accomplished painter, writer, and mystic who has shown her work in Philadelphia, New York, across the United States and in Egypt and South Africa. Helena was born in Vicenza, Italy where she was exposed to great works of art from a very early age. After viewing the Sistine Chapel ceiling at the age of eighteen months, her mother predicted she would become an artist. She holds a BFA from Kutztown University, an MA in Art Education from The University of the Arts, and an MFA from Goddard College in Plainfield, Vermont.<\/p>\n\t\t\t<\/div>\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3><a href=\"https:\/\/yvonneowens.academia.edu\/\">Yvonne Owens<\/a>, Ph.D. Advisor<\/h3>\n\t\t\t\t<p>Yvonne Owens is a past Research Fellow at the University College of London, and Professor of Art History and Critical Studies. She was awarded a Marie Curie Ph.D. Fellowship in 2005 for her interdisciplinary dissertation on Renaissance portrayals of women in art and sixteenth-century Witch Hunt discourses. She holds an Honours B.A. with Distinctions in History of Art from the University of Victoria, British Columbia, an M.A. in Medieval Studies with Distinction from The Centre For Medieval Studies at the University of York, U.K., and an M.Phil. and Ph.D. in History of Art from University College of London. Her publications to date have mainly focused on representations of women and the gendering of evil &#8220;defect&#8221; in classical humanist discourses, cross-referencing these figures to historical art, natural philosophy, medicine, theology, science and literature. Her essay, \u201cThe Saturnine History of Jews and Witches,\u201d appeared in Preternature (Vol. 3, No. 1) in 2014, her book chapter, Pollution and Desire in Hans Baldung Grien: The Abject, Erotic Spell of the Witch and Dragon appeared in Angeliki Pollali and Berthold Hub, Eds., Images of Sex and Desire in Renaissance Art and Modern Historiography, her essay &#8220;The Hags, Harridans, Viragos and Crones of Hans Baldung Grien&#8221; was published as part of the Hans Baldung Grien: New perspectives on his work, International Conference Proceedings (October 18-20, 2018), Staatliche Kunsthalle Karlsruhe in 2019, and her book, Abject Eroticism in Northern Renaissance Art: the Witches and Femme Fatales of Hans Baldung Grien, Bloomsbury London, in 2020. She also writes art and cultural criticism, exploring contemporary post-humanist discourses in art, literature and new media. She is the editor for an anthology of essays titled Trans-Disciplinary Migrations: Science, the Sacred, and the Arts, from Cambridge Scholars Publishing.<\/p>\n\t\t\t\t<p><a href=\"https:\/\/yvonneowens.academia.edu\/\">https:\/\/yvonneowens.academia.edu\/<\/a><\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t<div class=\"right\">\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3><a href=\"https:\/\/suanneschaferauthor.com\/interview-peggy-a-wheeler\/\">Peggy Wheeler<\/a> Poetry Advisor and Editor<\/h3>\n\t\t\t\t<p>Peggy Wheeler is taking some really needed time off from poetry editing to complete her latest novel. She will return in Spring 2026.<\/p>\n\t\t\t\t<p>Peggy was one of only twelve students (and the only undergraduate) chosen to study with Robert Pinsky, former Poet Laureate of the United States. She won first prize awards for two poems from an Evergreen Women\u2019s Press nationwide poetry contest. Her poetry received honorable mentions from the judges of a Los Angeles Poetry Festival and The Academy of American Poets. Her poem Du Fu was nominated for a Rhysling award for Best Science Fiction Poem. She\u2019s led adult poetry and fiction writing critique groups and workshops in both Colorado and California. In 2018, her novel, The Splendid and Extraordinary Life of Beautimus Potamus, won a coveted Audible\u2019s Reviewer\u2019s Choice Award. Her publisher, Dragon Moon Press, released Peggy\u2019s fifth novel in Summer 2019. The Raven\u2019s Daughter was Peggy\u2019s debut novel. Peggy and her husband, Steve, along with their dogs, live in northern California. Her five novels are available at all the usual outlets. She has led creative writing critique groups in both Colorado and California since the 1980s, and she taught poetry as a guest teacher for a charter school. Her poetry has won several small press awards, and in the 1990s, her work was shortlisted for the Rhysling and The Academy of American Poets awards. You may contact Peggy at <a href=\"mailto:PAWheelerwriter@gmail.com\">PAWheelerwriter@gmail.com<\/a>.<\/p>\n\t\t\t<\/div>\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3>William Baldwin Society, Advosor For Ritual Arts Board Treasurer<\/h3>\n\t\t\t\t<p>William Baldwin is a long-time board member of South Bay Writers and the California Writers Club. He is the author of the novel Soul Flight, the collection Autumn Leaves, Spring Rain\u2026Lightning!, and the forthcoming novel The Path Between.<\/p>\n\t\t\t<\/div>\n\t\t\t<div class=\"person\">\n\t\t\t\t<h3><a href=\"https:\/\/tkrex.wtf\/\">Thea Boodhoo<\/a> Branding Advisor<\/h3>\n\t\t\t\t<p>Nature, science and the technology industry. Award winning writer.<\/p>\n\t\t\t\t<p><a href=\"https:\/\/tharkibo.medium.com\/\">https:\/\/tharkibo.medium.com\/<\/a><\/p>\n\t\t\t\t<p><a href=\"https:\/\/tkrex.wtf\/\">https:\/\/tkrex.wtf\/<\/a><\/p>\n\t\t\t<\/div>\n\t\t\t<h3>Sarah Davis  Social Media<\/h3>\n\t\t\t<h3>Meghan Davis Granwriting<\/h3>\n\t\t\t<h3>David Metzer<\/h3>\n\t\t\t<p class=\"closing\">Our journals are published by the <a href=\"https:\/\/societyforritualarts.com\/\">Society for Ritual Arts<\/a>. We are a 501(c)(3) Non-Profit. The Board of Directors for 2025-26 is Denise Dumars, President, Helena Domenic, Secretary, William Baldwin, Treasurer, Valerie Voigt, Priestess in Residence. Chairs: Rodney Shackleford, Academic Chair. Grant Writing: MeghanDavis Vacant: Fundraising Chair. Youth Chair. Project Heads: Publishing: Lezlie Kinyon, Webmaster Nathan Rodhe, Social Media: Sarah Davis, Retreat: Vacant.<\/p>\n\t\t\t<a href=\"https:\/\/ko-fi.com\/rwfiction\"><img decoding=\"async\" loading=\"lazy\" src=\"\/coreopsis\/autumn-2026-issue\/wp-content\/uploads\/2026\/09\/BuyUsACuppa_Color.webp\"><\/a>\n\t\t<\/div>\n\t<\/div>\n<\/main>\n","protected":false},"excerpt":{"rendered":"<p>Journals Home Table of Contents First The Intrepid Editorial Staff Who are we? There is a small cadre of volunteers who put both Roses &amp; Wildflowers and her elder sister Coreopsis Journal of Myth &amp; Theatre together. We acknowledge these passionate and dedicated folk here with gratitude. We are proudly listed on Duotrope and Submissions [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-252","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Staff Page - Coreopsis Autumn 2026<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tnf.ola.mybluehost.me\/coreopsis\/autumn-2026-issue\/staff-page\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Staff Page - Coreopsis Autumn 2026\" \/>\n<meta property=\"og:description\" content=\"Journals Home Table of Contents First The Intrepid Editorial Staff Who are we? There is a small cadre of volunteers who put both Roses &amp; Wildflowers and her elder sister Coreopsis Journal of Myth &amp; Theatre together. We acknowledge these passionate and dedicated folk here with gratitude. 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