{"id":403,"date":"2017-05-13T06:57:03","date_gmt":"2017-05-13T06:57:03","guid":{"rendered":"http:\/\/societyforritualarts.com\/coreopsis\/?p=403"},"modified":"2017-05-14T17:12:34","modified_gmt":"2017-05-14T17:12:34","slug":"in-memoriam-leonard-cohen","status":"publish","type":"post","link":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2017-issue\/in-memoriam-leonard-cohen\/","title":{"rendered":"In Memoriam: Leonard Cohen"},"content":{"rendered":"

\"\"<\/p>\n

\u00a0Tribute: Leonard Cohen<\/b><\/h3>\n
\n
\n
September 21, 1934, Westmount, Canada<\/span><\/div>\n<\/div>\n<\/div>\n
\n
\n
November 7, 2016, Los Angeles, CA<\/span><\/div>\n<\/div>\n<\/div>\n

\u00a0by Ron Boyer<\/b><\/p>\n

I knew Leonard Cohen through his music, which I discovered as a teenage rock \u2019n roller growing up in the turbulent 60s. I bought his LP, Songs of Leonard Cohen<\/em><\/a>, at my favorite record store. I\u2019d never heard of him, but his photograph intrigued me. Then, I fell in love with his soulful, often depressing melodies and poetic, sensual\/spiritual lyrics, sung in his unique deep voice. Listening to Cohen helped me through a suicidal period during the depths of the Vietnam War. I was seriously depressed at the time, and his lyrics and mood so fit my mood that he actually gave me hope. My friends didn\u2019t appreciate his songs, but for me, it was like the title of Richard Farina\u2019s book, \u201cI\u2019ve been down so long it looks like up to me.\u201d \u201cI stepped into an avalanche, it covered up my soul,\u201d Cohen sang. \u201cOh the Sisters of Mercy, they are not departed, nor gone.\u201d \u201cHey, that\u2019s no way, to say, goodbye.\u201d I still recall these lyrics like yesterday.<\/p>\n

I bought all his albums in those early years. I bought his novel, Beautiful Loser<\/a>s<\/em>, which didn\u2019t grab me, and his poetry books, too. But his songs haunted me. \u201cShe loved me so well, at the Chelsea Hotel.\u201d And: \u201cLike a bird, on a wire, like a drunk in some old midnight choir, I have tried, in my way, to be free.\u201d His song, \u201cSuzanne,\u201d was my wedding song: \u201cSuzanne takes you down, to her place near the river. You can hear the boats go by; you can spend the night beside her.\u201d For me, he was part of a small pantheon of Canadian folk rock icons. Only Joni Mitchell and Gordon Lightfoot were his peers as singers, musicians, and lyricists.\u00a0 I ranked him right up there, as a lyricist and songwriter, with the best, including Bob Dylan and John Lennon. It took a long time for audiences to catch up with his genius, but in his later years, he found the recognition as a \u201cmusician\u2019s musician\u201d that he always deserved. Famous rock bands did Cohen covers. His concerts were packed. And he finally became mainstream popular with his hit single, \u201cHallelujah.\u201d<\/p>\n

Finally, I had an opportunity to meet him briefly, at a concert in Minneapolis in the early 70s.\u00a0 By then he was a devoted student of Zen Buddhism, living in the Zen community of Joshu Sasaki-Roshi. I had moved to Minneapolis to study Zen with Dainin Katagiri-Roshi, a Soto Zen master who came from Japan to help Shunryu Suzuki-Roshi build the Soto Zen community in America. I learned about the concert from Roshi; he had been invited by Robert and Nancy Pursig (Bob had just struck literary gold with his bestseller, Zen and the Art of Motorcycle Maintenance<\/em>). Bob and Nancy were members of the Minneapolis Zen Center community who were friends with Cohen. I encouraged Roshi to attend, as I did, and during the half-time break at the concert, Bob took a small Zen entourage up to meet Cohen at the stage. It was a terrific concert, though Roshi told me he was most impressed with Cohen\u2019s chorus, a trio of dynamic black female blues singers. When I heard of his death last November, at the age of 82, I was deeply saddened. I lit a piece of Japanese incense to commemorate his passing, and bowed to his spirit. Gassho, L. Cohen, gassho. \u201cHallelujah. Hallelujah.\/ Hallelujah. Hallelujah,\u201d I hear him sing. \u201cHey, that\u2019s no way, to say, good-bye.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

…<\/p>\n","protected":false},"author":3,"featured_media":404,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"iawp_total_views":26,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[14],"tags":[],"class_list":["post-403","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-memoriam"],"yoast_head":"\nIn Memoriam: Leonard Cohen » Coreopsis Journal Spring 2017<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/societyforritualarts.com\/coreopsis\/spring-2017-issue\/in-memoriam-leonard-cohen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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