{"id":5050,"date":"2019-04-18T10:34:44","date_gmt":"2019-04-18T17:34:44","guid":{"rendered":"http:\/\/www.societyforritualarts.com\/coreopsis\/winter-2019\/?page_id=5050"},"modified":"2019-05-05T16:18:49","modified_gmt":"2019-05-05T23:18:49","slug":"cover","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2019-issue\/","title":{"rendered":"Cover"},"content":{"rendered":"
[vc_row full_width=”stretch_row_content_no_spaces” equal_height=”yes” tablet_fullwidth_cols=”yes”][vc_column width=”1\/12″ css=”.vc_custom_1556001254581{margin-right: 75px !important;margin-left: 75px !important;}”]
<\/div>[\/vc_column][vc_column width=”3\/12″][vc_column_text]Cover art by Helena Domenic, SRA Artist in Residence for 2018\/19[\/vc_column_text][\/vc_column][vc_column width=”2\/12″][\/vc_column][vc_column width=”5\/12″][vc_column_text]\n

Coreopsis Journal of Myth & Theatre<\/h1>\n

Spring 2019 Volume 7 Number 1: Rituals for Living and Dying<\/h2>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” equal_height=”yes” tablet_fullwidth_cols=”yes”][vc_column width=”1\/12″ css=”.vc_custom_1556177573476{margin-right: 75px !important;margin-left: 75px !important;}”][\/vc_column][vc_column width=”4\/12″ css=”.vc_custom_1556135187996{background-image: url(https:\/\/societyforritualarts.com\/coreopsis\/spring-2019-issue\/wp-content\/uploads\/2019\/04\/Demeter-bkgd-pale.jpg?id=4986) !important;background-position: 0 0 !important;background-repeat: repeat !important;}”][vc_column_text css=”.vc_custom_1556329705483{margin-top: 50px !important;margin-right: 50px !important;margin-bottom: 50px !important;margin-left: 50px !important;}” font_size=”14″]”…. Searching all the words, in all the languages he knew, Flandry finally found the perfect one. Bowing 3 times he said…”<\/p>\n

~-~\u00a0 Poul Anderson, ‘A Knight of Ghosts and Shadows'[\/vc_column_text][vc_column_text font_family=”Medula One” font_size=”32″ css=”.vc_custom_1556648997038{margin-top: 50px !important;margin-right: 50px !important;margin-bottom: 50px !important;margin-left: 75px !important;}” line_height=”.75″]Sayonara,<\/span>
\n<\/span>Sayonara,<\/span>
\n<\/span>Sayonara.<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Thrice bent,<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0deep from the waist:<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Bowed in Honour,<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Meant with Respect,<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Sent as Farewell.<\/span><\/p>\n

No more may words be said<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0to thee<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0finally free<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0of earthly bonds<\/span><\/p>\n

\u00a0\u00a0though my lips<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0wish to be said<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0sadly it was to leave.<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0Away hence,<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>\u00a0<\/span>fly on Angel Wings <\/span><\/p>\n

\u00a0\u00a0\u00a0earned<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>\u00a0<\/span>from carrying your burden<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>\u00a0<\/span>valiantly<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>\u00a0<\/span>\u00a0upon your breast<\/span><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>\u00a0<\/span>until your final breath.<\/span><\/p>\n

Sayonara<\/span>
\n<\/span>[\/vc_column_text][vc_column_text css=”.vc_custom_1556648414110{margin-top: 50px !important;margin-right: 50px !important;margin-bottom: 50px !important;margin-left: 50px !important;}” font_size=”14″]– Rich Unger[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][\/vc_column][vc_column width=”5\/12″]

\"\"<\/div><\/figure>[\/vc_column][vc_column width=”1\/12″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” equal_height=”yes”][vc_column css=”.vc_custom_1556601192867{margin: 100px !important;}”]
<\/div>[vc_column_text font_size=”48″ font_family=”Medula One” text_align=”center”]\n

Issue Contents<\/p>\n[\/vc_column_text]

<\/div>
\"\"<\/a><\/div>

The Role of the Witch at the End of the World<\/a><\/h2>

My job at the deathbed is to be the energy of No Fear in a room that is so full of it.<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

Simon’s Crossing<\/a><\/h2>

\u00a0...it is for me, the most sacred, most holy experience of life. With Simon, it was no different. Except that with Simon, I was also…<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

Coatlicue: A Myth for Our Times<\/a><\/h2>

...Earth is both a loving mother and an insatiable monster...<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

Entering Creative Consciousness: Moving into Deep Connection<\/a><\/h2>

\u201cThe dance between the conscious and unconscious is choreographed in the magical place of the imaginal realm\u201d(P. Lewis, 1993, p. 2)<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

Re-Intentioning Our World: Biblical Rape Culture and The Onus of Being a Conscious \u201cTop Predator\u201d<\/a><\/h2>

...all of the earth is designated subordinate to a ruling, masculine elite in the constructed cosmology of the raiders.<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

From the Land of Myth and Wonder<\/a><\/h2>

I take heart in the many positive things I see changing in our culture...<\/p><\/div><\/div><\/div><\/div><\/div>

\"Big<\/a><\/div>

An Interview with Greg Spawton of Big Big Train<\/a><\/h2>

With Merchants of Light, we thought we'd try to make it a bit more of a grand statement like those 70's albums.<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

An Interview with Nymphya<\/a><\/h2>

... this is like a hero\u2019s journey, which is also like a meditation or a pathworking.<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

Nymphya’s Music<\/a><\/h2>

...captivating samples which kindle her insightful lyrics to guide your embryonic journey.<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

New Books & Publications<\/a><\/h2>

\u201cA room without books is like a body without a soul.\u201d \u2015 Marcus Tullius Cicero<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

Big Big Train: Review of Merchants of Light by Steve Blomerth<\/a><\/h2>

... it represents the efforts of people who are striving to deliver intelligent, uplifting and deeply human music ...<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

Loreena McKennitt: Lost Souls (Review)<\/a><\/h2>

Not all who wander are lost.\u00a0\u2013J.R.R. Tolkien<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

New Music<\/a><\/h2>

I will try to bring you composers with spirit and musicality...<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

In Memoriam<\/a><\/h2>

What is Remembered, Lives.<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

Staff Projects<\/a><\/h2>

Find out what what we\u2019ve been up to when you weren\u2019t looking.<\/p><\/div><\/div><\/div><\/div><\/div>

\"Sun<\/a><\/div>

Call For Papers for Autumn 2019 Issue<\/a><\/h2>

Somehow we know that only living beings can be responsible and experience freedom.<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

Moments in Time<\/a><\/h2>

We live in time on this earth, where people are born into the world and pass from it a handful of years later.<\/p><\/div><\/div><\/div><\/div><\/div>

\"\"<\/a><\/div>

Volunteering in Your Community<\/a><\/h2>

...volunteering can energize your life...<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” equal_height=”yes” tablet_fullwidth_cols=”yes”][vc_column width=”1\/12″ css=”.vc_custom_1556001254581{margin-right: 75px !important;margin-left: 75px !important;}”][\/vc_column][vc_column width=”3\/12″][vc_column_text]Cover art by Helena Domenic, SRA Artist in Residence for 2018\/19[\/vc_column_text][\/vc_column][vc_column width=”2\/12″][\/vc_column][vc_column width=”5\/12″][vc_column_text] Coreopsis Journal of Myth & Theatre Spring 2019 Volume 7 Number 1: Rituals for Living and Dying [\/vc_column_text][\/vc_column][vc_column width=”1\/12″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” equal_height=”yes” tablet_fullwidth_cols=”yes”][vc_column width=”1\/12″ css=”.vc_custom_1556177573476{margin-right: 75px !important;margin-left: 75px !important;}”][\/vc_column][vc_column width=”4\/12″ css=”.vc_custom_1556135187996{background-image: url(https:\/\/societyforritualarts.com\/coreopsis\/spring-2019-issue\/wp-content\/uploads\/2019\/04\/Demeter-bkgd-pale.jpg?id=4986) !important;background-position:…<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-5050","page","type-page","status-publish","hentry","entry","has-media"],"yoast_head":"\nRituals of Living and Dying » Coreopsis Journal Spring 2019<\/title>\n<meta name=\"description\" content=\"Rituals for Living and Dying. 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