{"id":91,"date":"2017-10-09T23:49:55","date_gmt":"2017-10-09T23:49:55","guid":{"rendered":"http:\/\/www.societyforritualarts.com\/coreopsis\/winter-2019\/?page_id=91"},"modified":"2019-05-05T16:19:47","modified_gmt":"2019-05-05T23:19:47","slug":"table-of-contents","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2019-issue\/table-of-contents\/","title":{"rendered":"Table of Contents"},"content":{"rendered":"
[vc_row css=”.vc_custom_1556174153822{background-image: url(https:\/\/societyforritualarts.com\/coreopsis\/spring-2019-issue\/wp-content\/uploads\/2019\/04\/LightPaperTexture-1.jpg?id=5086) !important;}”][vc_column][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1556330116479{background-position: 0 0 !important;background-repeat: no-repeat !important;}”]\n

Spring 2019, Volume 7, Number 1. Rituals of Living and Dying<\/h1>\n[\/vc_column_text][vc_column_text]\n

Peer Reviewed Journal of The Society for Ritual Arts
\nISSN 2333-0627<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_separator color=”custom” accent_color=”#cccccc”][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][vc_column_text css=”.vc_custom_1555574377557{margin-top: -5px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”]\n

Editorials<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]The Role of the Witch at the End of the World<\/em><\/a><\/strong>
\nLaurie Rae Dietrich<\/strong>, staff editor, Coreopsis Journal of Myth and Theatre<\/em>
\n~-~ Fear is a reasonable response when the veil between the worlds is thin, and so Fear has a place there. But so do I.[\/vc_column_text]
<\/div>[vc_column_text]Simon’s Crossing: Dying and Death Ritual of My Beloved Animal Companion<\/a><\/strong><\/em>
\nChristina Pateros<\/strong>
\n~-~ Here it was that I embraced his dying.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″]
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Papers<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Coatlicue: A Myth for Our Times<\/a><\/strong><\/em>
\nStanley Krippner, Ph.D.,<\/strong> Saybrook University
\n~-~ Keynote Address, Lost Chord Awards, Society for Ritual Arts, 2018[\/vc_column_text]
<\/div>[vc_column_text]Entering Creative Consciousness: Moving into Deep Connection<\/a><\/strong><\/em>
\nSelene Kumin Vega, PhD<\/strong>, Saybrook University
\n~-~ Many people find it difficult to enter the creative process.[\/vc_column_text]
<\/div>[vc_column_text]Re-Intentioning Our World: Biblical Rape Culture and The Onus of Being a Conscious \u201cTop Predator\u201d<\/a><\/strong><\/em>
\nYvonne Owens<\/strong>
\n~-~ what needs to be understood about the West\u2019s historic, institutionalized forms of Rape Culture[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″]
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Words of Wisdom:
\nThe Art and Wisdom of the Artist in Residence<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]From the Land of Myth and Wonder<\/a><\/strong><\/em>
\nHelena Domenic,<\/strong> Artist in Residence, 2018\/2019, Society for Ritual Arts
\n~-~ I take heart in the many positive things I see changing in our culture[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″]
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Profiles in Art<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″]
<\/div>[vc_column_text]An Interview with Greg Spawton of Big Big Train concerning the live album Merchants of Light<\/a> <\/strong><\/em>
\nSteve Blomerth DC, Music Editor, Coreopsis Journal
\n~-~ <\/em>Gregory Spawton is a founding member of the band Big Big Train.[\/vc_column_text]
<\/div>[vc_column_text]An Interview with Nymphya<\/a><\/strong><\/em>
\nRose Shannon<\/strong>, Staff Editor, Coreopsis Journal<\/em>
\n~-~ “We\u2019re here to express ourselves. That\u2019s the whole point of being alive.”[\/vc_column_text]
<\/div>[vc_column_text]Gallery: Nymphya’s Music<\/strong><\/em><\/a><\/p>\n

~-~ “Nymphya\u2019s alchemical Art-Pop style is a quirky collage of eclectic beats, soaring vocals, haunting soundscapes, and captivating samples…”[\/vc_column_text][vc_separator color=”custom” accent_color=”#cccccc”][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″]

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Reviews | New Book Releases<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”3\/4″]
<\/div>[vc_column_text]New Book Releases<\/a><\/strong><\/em>
\nCompiled by Lezlie Kinyon, Ph.D.<\/strong> editor, Coreopsis Journal<\/em>
\n~-~ Five intriguing new books.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″]
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Reviews | Music<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Big Big Train: Review of Merchants of Light\u00a0<\/strong><\/em><\/a>
\nSteve Blomerth<\/strong> DC, Music Editor, Coreopsis Journal
\n~-~ The Merchants of Light <\/em>live concert album was released by Big Big Train on July 27, 2018.[\/vc_column_text]
<\/div>[vc_column_text]Loreena McKennitt: Lost Souls (Review)<\/strong><\/em><\/a>
\nHelena Domenic<\/strong>, Artist in Residence, Society for Ritual Arts
\n~-~ Loreena McKennitt fans everywhere are rejoicing at the release of her latest album, Lost Souls<\/em>.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″]
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Reviews | New Music Releases<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]New Music Releases<\/a><\/strong><\/em>
\nCompiled with commentary by Steve Blomerth<\/strong>, Music Editor and Lezlie Kinyon,<\/strong> Coreopsis\u2019 Editor in Chief.
\n~-~ From Folk to Funk to Prog and the occasional Classical release.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″]
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Announcements<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″]
<\/div>[vc_column_text]Staff Projects and Announcements<\/a><\/strong><\/em><\/p>\n

~-~ Find out what what we\u2019ve been up to when you weren\u2019t looking.[\/vc_column_text]

<\/div>[vc_column_text]Call for Papers Autumn 2019<\/a><\/strong><\/em><\/p>\n

~-~ For the next several issues of Coreopsis, we will publish the rituals of resistance. Any and all Traditions and all positive actions are welcomed.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″]

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In Memoriam<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Remembering Those Who Have Passed<\/a><\/strong><\/em>
\n~-~ What is remembered, lives.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″]
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Final Word<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Moments in Time<\/a><\/strong><\/em>
\nLezlie A. Kinyon, Ph.D.<\/strong> Coreopsis Editor in Chief.[\/vc_column_text]
<\/div>[vc_column_text]Volunteering In Your Community<\/a><\/strong><\/em>
\nEarl Williams, Ritual Arts Radio Host
\n~-~ “I am a strong advocate on being a volunteer in your community to assist others.”[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″]
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Copyright and\u00a0Reference<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″]
<\/div>[vc_column_text]The name Coreopsis: A Journal of Myth and Theatre<\/em>, the format, and the website are the sole property of Lezlie A. Kinyon, Ph.D., Founding Editor, Society for Ritual Arts<\/a>, President.<\/p>\n

A twice-yearly (Spring and Autumn) publication of \u00a0The Society for Ritual Arts<\/a> and are copyrighted under the United States and international law. ISSN 2333-0627<\/p>\n

All papers, editorials, artworks and creative works are the property of the individual authors and artists.<\/p>\n

Copyright: Coreopsis Journal of Myth & Theatre<\/em>, a publication of the Society for Ritual Arts, 2019, all rights reserved, Berkeley, CA.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][vc_column_text]\n

Cover Artwork<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″]
<\/div>[vc_column_text]Helena Domenic, Artist in Residence, 2018\/2019, Society for Ritual Arts[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][vc_column_text]\n

Reference<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]General: Ed. \u00a0Lezlie A. Kinyon, ISSN 2333-0627<\/p>\n

APA: Kinyon, L., Ph.D. (Ed.). 6(2) \u00a0(2017). Retrieved from: http:\/\/societyforritualarts.com\/coreopsis\/<\/a><\/p>\n

MLA: Kinyon, Lezlie, Ph.D., ed. Coreopsis Journal of Myth & Theatre<\/em>, 6(2) (2017). Society for Ritual Arts. Autumn 2016. Web.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][vc_column_text]\n

Technical Issues<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Technical issues concerning the website, please contact:<\/p>\n

Kristen Skold, Webmistress<\/p>\n

web@societyforritualarts.com<\/a><\/p>\n

or<\/p>\n

Earl Williams, Technical Advisor<\/p>\n

ritualartsradio@societyforritualarts.com<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][vc_column_text]\n

Questions<\/h2>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Questions regarding copyright please contact: Rev. Denise D. Dumars, M.A., Author\u2019s Liaison<\/p>\n

Authors\u2019 Representative Ashley Grayson Literary Agency, Retired.<\/p>\n

eerieaerie@hotmail.com<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Submission Guidelines<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Contact Us<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Thank you to everyone who made this issue of Coreopsis Journal possible. See you in the Autumn of 2019!<\/strong>[\/vc_column_text][vc_column_text font_size=”18″ font_family=”Cinzel”][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css=”.vc_custom_1556174153822{background-image: url(https:\/\/societyforritualarts.com\/coreopsis\/spring-2019-issue\/wp-content\/uploads\/2019\/04\/LightPaperTexture-1.jpg?id=5086) !important;}”][vc_column][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1556330116479{background-position: 0 0 !important;background-repeat: no-repeat !important;}”] Spring 2019, Volume 7, Number 1. Rituals of Living and Dying [\/vc_column_text][vc_column_text] Peer Reviewed Journal of The Society for Ritual Arts ISSN 2333-0627 [\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_separator color=”custom” accent_color=”#cccccc”][vc_row_inner css=”.vc_custom_1508558364584{padding-right: 40px !important;background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column_inner…<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-91","page","type-page","status-publish","hentry","entry","no-media"],"yoast_head":"\nTable of Contents » Coreopsis Journal Spring 2019<\/title>\n<meta name=\"description\" content=\"Editorials, papers, music and art on Rituals of Living and Dying. 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