{"id":522,"date":"2020-02-27T23:50:43","date_gmt":"2020-02-28T07:50:43","guid":{"rendered":"http:\/\/societyforritualarts.com\/coreopsis\/spring-2020-issue\/?page_id=522"},"modified":"2020-03-09T20:04:31","modified_gmt":"2020-03-10T03:04:31","slug":"table-of-contents","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2020-issue\/table-of-contents\/","title":{"rendered":"Table of Contents"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Top thru Author&#8221; _builder_version=&#8221;3.27.3&#8243; background_image=&#8221;https:\/\/societyforritualarts.com\/coreopsis\/spring-2020-issue\/wp-content\/uploads\/2020\/02\/paper-square.png&#8221; min_height=&#8221;495px&#8221; custom_margin=&#8221;0px||-40px||false|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; saved_tabs=&#8221;all&#8221;][et_pb_row column_structure=&#8221;1_4,3_4&#8243; _builder_version=&#8221;3.26.7&#8243;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;3.26.6&#8243;][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;3.26.6&#8243;][et_pb_image src=&#8221;https:\/\/societyforritualarts.com\/coreopsis\/spring-2020-issue\/wp-content\/uploads\/2020\/02\/coreopsis-winter-2019-header.png&#8221; admin_label=&#8221;Coreopsis logo&#8221; _builder_version=&#8221;3.26.6&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;3.26.7&#8243;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.26.6&#8243;][et_pb_image src=&#8221;https:\/\/societyforritualarts.com\/coreopsis\/spring-2020-issue\/wp-content\/uploads\/2020\/03\/quest-tree-ravens-bright-e.jpg&#8221; align=&#8221;right&#8221; _builder_version=&#8221;4.3.4&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.26.6&#8243;][et_pb_text _builder_version=&#8221;4.3.4&#8243;]<\/p>\n<h2>Quests, Journeys, and Wayside Attractions<\/h2>\n<h3>Spring 2020 Vol 8 #1 ISSN 2333-0627<\/h3>\n<p>&nbsp;<\/p>\n<p><em>The Road goes ever on and on<\/em><\/p>\n<p><em>Down from the door where it began.<\/em><\/p>\n<p><em>Now far ahead the Road has gone,<\/em><\/p>\n<p><em>And I must follow, if I can,<\/em><\/p>\n<p><em>Pursuing it with eager feet,<\/em><\/p>\n<p><em>Until it joins some larger way,<\/em><\/p>\n<p><em>Where many paths and errands meet.<\/em> &#8211; JRR Tolkien<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Content Block&#8221; _builder_version=&#8221;4.3.2&#8243; background_image=&#8221;https:\/\/societyforritualarts.com\/coreopsis\/spring-2020-issue\/wp-content\/uploads\/2020\/02\/paper-square.png&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; saved_tabs=&#8221;all&#8221;][et_pb_row column_structure=&#8221;1_5,3_5,1_5&#8243; _builder_version=&#8221;3.26.7&#8243;][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.26.6&#8243;][et_pb_image src=&#8221;https:\/\/societyforritualarts.com\/coreopsis\/spring-2020-issue\/wp-content\/uploads\/2020\/02\/Cold-Wind-e.png&#8221; _builder_version=&#8221;4.3.4&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.26.6&#8243;][et_pb_text module_class=&#8221;noindent&#8221; _builder_version=&#8221;4.3.4&#8243; custom_margin=&#8221;||||false|false&#8221;]<\/p>\n<h2>Editorials<\/h2>\n<h3>A Word from our editor &#8230;<\/h3>\n<p>Lezlie A. Kinyon, Ph.D. <a href=\"the-elements-of-a-quest\">\u201cThe Elements of a Quest\u201d<\/a><\/p>\n<blockquote>\n<p>\u201cIt is within this mythic time that the great quest stories take place: in a \u2018time not of this time. A place not of this place\u2019. We can, by reciting these tales within a self created mythic time, learn how to integrate the Grail stories, how Raven stole fire, or how Gilgamesh sought his companion Enkidu in the wilderness into our personal mythologies and quests.\u201d<\/p>\n<\/blockquote>\n<p>Sharon Mijares &amp; Mark Scholl:<br \/> <em><a href=\"from-counter-culture-to-rising-culture\">From Counter Culture to Rising Culture: Stanley Krippner\u2019s Life and Work in Progress<\/a><\/em><\/p>\n<blockquote>\n<p>Dr. Krippner is the Society for Ritual Arts Lifetime Achievement Awardee 2019-2020<\/p>\n<p>\u201cAsking Krippner in a personal interview what the most significant experience of this life was he simply responded, \u201cMy birth,\u201d but one has to wonder what early life circumstances could have contributed to his heroic life journey.\u201d<\/p>\n<\/blockquote>\n<h2>Papers<\/h2>\n<p>Special addition: Sue Bridgewater, Ph.D, Independent Scholar<br \/> <em><a href=\"the-place-i-belong\">The Place I Belong: the Misfit\u2019s Quest<\/a><\/em><\/p>\n<blockquote>\n<p>\u201cYet the goal of the quest is more than a life-long battle against the onset of death. The quest itself is the life we lead.\u201d<\/p>\n<\/blockquote>\n<p>Martina Lamberti,<br \/> <em><a href=\"in-search-of-revelation\">In Search of Revelation: a Metaphorical Si\u03f8 in the Old English poem \u201cElene\u201d<\/a><\/em><\/p>\n<blockquote>\n<p>\u201cHow to define the manuscript containing the Old English Cynewulf&#8217;s poem Elene? A travel book, a religious florilegium, a collection of texts used for preaching, or a monastic book?\u201d<\/p>\n<\/blockquote>\n<p>Ron Boyer,<br \/> <em><a href=\"descensus-ad-inferos\">Descensus Ad Inferos: Dante\u2019s Nekyia in The Inferno<\/a><\/em><\/p>\n<blockquote>\n<p>\u201cDante crafted his uniquely historical Christian theological interpretation, and political critique of the Church and various powers of his day, on a mythic symbolic superstructure of pagan imagery that is undoubtedly primordial and presumably universal in origin.\u201d<\/p>\n<\/blockquote>\n<h2>Words of Wisdom<\/h2>\n<p><a href=\"artist-in-residence-carly-j-j-turner\"><em>From The SRA Artist in Residence<\/em><\/a><\/p>\n<p>Welcoming the SRA Artist in Residence for 2020\/21: Carly Jean Journeyhawk Turner<\/p>\n<ul>\n<li>About the Cover art<\/li>\n<\/ul>\n<p><a href=\"dream-quest-for-unknown-gifts\"><em>Dreamquest for Unknown Gifts<\/em><\/a> &#8211; Carly Journeyhawk Turner, Jan Radovi\u0107, Lezlie Kinyon<\/p>\n<blockquote>\n<p>\u201cA long time ago two young women barely out of their teens had a series of dreams \u2026\u201d<\/p>\n<\/blockquote>\n<h2>Profiled Artist<\/h2>\n<p><a href=\"artists-profile-walter-j-johnson\">Walter J. Johnson &#8211; Native Flute Player<\/a>, interview by Carly Jean Journeyhawk Turner<\/p>\n<h3>Gallery<\/h3>\n<p><a href=\"gallery\">Walter Ogi Johnson &#8211; Native American Flute<\/a> in Berkeley, CA,\u00a0Performed at \u201cRock &amp; Reel,\u201d an Irish Dance to benefit Standing Rock.<\/p>\n<h3>Reviews<\/h3>\n<p><em>Books<\/em><\/p>\n<p>Dana Corby<br \/> <em><a href=\"book-review-indian-summer\">Review: Indian Summer: Music and Reflections by Deborah J. Hamouris<\/a><\/em><\/p>\n<p>\u201cIndian Summer is a music book, but so much more. It\u2019s a distillation of the life of a musician. Sure, it has both standard musical notation and dulcimer tablature for 23 songs plus \u2013 this is so cool! \u2013 links to recordings of most of them.\u201d<\/p>\n<h2>New Releases<\/h2>\n<ul>\n<li><em><a href=\"new-books\">Books<\/a><\/em><\/li>\n<li><em><a href=\"new-music\">Music<\/a><\/em><\/li>\n<\/ul>\n<h2>The Final Word<\/h2>\n<p><a href=\"the-final-word\"><em>A Place of Grace<\/em><\/a><\/p>\n<p>by Marylyn Motherbear Scott, Poet in Residence, Society for Ritual Arts<\/p>\n<blockquote>\n<p><em>\u201cOpen roads go north <\/em><br \/> <em>Into cloud-dappled sunset \u2026\u201d<\/em><\/p>\n<\/blockquote>\n<h2>Call For Papers:<\/h2>\n<h3>Autumn 2020: The Rituals of Earth&#8217;s Defenders: Dancing through the Darkness<\/h3>\n<blockquote>\n<p><em>Everything in the universe has rhythm, everything dances.\u2014 Maya Angelou<\/em><\/p>\n<\/blockquote>\n<h3>Spring 2021: Emerging from the Dark: Will Hope Prevail?<\/h3>\n<blockquote>\n<p><em>\u201cWhat shames us, what we most fear to tell, does not set us apart from others; it binds us together if only we can take the risk to speak it.\u201d<\/em> &#8212; Starhawk<\/p>\n<p>&nbsp;<\/p>\n<p><i>&#8211;Thank you to everyone who made this issue of Coreopsis Journal of Myth &amp; Theatre possible. See you in the Autumn! &#8212;<\/i><\/p>\n<p>_______________<\/p>\n<p>Cover art, design, and incidental art: Carly Jean Journeyhawk Turner, Artist in Residence &#8211; used by permission, all rights reserved.<\/p>\n<p>Web design: Kristen Neassa Skold. Photos: L. Kinyon, T. Boodhoo &#8211; used by permission, all rights reserved,<\/p>\n<p>Editors this issue: Lezlie A Kinyon, Ph.D., Laurie Dietrich, and Laura Plaquette. Marylyn Motherbear Scott, Poetry Editor.<\/p>\n<\/blockquote>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.26.6&#8243;][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Quests, Journeys, and Wayside Attractions Spring 2020 Vol 8 #1 ISSN 2333-0627 &nbsp; The Road goes ever on and on Down from the door where it began. 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