{"id":892,"date":"2021-03-13T19:04:20","date_gmt":"2021-03-14T03:04:20","guid":{"rendered":"http:\/\/societyforritualarts.com\/coreopsis\/spring-2021-issue\/?page_id=892"},"modified":"2021-03-25T22:30:17","modified_gmt":"2021-03-26T05:30:17","slug":"coreopsis-journal-spring-2021","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2021-issue\/","title":{"rendered":"Coreopsis Journal, Spring 2021"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.9.2″ _module_preset=”default”][et_pb_row _builder_version=”4.9.2″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.2″ _module_preset=”default”][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2021-issue\/wp-content\/uploads\/2021\/02\/coreopsis-winter-2019-header.png” title_text=”coreopsis-winter-2019-header” _builder_version=”4.9.2″ _module_preset=”default”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.9.2″ _module_preset=”default”][et_pb_row _builder_version=”4.9.2″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.2″ _module_preset=”default”][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2021-issue\/wp-content\/uploads\/2021\/03\/Cover_Art_Spring_2021_Carly_JJ_Turner.jpg” title_text=”Cover_Art_Spring_2021_Carly_JJ_Turner” _builder_version=”4.9.2″ _module_preset=”default”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.9.2″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.2″ _module_preset=”default”][et_pb_text module_class=”noindent” _builder_version=”4.9.2″ _module_preset=”default”]<\/p>\n

Will Hope Prevail?\u00a0<\/h1>\n

\u201cYou can weave your life so long – only so long, and then a thing in the world out of your control will tug at one vital thread and leave you patternless and subdued.\u201d<\/i><\/p>\n

\u2015 Patricia A. McKillip, The Forgotten Beasts of Eld<\/i><\/p>\n

Spring 2021 Vol. 9 # 1 ISSN 2333-0627<\/p>\n

Cover art by Carly JJ Turner<\/p>\n

[\/et_pb_text][et_pb_divider divider_weight=”3px” _builder_version=”4.9.2″ _module_preset=”default”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”The Day That Hope Escaped There” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjczOCJ9fQ==@” _builder_version=”4.9.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjczOCJ9fQ==@”]<\/p>\n

Lezlie’s editorial<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Ghostlight of Hope: How a Small Theater is Surviving During the Pandemic” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc1NyJ9fQ==@” _builder_version=”4.9.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc1NyJ9fQ==@” image__hover_enabled=”on|desktop”]<\/p>\n

Margie Jervis<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Traversing the Liminal in the Liminal” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc5OSJ9fQ==@” _builder_version=”4.9.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc5OSJ9fQ==@” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Irisanya Moon<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Abjection, Desire, Menstruation and Sacred Sexuality: The Witch Figure as Sign for Embodied Choice” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc0NiJ9fQ==@” _builder_version=”4.9.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc0NiJ9fQ==@”]<\/p>\n

\u2026 Ifa Tradition, art, sexuality, gender, witchcraft, Western Esotericism, embodied spirituality, and other spiritualized topics…<\/span><\/p>\n

Oluwatoyin (\u2018Toyin\u2019) Vincent Adepoju and Yvonne Owens, Ph.D. <\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Can Women Save the World?A Discussion on Archetypal Revelation and Change” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgyMCJ9fQ==@” _builder_version=”4.9.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgyMCJ9fQ==@” image__hover_enabled=”on|desktop”]<\/p>\n

Thus, women need to examine how they wield power. They can embody these archetypal forces to empower themselves for the good of all. We can no longer accept limited images of the feminine.<\/span><\/p>\n

Sharon Mujeres, Ph.D.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”A dea illorum quae Eostre vocabatur\u201d: Syncretism Issues in Christian Paschal Rituals and the (Re)discovery of the Lost Germanic Spring Goddess ” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc3MyJ9fQ==@” _builder_version=”4.9.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc3MyJ9fQ==@” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Considering the Christian Paschal rituals, it is legitimate to wonder whether or not its roots are purely related to Christ.<\/span><\/p>\n

Martina Lemberti, Ph.D. <\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Dream and Shaman Journeys” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc3NyJ9fQ==@” _builder_version=”4.9.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc3NyJ9fQ==@” hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

Just the awakening of curiosity because of a dream story told by somebody, just a strange, bright dream or a nightmare of your own can provoke remembering dreams and desire to understand them.<\/span><\/p>\n

Maria Volchenko, Ph.D.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Words of Wisdom ” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgzMyJ9fQ==@” _builder_version=”4.9.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgzMyJ9fQ==@” image__hover_enabled=”on|desktop”]<\/p>\n

Artist in Residence, Carly JJ Turner<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Carly JJ Turner, Interview With Paula Camcho” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgzOCJ9fQ==@” _builder_version=”4.9.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgzOCJ9fQ==@” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Art-making as a ritual is a profound one for me. This is not only because it reveals the mysteries of psyche and nature, but because I\u2019m deliberately manipulating physical reality to manifest what only existed in\/as the unmanifest. Art-making is a \u201cGod-like\u201d act that puts me in conscious awareness of the mind\u2019s likeness to the creative function of the universe.<\/span><\/i><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Ivan Szendro on his Film: The Judge of Blood” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc4MiJ9fQ==@” _builder_version=”4.9.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc4MiJ9fQ==@”]<\/p>\n

He wanted to bring me immediately to Mrs. Haynau, in New York. She was the great-granddaughter of the bloody hangman of the 1849 Hungarian Revolution, but I refused to go.<\/span><\/i><\/p>\n

I didn\u2019t want to meet her.\u00a0<\/span><\/i><\/p>\n

I wanted to meet \u201cHAYNAU, The Judge of Blood.\u201d The Deity.<\/span><\/i><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Gallery” _builder_version=”4.9.2″ header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ image__hover_enabled=”on|desktop”]<\/p>\n

The art of Paula Camacho<\/span><\/a><\/p>\n

Ivan Szendro Film Trailer: <\/span>The Judge of Blood<\/span><\/i><\/a><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Steve Blomerth, Review: Cabin Fever, John McCutcheon\u2019s 41st album” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg0NyJ9fQ==@” _builder_version=”4.9.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg0NyJ9fQ==@” border_radii__hover_enabled=”on|desktop”]<\/p>\n

The great advantage that John McCutcheon has over many less-gifted songwriters lies in the strength and tone of his voice. If he sang the dictionary I am sure it would be moving.<\/span><\/i><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”New Releases” _builder_version=”4.9.2″ header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″]<\/p>\n

Music – What\u2019s New<\/span><\/a><\/p>\n

Books – What’s New<\/span><\/a><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”Announcements: ” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijk4MiJ9fQ==@” _builder_version=”4.9.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijk4MiJ9fQ==@” image__hover_enabled=”on|desktop”]<\/p>\n

Conferences and Festivals –\u00a0<\/span>upcoming and cancelled. <\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″][et_pb_blurb title=”The Final Word” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijk4MiJ9fQ==@” _builder_version=”4.9.2″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”Eczar||||||||” header_text_align=”left” header_text_color=”#bf1a46″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijk4MiJ9fQ==@” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Helena Domenic, What Does Hope Look Like?<\/span><\/p>\n

A poem from the Society for Ritual Arts Artist in Residence, emerita.<\/span><\/i><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.9.2″ _module_preset=”default”][et_pb_row _builder_version=”4.9.2″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.2″ _module_preset=”default”][et_pb_divider divider_weight=”3px” _builder_version=”4.9.2″ _module_preset=”default”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.9.2″ _module_preset=”default”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.9.2″ _module_preset=”default”][et_pb_column type=”1_2″ _builder_version=”4.9.2″ _module_preset=”default”][et_pb_text module_class=”noindent” _builder_version=”4.9.2″ _module_preset=”default”]<\/p>\n

Web Design: Kristen Skold<\/p>\n

Art & Design: Carly JJ Turner, all rights reserved<\/p>\n

Other art credits: Original artwork: Helena Domenic\u00a0<\/p>\n

Photos: Margie Jervis, used by permission, all rights reserved<\/p>\n

COPYRIGHT The name Coreopsis: A Journal of Myth and Theatre<\/i>, the format, and the website,coreopsis.org, are the sole property of Lezlie A. Kinyon, Ph.D., Founding Editor, Society for Ritual Arts, CFO. A twice-yearly (Spring and Autumn) publication of The Society for Ritual Arts and are copyrighted under the United States and international law. ISSN 2333-0627\u00a0<\/p>\n

Thank you to everyone who made this issue of Coreopsis Journal<\/i> possible.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.9.2″ _module_preset=”default”][et_pb_text module_class=”noindent” _builder_version=”4.9.2″ _module_preset=”default”]<\/p>\n

Reviewers and editors for this issue:<\/p>\n

Laurie Dietrich
Stanley Krippner
\u0422\u0430\u0442\u044c\u044f\u043d\u0430 \u0423\u0440\u0443\u0441\u043e\u0432a
Ron Boyer
Orly Salinas Mizrahi
Subhradeep Chatterjee
William Baldwin
Denita Benyshek
Tzipora Katz
Rodney Shackleford
Marylyn Motherbear Scott
Lezlie Kinyon, editor in chief\u00a0
Dr. Steve Blomerth, music editor<\/p>\n

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Will Hope Prevail?\u00a0 \u201cYou can weave your life so long – only so long, and then a thing in the world out of your control will tug at one vital thread and leave you patternless and subdued.\u201d \u2015 Patricia A. 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