{"id":1166,"date":"2022-03-15T05:06:04","date_gmt":"2022-03-15T05:06:04","guid":{"rendered":"http:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/?page_id=1166"},"modified":"2022-03-15T05:22:31","modified_gmt":"2022-03-15T05:22:31","slug":"table-of-contents","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/table-of-contents\/","title":{"rendered":"Table of Contents"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Top thru Author&#8221; _builder_version=&#8221;4.10.6&#8243; background_enable_image=&#8221;off&#8221; min_height=&#8221;250px&#8221; custom_margin=&#8221;0px||-40px||false|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_4,3_4&#8243; _builder_version=&#8221;3.26.7&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;3.26.6&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;3.26.6&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;http:\/\/box2473.temp.domains\/~socieue2\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/coreopsis-winter-2019-header.png&#8221; title_text=&#8221;coreopsis-winter-2019-header&#8221; admin_label=&#8221;Coreopsis logo&#8221; _builder_version=&#8221;4.11.1&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_5,3_5,1_5&#8243; _builder_version=&#8221;3.26.7&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.26.6&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.26.6&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Title &#038; Author&#8221; module_id=&#8221;author&#8221; module_class=&#8221;noindent&#8221; _builder_version=&#8221;4.14.9&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Table of Contents<span id=\"author\"><\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;3.26.6&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Content Block&#8221; _builder_version=&#8221;4.14.8&#8243; background_color=&#8221;RGBA(255,255,255,0)&#8221; background_enable_image=&#8221;off&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_4,3_4&#8243; _builder_version=&#8221;4.14.8&#8243; background_color=&#8221;RGBA(255,255,255,0)&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;3.26.6&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;3.26.6&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text module_class=&#8221;noindent&#8221; _builder_version=&#8221;4.14.9&#8243; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;||0px|||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Coreopsis Journal of Myth &amp; Theatre<\/p>\n<p>Spring 2022 Vol 10\u00a0 Number 1<\/p>\n<p>\u201cSpiral Dancing to the Center and Back Again\u201d<\/p>\n<h2>Editorials<\/h2>\n<p><a href=\"the-mother-tree\/\"><em>The Mother Tree<\/em><\/a><br \/>by Lezlie Kinyon, Ph.D., Editor Coreopsis Journal of Myth and Theatre<\/p>\n<p>Guest Editorial:<a href=\"the-hidden-princess-and-the-most-false-prince\/\"><em> The Hidden Princess and The Most False Prince<\/em><\/a><br \/>by Yvonne Owens, Ph.D.<\/p>\n<p><a href=\"eos-promising-scholar\/\">Announcing: Eos Scholar 2022, Rebecca diBroglio<\/a><\/p>\n<h2>Papers<\/h2>\n<p><a href=\"striking-in-the-city-making-love-in-the-fields\/\"><em>Striking in the City, Making Love in The Fields: Unsnarling the Wild Pedagogies of Earth Activism<\/em><\/a><br \/>Simon Boxley<\/p>\n<p><a href=\"creating-tarot-one-artists-journey\/\"><em>Creating Tarot: One Artist\u2019s Journey<\/em><\/a><br \/>Helena Domenic, M.A., M.F.A<\/p>\n<p><a href=\"the-rider-waite-smith-chariot-card\/\"><em>The Rider-Waite-Smith Chariot Card:\u00a0<\/em><em>A Study in Icon &amp; Iconography &amp; Iconology According to Art History Theories and Jungian Archetypes<\/em><\/a><br \/>Orly Mizrahi, Ph.D.<\/p>\n<h2>Words of Wisdom<\/h2>\n<p><a href=\"words-of-wisdom\/\"><em>Hello everybody, and welcome Spring!<\/em><\/a><br \/>by Margaret Davis, Artist in Residence<\/p>\n<h2>Book Reviews<\/h2>\n<p><a href=\"book-review-sarah-bartletts-iconic-tarot-decks\/\">\u201cSarah Bartlett\u2019s Iconic Tarot Decks: The History, Symbolism and Design of over 50 Decks\u201d<\/a><br \/>Reviewed by Emily Auger<\/p>\n<h2>Artist\u2019s Profile<\/h2>\n<p><a href=\"artist-profile\/\"><em>Fairy Tales Live in Every Leaf<\/em><\/a><br \/>Interviewed by Artist-in-Residence Margaret Davis<br \/>Russian jewelry-designer and painter Daria Anisimova talks about her creations and her inspiration.<\/p>\n<h2>Gallery<\/h2>\n<p><a href=\"gallery\/\">The Art of Daria Anisimova<\/a><\/p>\n<h2>Announcements<\/h2>\n<p><a href=\"new-releases\/\">New Music for Spring 2022<\/a><\/p>\n<p><a href=\"new-books\/\">New Books Released<\/a><\/p>\n<h2>The Final Word<\/h2>\n<p><a href=\"final-word\/\"><em>Branch Sky<\/em><\/a><br \/>By Denita Benyshek, Ph.D.<\/p>\n<h2>Calls for Papers<\/h2>\n<p><a href=\"call-for-papers-autumn-2022\/\">Autumn 2022: The Moon in a Sacred Tree: Tarot and Alchemical Symbology<\/a><\/p>\n<p><a href=\"call-for-papers-spring-2023\/\">Spring 2023: Myths That Kill: Countering Urban Myth, Social Media, and Propaganda<\/a><\/p>\n<p><a href=\"https:\/\/societyforritualarts.com\/coreopsis\/submissions\/\">Submission Guidelines<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Table of ContentsCoreopsis Journal of Myth &amp; Theatre Spring 2022 Vol 10\u00a0 Number 1 \u201cSpiral Dancing to the Center and Back Again\u201d Editorials The Mother Treeby Lezlie Kinyon, Ph.D., Editor Coreopsis Journal of Myth and Theatre Guest Editorial: The Hidden Princess and The Most False Princeby Yvonne Owens, Ph.D. Announcing: Eos Scholar 2022, Rebecca diBroglio [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":987,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1166","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Table of Contents - Coreopsis Journal Spring 2022<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/table-of-contents\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Table of Contents - Coreopsis Journal Spring 2022\" \/>\n<meta property=\"og:description\" content=\"Table of ContentsCoreopsis Journal of Myth &amp; 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