{"id":988,"date":"2022-03-11T05:28:24","date_gmt":"2022-03-11T05:28:24","guid":{"rendered":"http:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/?page_id=988"},"modified":"2022-03-16T00:05:18","modified_gmt":"2022-03-16T00:05:18","slug":"coreopsis-journal-spring-2022","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/","title":{"rendered":"Coreopsis Journal Spring 2022"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Top thru Author” _builder_version=”4.10.6″ background_enable_image=”off” min_height=”250px” custom_margin=”0px||-40px||false|false” custom_padding=”0px||0px||true|false” saved_tabs=”all” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ _builder_version=”3.26.7″ global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”3.26.6″ global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”3.26.6″ global_colors_info=”{}”][et_pb_image src=”http:\/\/box2473.temp.domains\/~socieue2\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/coreopsis-winter-2019-header.png” title_text=”coreopsis-winter-2019-header” admin_label=”Coreopsis logo” _builder_version=”4.11.1″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”3.26.7″ global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”3.26.6″ global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.26.6″ global_colors_info=”{}”][et_pb_text admin_label=”Title & Author” module_id=”author” module_class=”noindent” _builder_version=”4.14.9″ global_colors_info=”{}”]<\/p>\n

\u00a0Spring 2022 Volume 10 Number 1\u00a0<\/span><\/h1>\n

“Spiral Dancing to the Center and Back Again”<\/h2>\n

ISSN 2333-0627<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.26.6″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.14.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.14.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/springspiral-e.jpg” title_text=”springspiral-e” _builder_version=”4.14.9″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.14.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.14.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.14.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_id=”poetry” module_class=”noindent” _builder_version=”4.14.9″ _module_preset=”default” custom_margin=”60px||||false|false” global_colors_info=”{}”]<\/p>\n

To dance is to be out of yourself. Larger, more beautiful, more powerful. This is power, it is glory on earth and it is yours for the taking.<\/em>
Agnes de Mille<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.14.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.14.9″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.14.9″ _module_preset=”default” custom_margin=”||60px||false|false” global_colors_info=”{}”]<\/p>\n

Cover art by Margaret Davis, Artist in Residence. All rights reserved.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”The Mother Tree” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgwMyJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/Mother-Tree-cover.jpg” _builder_version=”4.14.9″ _dynamic_attributes=”link_option_url,url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555bb” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgwMyJ9fQ==@” global_colors_info=”{}”]<\/p>\n

Lezlie Kinyon, Ph.D., Editor Coreopsis Journal of Myth and Theatre<\/em><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”The Hidden Princess and the Most False Prince” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgzNCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/Hidden-Princess.png” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555bb” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgzNCJ9fQ==@” global_colors_info=”{}” image__hover_enabled=”on|desktop” image__hover=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/Hidden-Princess.png”]<\/p>\n

Guest Editorial, Yvonne Owens, Ph. D.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”Announcing: Eos Scholar 2022″ url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgxNCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/REBECCA.jpg” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555bb” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgxNCJ9fQ==@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Rebecca de Broglio<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”Striking in the City, Making Love in the Fields” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg4NSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/boxley-cover.jpg” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555BB” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg4NSJ9fQ==@” global_colors_info=”{}”]<\/p>\n

Unsnarling the Wild Pedagogies of Earth Activism<\/em><\/p>\n

Simon Boxley<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”Creating Tarot: One Artist’s Journey” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg2NSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/Domenic-cover.jpg” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555BB” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg2NSJ9fQ==@” global_colors_info=”{}” image__hover_enabled=”on|desktop” image__hover=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/Domenic-cover.jpg”]<\/p>\n

Helena Domenic, M.A., M.F.A.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”The Rider-Waite-Smith Chariot Card” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg3MyJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/Mizrahi-cover.jpg” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555BB” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg3MyJ9fQ==@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]<\/p>\n

A Study in Icon & Iconography & Iconology According to Art History Theories and Jungian Archetypes<\/em><\/p>\n

Orly Mizrahi, Ph.D.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”Words of Wisdom” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMzMifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/words-wisdom-cover.jpg” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555BB” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMzMifX0=@” global_colors_info=”{}”]<\/p>\n

Hello everybody, and welcome Spring!<\/em><\/p>\n

Margaret Davis, Artist in Residence<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”Book Reviews” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijk2NCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/Auger-cover.jpg” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555BB” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijk2NCJ9fQ==@” global_colors_info=”{}” image__hover_enabled=”on|desktop” image__hover=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/Auger-cover.jpg”]<\/p>\n

\u201cSarah Bartlett\u2019s Iconic Tarot Decks: The History, Symbolism and Design of over 50 Decks \u201d<\/em><\/p>\n

Reviewed by Emily Auger<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”Fairy Tales Live in Every Leaf ” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgxOCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/Anisimova-interview-cover.jpg” disabled_on=”off|off|off” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555BB” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjgxOCJ9fQ==@” hover_enabled=”0″ global_colors_info=”{}” border_radii__hover_enabled=”on|desktop” sticky_enabled=”0″]<\/p>\n

Slavic jewelry-designer and painter Daria Anisimova talks about her creations and her inspiration.<\/p>\n

Interviewed by Artist-in-Residence Margaret Davis<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”Gallery” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg1MSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/Anisimova-gallery-cover.jpg” disabled_on=”off|off|off” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555BB” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijg1MSJ9fQ==@” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

The Art of Daria Anisimova<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”New Music” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkyNSJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/new-music.png” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555BB” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkyNSJ9fQ==@” global_colors_info=”{}” image__hover_enabled=”on|desktop” image__hover=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/new-music.png”][\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”New Books” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkwNCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/new-books.jpg” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555BB” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjkwNCJ9fQ==@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”][\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”Call for Papers: Autumn 2022″ url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMjIifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/CfP-Autumn-cover.jpg” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555BB” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMjIifX0=@” global_colors_info=”{}” image__hover_enabled=”on|desktop” image__hover=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/CfP-Autumn-cover.jpg”]<\/p>\n

The Moon in a Sacred Tree: Tarot and Alchemical Symbology<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”Call for Papers: Spring 2023″ url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMjYifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/CfP-Spring-cover.jpg” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555BB” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEwMjYifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Myths That Kill: Countering Urban Myth, Social Media, and Propaganda<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.27.3″ global_colors_info=”{}”][et_pb_blurb title=”The Final Word” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc5OCJ9fQ==@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2022-issue\/wp-content\/uploads\/2022\/03\/final-word-cover.jpg” _builder_version=”4.14.9″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#8555BB” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6Ijc5OCJ9fQ==@” global_colors_info=”{}”]<\/p>\n

Branch Sky <\/em><\/p>\n

By Denita Benyshek, Ph.D.<\/p>\n

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\u00a0Spring 2022 Volume 10 Number 1\u00a0 “Spiral Dancing to the Center and Back Again” ISSN 2333-0627To dance is to be out of yourself. Larger, more beautiful, more powerful. This is power, it is glory on earth and it is yours for the taking. Agnes de MilleCover art by Margaret Davis, Artist in Residence. All rights […]<\/p>\n","protected":false},"author":2,"featured_media":987,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_et_pb_use_builder":"on","_et_pb_old_content":"

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Title<\/h1>

Martina Lamberti<\/span><\/p>

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Abstract<\/h2>

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After Emperor Constantine's conversion to Christianity, what appeared as a mere symbol becomes the object of Saint Elene's quest. Elene<\/i>, the Old English poem of the Anglo-Saxon poet Cynewulf, a medieval version of the Inventio Crucis<\/i> story, starts with Elene's s\u012b\u03f8<\/i>, a mission to find the \u201creal cross\u201d that culminates in a metaphorical journey: the reception of Christian sapientia<\/i>. Based on a review of the literature, including critical essays, editions and translations, the study aims to determine how this quest develops. To what extent is the quest an assignment? In the Christian context of Anglo-Saxon poetry, the journey is not only physical but it emerges as a spiritual movement, a passage from darkness to light, from ignorance to knowledge, from slavery to freedom, a revelation. This is what happens throughout the entire poem, characterized by the metaphorical use of dichotomies and dealing with \u201cmultiple conversions\u201d, starting with the Emperor Constantine and ending with the poet himself.\u00a0<\/p>

Keywords:<\/b> metaphorical journey; Anglo-Saxon poetry; Inventio Crucis; spiritual quest; Cynewulf; conversion to Christianity.<\/b><\/p>

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Abstract<\/h2>

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Text<\/p>

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Abstract<\/h2>

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Text<\/p>

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Abstract<\/h2>

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Text<\/p>

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Abstract<\/h2>

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Text<\/p>

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Abstract<\/h2>

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Text<\/p>

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Abstract<\/h2>

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Text<\/p>

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Abstract<\/h2>

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Text<\/p>

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Abstract<\/h2>

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Text<\/p>

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Endnotes<\/h2>

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[1]<\/a> See Herben (1935) for an extensive analysis of the theories about the presence of the Vercelli Book in Italy.<\/p>

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References<\/h2>

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Anderson, E. R. (1974). Cynewulf's \"Elene\": Manuscript Divisions and Structural Simmetry. Modern Philology<\/em>, 72(2), 111-122. doi:10.1086\/390549<\/p>

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Bio<\/p>

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