{"id":1280,"date":"2023-03-19T22:49:47","date_gmt":"2023-03-20T05:49:47","guid":{"rendered":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/?page_id=1280"},"modified":"2023-04-27T18:51:28","modified_gmt":"2023-04-28T01:51:28","slug":"coreopsis-journal-spring-2023","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/","title":{"rendered":"Coreopsis Journal Spring 2023"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Top thru Author” _builder_version=”4.16″ background_enable_image=”off” min_height=”250px” custom_margin=”0px||-40px||false|false” custom_padding=”0px||0px||true|false” saved_tabs=”all” global_colors_info=”{}”][et_pb_row column_structure=”1_4,3_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”3_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/03\/coreopsis-winter-2019-header.png” title_text=”coreopsis-winter-2019-header” admin_label=”Coreopsis logo” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ admin_label=”title” _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Spring 2023<\/h1>\n

Myths that Kill:<\/h1>\n

Lies, Damn Lies, and Urban Myth<\/h1>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Coreopsis Journal of Myth and Theatre<\/h2>\n

Spring 2023<\/h2>\n

Vol 11 Num 1<\/h2>\n

ISSN 2333-0627<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.20.2″ _module_preset=”default” module_alignment=”center” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/Among-Friends-300×10-1.jpg” title_text=”Among Friends” align=”center” _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/03\/Jina-Mahsa-Amini100x10.jpg” title_text=”Jina Mahsa Amini100x10″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Death comes to everyone sooner or later.” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzMTcifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/early-spring-bird-sq.jpg” image_icon_width_tablet=”101px” _builder_version=”4.20.4″ _dynamic_attributes=”link_option_url,url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ vertical_offset_tablet=”0″ horizontal_offset_tablet=”0″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzMTcifX0=@” z_index_tablet=”0″ header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” box_shadow_horizontal_image_tablet=”0px” box_shadow_vertical_image_tablet=”0px” box_shadow_blur_image_tablet=”40px” box_shadow_spread_image_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

Lezlie Kinyon, Ph.D.; Editor.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Telling Our Stories” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzMTQifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/corbyeditorial.jpg” _builder_version=”4.20.4″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzMTQifX0=@” global_colors_info=”{}” image__hover_enabled=”on|desktop” image__hover=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/03\/queries.png”]<\/p>\n

Dana Corby<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”About the Cover Art” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE1NzQifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/Among-Friends-sq.jpg” _builder_version=”4.20.4″ _dynamic_attributes=”link_option_url,url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzMTQifX0=@” hover_enabled=”0″ global_colors_info=”{}” image__hover_enabled=”on|desktop” image__hover=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/03\/queries.png” title_text=”Among Friends sq” sticky_enabled=”0″]<\/p>\n

Sue Matthews<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”The Prolonged Persecution of North York Moors \u2018Witches\u2019” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzMzQifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/7-Mally-Molly-Harbutts-Tree-cover.jpg” _builder_version=”4.20.4″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzMzQifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Nicola J. Chalton<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”The Lugosi Syndrome with a Happy Ending” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzNzAifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/Scan-12.jpeg” _builder_version=”4.20.4″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzNzAifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Ivan Szendro<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Review: Braiding Sweetgrass” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzODIifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/BraidingSweetgrass-cover.jpg” _builder_version=”4.20.4″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzODIifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]<\/p>\n

reviewed by Gus diZerega\u00a0<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Review: The Dream Gate” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzOTEifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/cover-The-Dream-Gate.jpg” _builder_version=”4.20.4″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjEzOTEifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]<\/p>\n

reviewed by Laurie Rae Dietrich<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Review: Aphrodite” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0NTAifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/aphrodite-cover.jpg” _builder_version=”4.20.4″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0NTAifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]<\/p>\n

reviewed by Katherine Krestman<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Artist Profile: Sue Matthews” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0MDQifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/cover-The-Women-of-Dzodze\u00a9\ufe0fSusan-Matthews.jpg” _builder_version=”4.20.4″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0MDQifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]interviewed by Thea Artemis Kinyon Boodhoo[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”The Art of Sue Matthews” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0MDkifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/cover-Yemaya-Keeper-of-the-Oceans\u00a9\ufe0fSusan-Matthews.jpg” _builder_version=”4.20.4″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0MDkifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”][\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”New Music” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0NzIifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/Gaelia-cover-scaled-2.jpg” _builder_version=”4.20.4″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0NzIifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”][\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”New Publications” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0OTEifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/cover-reckoning-7-cover-web-250×375-1.jpg” _builder_version=”4.20.4″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0OTEifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”][\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Alternative Facts” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0MjMifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/cover-AlternativeFacts.jpg” _builder_version=”4.20.4″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0MjMifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]<\/p>\n

Tom Bruce<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Tribute to a Priestess” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0MzMifX0=@” image=”https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/wp-content\/uploads\/2023\/04\/cover-RenbyJoanneBarrett.jpg” _builder_version=”4.20.4″ _dynamic_attributes=”url,link_option_url” header_level=”h2″ header_font=”||||||||” header_text_align=”left” header_text_color=”#000000″ link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE0MzMifX0=@” global_colors_info=”{}” border_radii__hover_enabled=”on|desktop”]Lezlie Kinyon, Lauren Hotchkiss, and Friends[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Spring 2023 Myths that Kill: Lies, Damn Lies, and Urban MythCoreopsis Journal of Myth and Theatre Spring 2023 Vol 11 Num 1 ISSN 2333-0627Lezlie Kinyon, Ph.D.; Editor.Dana CorbySue MatthewsNicola J. ChaltonIvan Szendroreviewed by Gus diZerega\u00a0reviewed by Laurie Rae Dietrichreviewed by Katherine Krestmaninterviewed by Thea Artemis Kinyon BoodhooTom BruceLezlie Kinyon, Lauren Hotchkiss, and Friends<\/p>\n","protected":false},"author":2,"featured_media":1411,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1280","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nCoreopsis Journal Spring 2023 - Coreopsis Journal Spring 2023<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/societyforritualarts.com\/coreopsis\/spring-2023-issue\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Coreopsis Journal Spring 2023 - Coreopsis Journal Spring 2023\" \/>\n<meta property=\"og:description\" content=\"Spring 2023 Myths that Kill: Lies, Damn Lies, and Urban MythCoreopsis Journal of Myth and Theatre Spring 2023 Vol 11 Num 1 ISSN 2333-0627Lezlie Kinyon, Ph.D.; Editor.Dana CorbySue MatthewsNicola J. 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