{"id":11,"date":"2025-03-09T14:18:22","date_gmt":"2025-03-09T21:18:22","guid":{"rendered":"https:\/\/tnf.ola.mybluehost.me\/coreopsis\/spring-2025-issue\/?page_id=9"},"modified":"2025-04-29T17:06:10","modified_gmt":"2025-04-30T00:06:10","slug":"table-of-contents","status":"publish","type":"page","link":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2025-issue\/table-of-contents\/","title":{"rendered":"Table of Contents"},"content":{"rendered":"\n
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Coreopsis Journal of Myth and Theatre <\/strong><\/h1>\n\n\n\n

A magazine of the mythic arts<\/p>\n<\/div>\n\n\n\n

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Spring 2025<\/h2>\n\n\n\n

Anarchy & Harmony<\/em><\/h2>\n\n\n\n

Volume 13, Number 1.<\/p>\n\n\n\n

ISSN 2333-0627<\/p>\n\n\n\n

Cover concept: <\/strong>Dara Napoli
Cover art: <\/strong>Jack Ruttan <\/p>\n\n\n\n

All rights reserved. <\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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A Note From Your Editors<\/strong><\/h2>\n\n\n\n

Dear Readers, Coreopsis Journal has never shied away from difficult subjects and never will. As a scholarly research journal and, as such, this issue contains sensitive, adult subject material. We welcome your letters and feedback. Please send letters to the editor at: coreopsisjournalofmyththeatre@gmail.com<\/a> and include a note if you do not want your letter published in the Autumn 2025 issue. We will try to respond in a timely manner. Thank you.<\/p>\n\n\n\n

– The Editors.<\/p>\n<\/div>\n\n\n\n

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Table of Contents<\/strong><\/h2>\n<\/div>\n<\/div>\n\n\n\n
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Editorials<\/h3>\n<\/div>\n\n\n\n
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How to Fail<\/a><\/h3>\n\n\n\n

By Lezlie A. Kinyon, P.h.D, Editor\u00a0<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Essays and Papers Submitted for Peer Review, Spring 2025<\/h3>\n<\/div>\n\n\n\n
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Universalist Manifesto<\/a><\/h3>\n\n\n\n

By\u00a0Robert Strong<\/p>\n\n\n\n

The epic events of the last century have set the stage for a new polemic, where Universal Architectural thinking emerges. The advent of space travel opened the door to vast horizons of thought and previously unimagined scientific theories. The infusion of cultural memes in consideration of universal exploration has, oddly, also redefined the architect\u2019s design process.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Papers
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Going in Circles: How and why are particular theoretical, literary and film-based attempts to resist, subvert or unravel the Hero’s Journey still problematic, problematised or only partial in their success? <\/a><\/h3>\n\n\n\n

By AJ Dalton<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Campbell\u2019s claim that it is a \u2018universal\u2019 representation of human experience, the \u2018deep structure\u2019 of all myths, a description of our shared values, and the measure of whether a new story is \u2018good\u2019 or \u2018bad\u2019. In such terms, it would seem impossible for a new story to escape the requirements of the Hero\u2019s Journey, and yet the Hero\u2019s Journey is implicitly a patriarchal, racist and toxic narrative model that we should seek to resist or unravel, so that its values are no longer perpetuated.<\/em>
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<\/h2>\n<\/div>\n\n\n\n
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Inanna and Gender Ambiguity<\/a><\/h3>\n\n\n\n

By Deb Dale Jones, Ph.D.
For my teacher, Daniel Reisman, 1941 to 2024<\/p>\n\n\n\n

Our task to understand how gender is constructed in the Iddin-Dagan hymn \u2014 and by extension perhaps in other Sumerian language compositions \u2014 is complicated by the way gender is treated by this language.<\/em>


<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Artists’ Profiles<\/h3>\n<\/div>\n\n\n\n
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Denita Benyshek, Ph.D.<\/a><\/p>\n\n\n\n

Part 1: Family and Natur<\/em>e<\/p>\n\n\n\n

Joel Bisaillon<\/a><\/p>\n\n\n\n

From Ontario to Sailing a Celestial Sea<\/em>
Gallery<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Reviews
<\/h3>\n<\/div>\n\n\n\n
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The King in Yellow Tarot<\/a><\/h3>\n\n\n\n

 A full 78 card deck inspired by the 19th century works of Robert W. Chambers with art by Daniel Harms and John Scott Tynes who divined the forms and portents of this Carcosan deck. Painter Kurt Komoda, in a fevered fugue of inspiration, reproduced designs thought long lost.<\/em><\/p>\n\n\n\n


The Forager’s Daughter’s Tarot<\/a><\/h3>\n\n\n\n

A unique 78 card deck using the motifs of familiar flora and fauna in an elegant Art Nouveau style. Art by Jessica, The Forager\u2019s Daughter. <\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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New Releases<\/h3>\n<\/div>\n\n\n\n
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Music <\/a><\/h3>\n\n\n\n

Things we like released recently.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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The Final Word,
Staff Written Editorial<\/h3>\n<\/div>\n\n\n\n
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We Are What We Choose<\/a><\/h3>\n\n\n\n

By Priya Sridhar, Staff Editor<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Paper Call for Autumn 2025<\/a><\/h3>\n\n\n\n

See you in September!<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Reference:<\/strong> Coreopsis Journal of Myth and Theatre<\/em>. A magazine of the mythic arts. Spring 2025 Anarchy & Harmony. Volume 13 Number 1. ISSN 2333-0627 Lezlie A. Kinyon, Ph.D. Editor Society for Ritual Arts coreopsis.org<\/a><\/p>\n\n\n\n

Artists in this issue are: Dara Maverick Napoli, Jack Ruttan, Joel Bisaillon, Denita Benyshek, Ph.D,  Carly J.J. Turner. All rights reserved, used by permission.<\/p>\n\n\n\n

Editors this issue are: Lezlie Kinyon, Priya Sridhar, Peggy Wheeler, and Sean Sanford<\/p>\n\n\n\n

Thank you to everyone who made this issue of Coreopsis Journal<\/em> possible.<\/p>\n\n\n\n

Web design and development by Stephanie O\u2019Hanley and Dara Napoli. Website “tweaks” and corrections Priya Sridhar and Lezlie A. Kinyon.<\/p>\n\n\n\n

For copyright and reprint information, please contact Rev. Denise Dumars, MA, Author Liaison at eerieaerie@hotmail.com<\/a><\/p>\n\n\n\n

Please send letters to the editor at: coreopsisjournalofmyththeatre@gmail.com<\/a> and include a note if you do not want your letter published in the Spring 2025 issue.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

A Note From Your Editors Dear Readers, Coreopsis Journal has never shied away from difficult subjects and never will. As a scholarly research journal and, as such, this issue contains sensitive, adult subject material. We welcome your letters and feedback. Please send letters to the editor at: coreopsisjournalofmyththeatre@gmail.com and include a note if you do […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-no-title","meta":{"inline_featured_image":false,"iawp_total_views":135,"footnotes":""},"class_list":["post-11","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2025-issue\/wp-json\/wp\/v2\/pages\/11","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2025-issue\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2025-issue\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2025-issue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2025-issue\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":13,"href":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2025-issue\/wp-json\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":1540,"href":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2025-issue\/wp-json\/wp\/v2\/pages\/11\/revisions\/1540"}],"wp:attachment":[{"href":"https:\/\/societyforritualarts.com\/coreopsis\/spring-2025-issue\/wp-json\/wp\/v2\/media?parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}