{"id":859,"date":"2023-09-21T23:28:57","date_gmt":"2023-09-22T06:28:57","guid":{"rendered":"https:\/\/societyforritualarts.com\/coreopsis\/?p=859"},"modified":"2024-04-14T12:20:23","modified_gmt":"2024-04-14T19:20:23","slug":"call-rw-autumn-2024","status":"publish","type":"post","link":"https:\/\/societyforritualarts.com\/coreopsis\/call-rw-autumn-2024\/","title":{"rendered":"Call: Roses & Wildflowers Autumn 2024"},"content":{"rendered":"[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_row admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]
<\/figure>\n

Mythopoeic Fiction, Poetry, and art<\/span><\/p>\n

Join the conversation on Facebook at: https:\/\/www.facebook.com\/groups\/3523058367962366\/<\/a><\/p>\n

Discord: https:\/\/discord.gg\/GUWFMkTF<\/a><\/p>\n

Submission Guidelines: https:\/\/societyforritualarts.com\/rw\/2024-spring\/submission-guidelines\/<\/a><\/p>\n

Audio submissions: https:\/\/societyforritualarts.com\/rw\/2024-spring\/audio-submissions\/<\/a><\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n

<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n

<\/p>\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n

<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n

<\/p>\n

Theme for Autumn 2024<\/strong><\/p>\n

Autumn 2024: Walking Away.<\/strong><\/p>\n

Submissions open February 5, 2024 close June 2024 or when full.\u00a0\u00a0<\/strong><\/p>\n

Ready to Submit? Use this<\/b>\u00a0<\/span>Form\u00a0<\/b><\/a>
<\/p>\n

<\/p>\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n

<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” custom_padding=”0px|||||”]

<\/figure>\n

Mythopoeic Fiction, Poetry, and art<\/span><\/p>\n

Join the conversation on Facebook at: https:\/\/www.facebook.com\/groups\/3523058367962366\/<\/a><\/p>\n

Discord: https:\/\/discord.gg\/GUWFMkTF<\/a><\/p>\n

Submission Guidelines: https:\/\/societyforritualarts.com\/rw\/2024-spring\/submission-guidelines\/<\/a><\/p>\n

Audio submissions: https:\/\/societyforritualarts.com\/rw\/2024-spring\/audio-submissions\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

Theme for Autumn 2024<\/strong><\/p>\n

Autumn 2024: Walking Away.<\/strong><\/p>\n

Submissions open February 5, 2024 close June 2024 or when full.\u00a0\u00a0<\/strong><\/p>\n

Ready to Submit? Use this<\/b>\u00a0<\/span>Form\u00a0<\/b><\/a>
<\/p>\n

<\/p>\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n

<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” custom_padding=”0px|||||”]

<\/figure>\n

Mythopoeic Fiction, Poetry, and art<\/span><\/p>\n

Join the conversation on Facebook at: https:\/\/www.facebook.com\/groups\/3523058367962366\/<\/a><\/p>\n

Discord: https:\/\/discord.gg\/GUWFMkTF<\/a><\/p>\n

Submission Guidelines: https:\/\/societyforritualarts.com\/rw\/2024-spring\/submission-guidelines\/<\/a><\/p>\n

Audio submissions: https:\/\/societyforritualarts.com\/rw\/2024-spring\/audio-submissions\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

Theme for Autumn 2024<\/strong><\/p>\n

Autumn 2024: Walking Away.<\/strong><\/p>\n

Submissions open February 5, 2024 close June 2024 or when full.\u00a0\u00a0<\/strong><\/p>\n

Ready to Submit? Use this<\/b>\u00a0<\/span>Form\u00a0<\/b><\/a>
<\/p>\n

<\/p>\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n

<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” custom_padding=”0px|||||”]

<\/figure>\n

Mythopoeic Fiction, Poetry, and art<\/span><\/p>\n

Join the conversation on Facebook at: https:\/\/www.facebook.com\/groups\/3523058367962366\/<\/a><\/p>\n

Discord: https:\/\/discord.gg\/GUWFMkTF<\/a><\/p>\n

Submission Guidelines: https:\/\/societyforritualarts.com\/rw\/2024-spring\/submission-guidelines\/<\/a><\/p>\n

Audio submissions: https:\/\/societyforritualarts.com\/rw\/2024-spring\/audio-submissions\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

Theme for Autumn 2024<\/strong><\/p>\n

Autumn 2024: Walking Away.<\/strong><\/p>\n

Submissions open February 5, 2024 close June 2024 or when full.\u00a0\u00a0<\/strong><\/p>\n

Ready to Submit? Use this<\/b>\u00a0<\/span>Form\u00a0<\/b><\/a>
<\/p>\n

<\/p>\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n

<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” custom_padding=”0px|||||”]

<\/figure>\n

Mythopoeic Fiction, Poetry, and art<\/span><\/p>\n

Join the conversation on Facebook at: https:\/\/www.facebook.com\/groups\/3523058367962366\/<\/a><\/p>\n

Discord: https:\/\/discord.gg\/GUWFMkTF<\/a><\/p>\n

Submission Guidelines: https:\/\/societyforritualarts.com\/rw\/2024-spring\/submission-guidelines\/<\/a><\/p>\n

Audio submissions: https:\/\/societyforritualarts.com\/rw\/2024-spring\/audio-submissions\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

Theme for Autumn 2024<\/strong><\/p>\n

Autumn 2024: Walking Away.<\/strong><\/p>\n

Submissions open February 5, 2024 close June 2024 or when full.\u00a0\u00a0<\/strong><\/p>\n

Ready to Submit? Use this<\/b>\u00a0<\/span>Form\u00a0<\/b><\/a>
<\/p>\n

<\/p>\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n

<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n

<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” custom_padding=”0px|||||”]

<\/figure>\n

Mythopoeic Fiction, Poetry, and art<\/span><\/p>\n

Join the conversation on Facebook at: https:\/\/www.facebook.com\/groups\/3523058367962366\/<\/a><\/p>\n

Discord: https:\/\/discord.gg\/GUWFMkTF<\/a><\/p>\n

Submission Guidelines: https:\/\/societyforritualarts.com\/rw\/2024-spring\/submission-guidelines\/<\/a><\/p>\n

Audio submissions: https:\/\/societyforritualarts.com\/rw\/2024-spring\/audio-submissions\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

Theme for Autumn 2024<\/strong><\/p>\n

Autumn 2024: Walking Away.<\/strong><\/p>\n

Submissions open February 5, 2024 close June 2024 or when full.\u00a0\u00a0<\/strong><\/p>\n

Ready to Submit? Use this<\/b>\u00a0<\/span>Form\u00a0<\/b><\/a>
<\/p>\n

<\/p>\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n

<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n

<\/p>\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n

<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” custom_padding=”0px|||||”]

<\/figure>\n

Mythopoeic Fiction, Poetry, and art<\/span><\/p>\n

Join the conversation on Facebook at: https:\/\/www.facebook.com\/groups\/3523058367962366\/<\/a><\/p>\n

Discord: https:\/\/discord.gg\/GUWFMkTF<\/a><\/p>\n

Submission Guidelines: https:\/\/societyforritualarts.com\/rw\/2024-spring\/submission-guidelines\/<\/a><\/p>\n

Audio submissions: https:\/\/societyforritualarts.com\/rw\/2024-spring\/audio-submissions\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

Theme for Autumn 2024<\/strong><\/p>\n

Autumn 2024: Walking Away.<\/strong><\/p>\n

Submissions open February 5, 2024 close June 2024 or when full.\u00a0\u00a0<\/strong><\/p>\n

Ready to Submit? Use this<\/b>\u00a0<\/span>Form\u00a0<\/b><\/a>
<\/p>\n

<\/p>\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n

<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n

<\/p>\n

Theme for Autumn 2024<\/strong><\/p>\n

Autumn 2024: Walking Away.<\/strong><\/p>\n

Submissions open February 5, 2024 close June 2024 or when full.\u00a0\u00a0<\/strong><\/p>\n

Ready to Submit? Use this<\/b>\u00a0<\/span>Form\u00a0<\/b><\/a>
<\/p>\n

<\/p>\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n

<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}” custom_padding=”0px|||||”]

<\/figure>\n

Mythopoeic Fiction, Poetry, and art<\/span><\/p>\n

Join the conversation on Facebook at: https:\/\/www.facebook.com\/groups\/3523058367962366\/<\/a><\/p>\n

Discord: https:\/\/discord.gg\/GUWFMkTF<\/a><\/p>\n

Submission Guidelines: https:\/\/societyforritualarts.com\/rw\/2024-spring\/submission-guidelines\/<\/a><\/p>\n

Audio submissions: https:\/\/societyforritualarts.com\/rw\/2024-spring\/audio-submissions\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

Theme for Autumn 2024<\/strong><\/p>\n

Autumn 2024: Walking Away.<\/strong><\/p>\n

Submissions open February 5, 2024 close June 2024 or when full.\u00a0\u00a0<\/strong><\/p>\n

Ready to Submit? Use this<\/b>\u00a0<\/span>Form\u00a0<\/b><\/a>
<\/p>\n

<\/p>\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n

<\/p>\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n

<\/p>\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away?\u00a0<\/p>\n

<\/p>\n

Can one ever return?\u00a0<\/p>\n

<\/p>\n

“Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is ‘beyond’ and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n

<\/p>\n

‘She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of\u00a0 Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n

<\/p>\n

Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. ” – Coreopsis Journal of Myth & Theatre,\u00a0 Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n

<\/p>\n

<\/p>\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away.\u00a0<\/p>\n

<\/p>\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time.\u00a0<\/p>\n

<\/p>\n

<\/p>\n

 <\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]","protected":false},"excerpt":{"rendered":"

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin\u00a0<\/p>\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_et_pb_use_builder":"on","_et_pb_old_content":"\n

\"\"<\/figure>\n\n\n\n

Mythopoeic Fiction, Poetry, and art<\/p>\n\n\n\n

Join the conversation on Facebook at: https:\/\/www.facebook.com\/groups\/3523058367962366\/<\/a><\/p>\n\n\n\n

Submission Guidelines:\u00a0https:\/\/roseswildflowersfantacists.com\/roses-and-wildflowers\/<\/a><\/p>\n\n\n\n

Themes for Autumn 2024 and Spring 2025<\/strong><\/p>\n\n\n\n

Autumn 2024: Walking Away.<\/strong><\/p>\n\n\n\n

Submissions open February 5, 2024.<\/strong><\/p>\n\n\n\n

In 1973, Ursula LeGuin wrote a short philosophical story that describes the perfect, peaceful, graceful city. A place with no hunger or sorrow, crime or discontent. A place where no one was homeless, lacked fulfilling work, and the arts and sciences flourished. Omelas. A place with a dark and terrible secret. And some walked away, unable and unwilling to pay that price.<\/p>\n\n\n\n

\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness.\u201d Ursula LeGuin <\/p>\n\n\n\n

What is out there, beyond Omelas? What does the journey look, feel, smell, taste like? What will be found, what will be lost, and what will be left behind?<\/p>\n\n\n\n

What happens when one leaves? Who is left behind and who walks away? When is it the right action to walk away? <\/p>\n\n\n\n

Can one ever return? <\/p>\n\n\n\n

Outside the city of Omelas is darkness, perhaps a wilderness, Le Guin does not describe the road away, nor can she: it is \u201cbeyond\u201d and unknown. Some few, unable to pay the price for the city\u2019s perfection, walk away. It is an act of infinite courage: there is no return, no slipping back into happy ignorance: only the path forward, into the unknown.<\/p>\n\n\n\n

She seems to register what is strange about this place. But she cannot describe what lies beyond, in \u201cthe darkness\u201d outside of  Omelas, because each person there must make her own way. \u2026 As readers, Le Guin provides us with the building blocks to construct the city of Omelas, but if we want to forsake it afterward, then we too have to strike out alone. (DeGraff, 2015. pp. 121)<\/p>\n\n\n\n

      Outside of Omelas is the world, where nothing is ever perfect, but where freedom may be found. - Coreopsis Journal of Myth & Theatre,  Lezlie A. Kinyon, Ph.D. Ed September, 2016 https:\/\/www.societyforritualarts.org\/coreopsis\/fall-2016-issue\/walk-away-reflections-on-omelas-and-growing-up-during-the-cold-war\/<\/a><\/p>\n\n\n\n

We will accept 5 short stories and 4 poems for Autumn 2024 inspired by the idea of walking away. <\/p>\n\n\n\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time. <\/p>\n\n\n\n

Spring 2025 - Anarchy and Harmony:<\/strong><\/p>\n\n\n\n

The band takes the stage at the No Name Bar at the Crossroads between Worlds and Time.<\/p>\n\n\n\n

Submissions open June 2024. <\/p>\n\n\n\n

Writers & Poets Challenge: <\/strong><\/p>\n\n\n\n

Choose a song from this playlist: https:\/\/www.youtube.com\/playlist?list=PL-6cKU2APMMh6Li8Bic88jwGhxWIDSUiY<\/a>  and tell us the story. <\/p>\n\n\n\n

Start your cover letter by telling us what song you chose.<\/strong> Don\u2019t explain or tell us why, <\/strong>but let your story or poem stand on its own once you\u2019ve named your song. <\/strong><\/p>\n\n\n\n

Tell us about order and anarchy. <\/p>\n\n\n\n

About inspiration and life\u2019s small triumphs. <\/p>\n\n\n\n

Take us to distant places beyond the edge of the world.<\/p>\n\n\n\n

Tell us about mystery and dark places. <\/p>\n\n\n\n

About descent and emergence. <\/p>\n\n\n\n

About the magic of dissonance and harmony. <\/p>\n\n\n\n

About inspiration and life\u2019s small triumphs. <\/p>\n\n\n\n

Take us to places beyond the edge of the world. <\/p>\n\n\n\n

Tell us about the song that starlight sings. <\/p>\n\n\n\n

Tell us about the places between worlds.<\/p>\n\n\n\n

Tell us a tale that explores the truth of the heart - be it human or otherwise.<\/p>\n\n\n\n

Payment is $20. story 7,500 words hard limit story and $5 per poem, 40 line limit. We do not accept flash fiction at this time. <\/p>\n\n\n\n

Art by Lauren Raine, all rights reserved. \u201cVision\u201d. <\/p>\n","_et_gb_content_width":"","iawp_total_views":4,"footnotes":""},"categories":[26],"tags":[],"class_list":["post-859","post","type-post","status-publish","format-standard","hentry","category-call-for-rw"],"yoast_head":"\nCall: Roses & Wildflowers Autumn 2024 - Coreopsis Journal of Myth and Theatre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/societyforritualarts.com\/coreopsis\/call-rw-autumn-2024\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Call: Roses & Wildflowers Autumn 2024 - Coreopsis Journal of Myth and Theatre\" \/>\n<meta property=\"og:description\" content=\"\u201cThey leave Omelas, they walk ahead into the darkness, and they do not come back. 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