{"id":995,"date":"2024-03-10T00:18:01","date_gmt":"2024-03-10T08:18:01","guid":{"rendered":"https:\/\/societyforritualarts.com\/coreopsis\/?p=995"},"modified":"2025-03-18T20:03:05","modified_gmt":"2025-03-19T03:03:05","slug":"call-coreopsis-autumn-2025","status":"publish","type":"post","link":"https:\/\/societyforritualarts.com\/coreopsis\/call-coreopsis-autumn-2025\/","title":{"rendered":"Call: Coreopsis Autumn 2025"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/societyforritualarts.com\/coreopsis\/wp-content\/uploads\/2015\/10\/coreopsis-j-m-t-logo-fb-header-01.jpg&#8221; title_text=&#8221;coreopsis-j-m-t-logo-fb-header-01&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; max_height=&#8221;250px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_heading title=&#8221;Call for Submissions Autumn 2025: The Fool\u2019s Journey&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_heading][et_pb_testimonial author=&#8221;\u2015 Robin Wall Kimmerer, Braiding Sweetgrass&#8221; job_title=&#8221;(Art by Denita Benyshek, all rights reserved. Used by permission)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; box_shadow_style=&#8221;preset1&#8243; global_colors_info=&#8221;{}&#8221; background_color=&#8221;#c3e4bc&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><span style=\"font-weight: 400;\">I want to dance for the renewal of the world.<\/span><\/p>\n<p>[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;2_3,1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;21px|20px|20px|20px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;2_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; header_font_size=&#8221;40px&#8221; header_line_height=&#8221;1.7em&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span style=\"font-weight: 400;\">This issue is devoted to the journeys of fools, crusaders, and unexpected heroes. To the followers of Emma Goldman, Kropotkin, and UK LeGuin.<\/span><\/h2>\n<h2><span style=\"font-weight: 400;\">To lost causes and surprising turns in the journey to wisdom. Please consider papers on anarchism as myth, tarot-as-myth, fairy tales, myth and folklore, and real life crusaders.\u00a0<\/span><\/h2>\n<p>[\/et_pb_text][et_pb_heading title=&#8221;Book and music reviews are always accepted&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; title_level=&#8221;h3&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_heading][et_pb_heading title=&#8221;SUBMISSIONS ARE OPEN&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_heading][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<span style=\"font-weight: 400;\">To contact the editors and to submit your work to <\/span><i><span style=\"font-weight: 400;\">Coreopsis Journal<\/span><\/i><span style=\"font-weight: 400;\">, please write to:\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201csubmissions\u201d <\/span><a href=\"mailto:coreopsisjournalofmyththeatre@gmail.com\"><span style=\"font-weight: 400;\">coreopsisjournalofmyththeatre@gmail.com<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Our submission guidelines are <a href=\"http:\/\/societyforritualarts.com\/coreopsis\/submissions%20\u00a0\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/span>[\/et_pb_text][et_pb_heading title=&#8221;Published September, 2025&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_heading][et_pb_heading title=&#8221;More thoughts and ideas to consider&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_heading][et_pb_divider _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_heading title=&#8221;Fool\u2019s Journey Call for Autumn 2025  A Meditation on Myth and Anarchism&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_heading][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><span style=\"font-weight: 400;\">LeGuin, Taoist Ideals, Mutual-Aid, Kropotkin \u2026 and the Road Ahead \u2026<\/span><\/p>\n<p><span style=\"font-weight: 400;\">How will we move forward from this time we are living in: environmentally, socially, politically, economically, and, as artists, creatively? What is our place in this &#8220;uncharted country&#8221; we are heading into as a planet? Or, maybe we won&#8217;t survive. It&#8217;s clear that what is now accepted as &#8220;normal&#8221; &amp; &#8220;how things are done&#8221; will not be sustainable for very much longer. The editors ask: what would a world without hierarchical societal systems look like?\u00a0<\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<blockquote>\n<p><span style=\"font-weight: 400;\">Like classical Marxism, modern anarchism developed within the specific political, economic and intellectual environment of the nineteenth century. In that context, it made perfect sense for anarchists to focus their critical powers upon the twin sources of oppressive power in the age of the Industrial Revolution: capital and the state. By the late twentieth century, however, this traditional anarchism had become dangerously outdated.\u201d (<\/span><a href=\"https:\/\/www.ursulakleguin.com\/postmodern-anarchism\"><span style=\"font-weight: 400;\">Lewis Call<\/span><\/a><span style=\"font-weight: 400;\">, 2007)<\/span><\/p>\n<\/blockquote>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">In this issue we will explore utopia, dystopia, and the alternatives to Lucretius\u2019 \u201cthe way things are\u201d in this age of disenchantment. Topics to consider are explorations of estrangement from community, the environment, and one another. Is Kropotkin\u2019s mutual aid a pointer on the map for a more survivable, equitable, kinder future?<\/span><\/p>\n<p>[\/et_pb_text][et_pb_heading title=&#8221;Philosophical touchpoints:&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; title_level=&#8221;h4&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_heading][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/societyforritualarts.com\/coreopsis\/wp-content\/uploads\/2024\/03\/Benyshek_Confluence_of_Two_Rivers_detail2_reverse-painted_glass.jpeg&#8221; title_text=&#8221;Benyshek_Confluence_of_Two_Rivers_detail2_reverse-painted_glass&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; max_height=&#8221;50%&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;3_5,2_5&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><i><span style=\"font-weight: 400;\">T.A.Z. The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism<\/span><\/i><span style=\"font-weight: 400;\"> by Hakim Bey<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><i><span style=\"font-weight: 400;\">Mutual Aid: A Factor of Evolution<\/span><\/i><span style=\"font-weight: 400;\"> by Peter Kropotkin<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">&#8220;Teaching Peace in the Feminist Classroom: Starhawk&#8217;s <\/span><i><span style=\"font-weight: 400;\">The Fifth Sacred Thing<\/span><\/i><span style=\"font-weight: 400;\">&#8221; by <\/span><span style=\"font-weight: 400;\">Laurie Fuller <\/span><span style=\"font-weight: 400;\">The Radical Teacher No. 75, COUNTERING THE ENGLISH-ONLY ASSAULT (Spring 2006), pp. 28-35 (8 pages) Published By: Center for Critical Education, Inc. <\/span><a href=\"https:\/\/www.jstor.org\/stable\/20710344\"><span style=\"font-weight: 400;\">https:\/\/www.jstor.org\/stable\/20710344<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><i><span style=\"font-weight: 400;\">Published By: Center for Critical Education, Inc.&#8221;<\/span><\/i><span style=\"font-weight: 400;\">Postmodern Anarchism in the Novels of Ursula K. Le Guin<\/span><i><span style=\"font-weight: 400;\">&#8221; <\/span><\/i><span style=\"font-weight: 400;\">by Lewis Call <\/span><a href=\"https:\/\/www.ursulakleguin.com\/postmodern-anarchism\"><span style=\"font-weight: 400;\">https:\/\/www.ursulakleguin.com\/postmodern-anarchism\u00a0<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><i><span style=\"font-weight: 400;\">The New Utopian Politics of Ursula K. Le Guin&#8217;s &#8220;The Dispossessed&#8221; <\/span><\/i><span style=\"font-weight: 400;\">by Laurence Davis (Author, Editor), Peter G. Stillman (Editor)\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">&#8220;Toward a New Anarchism: Anarcho-Daoism&#8221; Jack R (originally <\/span><span style=\"font-weight: 400;\">published in: <\/span><i><span style=\"font-weight: 400;\">Foundations<\/span><\/i><span style=\"font-weight: 400;\">)\u00a0 <\/span><a href=\"https:\/\/medium.com\/fan-publication\/toward-a-new-anarchism-anarcho-daoism-2a040a9a250%C2%B7\"><span style=\"font-weight: 400;\">https:\/\/medium.com\/fan-publication\/toward-a-new-anarchism-anarcho-daoism-2a040a9a250\u00b7<\/span><\/a><\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/societyforritualarts.com\/coreopsis\/wp-content\/uploads\/2025\/03\/mutual-aid-book-cover.jpg&#8221; alt=&#8221;Mutual Aid&#8221; title_text=&#8221;mutual-aid-book-cover&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,3_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/societyforritualarts.com\/coreopsis\/wp-content\/uploads\/2025\/03\/braiding-sweetgrass-cover.png&#8221; alt=&#8221;Braiding Sweetgrass book cover&#8221; title_text=&#8221;braiding-sweetgrass-cover&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#000000&#8243; border_radii=&#8221;off|1px|1px|1px|1px&#8221; border_color_all=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">&#8220;Community Consensus: Design Beyond Participation<\/span><i><span style=\"font-weight: 400;\">&#8220;<\/span><\/i><span style=\"font-weight: 400;\"> Heike Winschiers-Theophilus, Nicola J. Bidwell and Edwin Blake Design Issues Vol. 28, No. 3, Participatory Design (Summer 2012), pp. 89-100 (12 pages) Published By: The MIT Press<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><i><span style=\"font-weight: 400;\">Braiding Sweetgrass by Robin<\/span><\/i><span style=\"font-weight: 400;\"> Wall Kimmerer<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><i><span style=\"font-weight: 400;\">The Fifth Sacred Thing <\/span><\/i><span style=\"font-weight: 400;\">by Starhawk<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">Please prepare your paper for blind peer review. <\/span><span style=\"font-weight: 400;\">Artists and scholars are welcomed in the pages of <\/span><i><span style=\"font-weight: 400;\">Coreopsis Journal.\u00a0<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">It is recommended that all writers and artists wishing to submit to <\/span><i><span style=\"font-weight: 400;\">Coreopsis Journal<\/span><\/i><span style=\"font-weight: 400;\"> familiarize themselves with the guidelines before submission. Our submission guidelines are <a href=\"here:%20http:\/\/societyforritualarts.com\/coreopsis\/submissions. \" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Photography and Illustration <\/span><a href=\"https:\/\/societyforritualarts.com\/coreopsis\/arts-multimedia\/\"><span style=\"font-weight: 400;\">https:\/\/societyforritualarts.com\/coreopsis\/arts-multimedia\/<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Coreopsis is a highly visual publication and we love to pack each issue with tons of big, bold images.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Please clearly label whether your paper or essay is submitted for peer review, as an editorial, or as a music or book review. Papers submitted for peer review from scholars must be in APA style and prepared for blind review following these guidelines: <\/span><a href=\"http:\/\/societyforritualarts.com\/coreopsis\/papers-for-peer-review-2\/\"><i><span style=\"font-weight: 400;\">http:\/\/societyforritualarts.com\/coreopsis\/papers-for-peer-review-2\/<\/span><\/i><\/a><span style=\"font-weight: 400;\">. This journal accepts papers from many disciplines and is welcoming of all faiths and philosophies. We publish 3-5 papers per issue that have been peer-reviewed according to academic standards. Final submissions should be 3,000 to 10,000 words. If you have a finished paper ready for submission, send it directly to <\/span><a href=\"mailto:coreopsisjournalofmyththeatre@gmail.com\"><span style=\"font-weight: 400;\">coreopsisjournalofmyththeatre@gmail.com<\/span><\/a><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<p><b>Please note: <\/b><span style=\"font-weight: 400;\">Essays from artists do not have to be prepared for review. As <\/span><i><span style=\"font-weight: 400;\">Coreopsis Journal<\/span><\/i><span style=\"font-weight: 400;\"> is a web-based publication, we can accommodate samples of both audio and video performances.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Visual art submission guidelines: <\/span><a href=\"http:\/\/societyforritualarts.com\/coreopsis\/arts-multimedia\/\"><span style=\"font-weight: 400;\">http:\/\/societyforritualarts.com\/coreopsis\/arts-multimedia\/<\/span><\/a><\/p>\n<p><i><span style=\"font-weight: 400;\">Coreopsis Journal<\/span><\/i><span style=\"font-weight: 400;\"> is published twice yearly by The Society for Ritual Arts. Never for profit.\u00a0<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_cta title=&#8221;COPE Notice&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-weight: 400;\">This journal and her editors, referees, readers, staff, and Advisory Board members work, to the best of our abilities, under the guidelines for scholarly publications as set forth by The Committee for Publication Ethics Code of Conduct for Journal Editors. Download the PDF \u201cCode of Conduct for Journal Editors\u201d to learn more: <\/span><span style=\"color: #ffffff;\"><a href=\"https:\/\/publicationethics.org\/\" style=\"color: #ffffff;\"><span style=\"font-weight: 400;\">https:\/\/publicationethics.org\/<\/span><\/a><\/span><\/p>\n<p>[\/et_pb_cta][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In this issue we will explore utopia, dystopia, and the alternatives to Lucretius\u2019 \u201cthe way things are\u201d in this age of disenchantment. Topics to consider are explorations of estrangement from community, the environment, and one another. Is Kropotkin\u2019s mutual aid a pointer on the map for a more survivable, equitable, kinder future?<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","iawp_total_views":396,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-995","post","type-post","status-publish","format-standard","hentry","category-call-for-coreopsis"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Call: Coreopsis Autumn 2025 - Coreopsis Journal of Myth and Theatre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/societyforritualarts.com\/coreopsis\/call-coreopsis-autumn-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Call: Coreopsis Autumn 2025 - Coreopsis Journal of Myth and Theatre\" \/>\n<meta property=\"og:description\" content=\"In this issue we will explore utopia, dystopia, and the alternatives to Lucretius\u2019 \u201cthe way things are\u201d in this age of disenchantment. Topics to consider are explorations of estrangement from community, the environment, and one another. Is Kropotkin\u2019s mutual aid a pointer on the map for a more survivable, equitable, kinder future?\" \/>\n<meta property=\"og:url\" content=\"https:\/\/societyforritualarts.com\/coreopsis\/call-coreopsis-autumn-2025\/\" \/>\n<meta property=\"og:site_name\" content=\"Coreopsis Journal of Myth and Theatre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/coreopsisjournal\" \/>\n<meta property=\"article:published_time\" content=\"2024-03-10T08:18:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-19T03:03:05+00:00\" \/>\n<meta name=\"author\" content=\"Web Staff\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Web Staff\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/societyforritualarts.com\\\/coreopsis\\\/call-coreopsis-autumn-2025\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/societyforritualarts.com\\\/coreopsis\\\/call-coreopsis-autumn-2025\\\/\"},\"author\":{\"name\":\"Web Staff\",\"@id\":\"https:\\\/\\\/societyforritualarts.com\\\/coreopsis\\\/#\\\/schema\\\/person\\\/cc9cf22f9090e20c2d3903c5547af50f\"},\"headline\":\"Call: Coreopsis Autumn 2025\",\"datePublished\":\"2024-03-10T08:18:01+00:00\",\"dateModified\":\"2025-03-19T03:03:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/societyforritualarts.com\\\/coreopsis\\\/call-coreopsis-autumn-2025\\\/\"},\"wordCount\":1474,\"publisher\":{\"@id\":\"https:\\\/\\\/societyforritualarts.com\\\/coreopsis\\\/#organization\"},\"articleSection\":[\"Call for Coreopsis\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/societyforritualarts.com\\\/coreopsis\\\/call-coreopsis-autumn-2025\\\/\",\"url\":\"https:\\\/\\\/societyforritualarts.com\\\/coreopsis\\\/call-coreopsis-autumn-2025\\\/\",\"name\":\"Call: Coreopsis Autumn 2025 - 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