Table of Contents

Volume 13 Number 2
ISSN 2333-0627

Fool’s Journey: A Meditation on Myth and Anarchism

If we are to use our tools in the service of fitting in on Earth, our basic relationship to nature–even the story we tell ourselves about who we are in the universe–has to change.

— Janine M. Benyus, Biomimicry

Cover and background Art by Kevin Kihn


A Note From Your Editors

Dear Readers, Coreopsis Journal has never shied away from difficult subjects and never will. As a scholarly research journal and, as such, this issue contains sensitive, adult subject material. We welcome your letters and feedback. Please send letters to the editor at: coreopsisjournalofmyththeatre@gmail.com and include a note if you do not want your letter published in the Spring 2026 issue. We will try to respond in a timely manner. Thank you.– The Editors.


Guest Editorial

The Birth Pains

Todd Fabyanic

Exploring the grand tapestry of existence, where dreams are woven with threads of stardust and whispered hopes, one might say that the world is not unraveling but instead knitting itself into a grand design. Picture it: each generation is like a colorful yarn, twisting and turning as the old fades and the new springs forth like daffodils after a long winter.

Papers

Transformation, Butterflies and Goo Dealing with Changes

Sharon G. Mijares, Ph.D

Previous models for positive thinking will not be effective in this transformational era. Even though humanity is reaching out for answers to guide us as old ways of believing and living are collapsing, it is useful to understand we do not have the answers everything we grasp for is based on outdated ideas for an era that is ending.

How Fascism Corrupts Art: What Tyranny’s Love for Wagner reveals about Toxic Worship

Priya Sridhar

For better or for worse, Wagner’s music inspired Adolf Hitler. Seventy years did nothing to mar the composer’s anti-Semitic views and vitriol. Wagner took great pride in his composition and conducting, but that same pride would blind him to the moral hazard of his views. Exile meant that he valued his homeland to the point of disparaging others, including fellow Jewish composers. While Wagner died before seeing Hitler’s worship, he impacted tyrannical culture. Hitler adopted the musician as his symbol and a mirror for systematic genocide. .

Arabesque An Art of Connections, A Poetics of the Swerve

L. Martina Young

Exploring the concept of the ‘arabesque’ through its origins in Persian aesthetics, somatic ways of knowing, Merleau-Ponty’s phenomenology, and David Bohm’s physics, this essay offers a timely response to poet and Humanities scholar Joan Retallack’s provocation, “How can one frame a poetics of the swerve, a constructive preoccupation with what are unpredictable forms of change?”

This work is supported, in part, by the Nevada Arts Council, a state agency, which receives support from the National Endowment for the Arts, a federal agency, and the state of Nevada.

Essays

Rooster on the Roof A Modern Myth Which Happened in 1944 in Hungary

Ivan Szendro

The rooster has two contrasting symbols in this story. In this Hungarian folk song from Szatmár-Transylvania, which was also deeply rooted in the Jewish folk tradition of the 18th century, the rooster symbolizes love longing. It is in the religious spirit of the Song of Songs.

At the same time, the rooster feather also symbolized the iron-fisted gendarmerie in the world of the Hungarian village, whose members helped the Nazis deport the Jews in 1944.

Reviews

An Eclectic, Nature-Driven Folk Album Review of “Spell Songs-Gift of Light”

Jonathan Napoli

From harp and kora to cello and harmonium, the textures shift and evolve in ways that surprise the ear, even while remaining rooted in traditional acoustic instrumentation. This album maintains thematic cohesion while allowing each track to feel distinct and self-contained.

Tarot Reviews will return in Spring 2026

Reviews of independently published tarot decks on artistic merit curated by Helena Domenic, MFA.

Artist’s Profile

Math and Magic: The Art of Kevin Kihn

Jack Ruttan

Since it’s my nature as an artist to depict what I wish to see – only when representing a monster will I deliberately portray the negative – landscapes and water tend to show up in my work a lot. I also feel that human beings are fitting denizens of the natural world. I think that a good relationship with nature is crucial for humans to maintain. And I am committed to the artistic tradition that treats the human body as a focus of beauty and an instrument of expression.

Gallery

Entering the World of Kevin Kihn

A selection of recent works by Kevin Kihn.

New Releases

Music

New Releases we liked. A playlist of music featured in this issue.

Publications

New Books, Papers and Mythic Works recently published.


Paper Call for Spring 2026: Tales of the Cosmos. Songs of the Stars

A special issue on the mythology and folklore of the cosmos.

Paper Call Autumn 2026: Biophilia: The Shape of the Future


Reference: Coreopsis Journal of Myth and Theatre. A magazine of the mythic arts. Spring 2025 Anarchy & Harmony. Volume 13 Number 2. ISSN 2333-0627 Lezlie A. Kinyon, Ph.D. Editor Society for Ritual Arts coreopsis.org

Artists in this issue are: Dara Maverick Napoli, Kevin Kihn, Jack Ruttan, L. Martina Young, Sharon G. Mijares, Ph.D, Ivan Szendro, Carly J.J. Turner. All rights reserved, used by permission.

Editors this issue are: Lezlie Kinyon, Priya Sridhar, and Terrence P. Ward

Thank you to everyone who made this issue of Coreopsis Journal possible.

Web development by Monty Rohde, design by Lezlie A. Kinyon. Website “tweaks” and corrections Priya Sridhar and Lezlie A. Kinyon.

For copyright and reprint information, please contact Rev. Denise Dumars, MA, Author Liaison at eerieaerie@hotmail.com

Please send letters to the editor at: mailto:coreopsisjournalofmyththeatre@gmail.com and include a note if you do not want your letter published in the Spring 2026 issue.