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“To see the second brightest star depends on where we are”.

Release date: June 23, 2017
Label: English Electric Recordings (UK)

Big Big Train 

The Second Brightest Star by Big Big Train
Reviewer: Dr. Steven Blomerth

The Second Brightest Star by Big Big Train was created as a companion piece to the Folklore and Grimspound albums, and it succeeds in extending the mood of those albums and bringing some of their themes and motifs into a bluesy, jazzy, late-night state of mind. But of course Big Big Train’s music also rocks even in the context of an album with a jazz and blues feel to some of it’s songs.

The song “The Second Brightest Star” derives it’s title from the lyrics to the title track on Grimspound, and concerns itself with navigating through the world by some of  the means we have in life; friendship, poetry, art and ritual, and concludes “To see the second brightest star depends on where we are”. Along the way we are treated to a wonderfully moving minor blues-flavored guitar solo by guitarist Dave Gregory, and Rachel Hall provides a hushed, expectant air by gently holding lingering long notes on her violin.

The song “Skylon” has an historical aspect. It references the post-WWII Skylon Festival of Britain Exhibition of 1951 with all the impact required to denote the enormity of the 300-foot tall Skylon tower, as well as some of the harmonies you might have heard in 1950’s jazz.

The Second Brightest Star also increases the number of songwriters involved by including two compositions written by Rachel Hall, the violin, viola and cello player in Big Big Train. “Haymaking” is a jaunty, up-lifting instrumental which perfectly lightens the mood after the minor blues of the song “The Second Brightest Star”.

Rachel Hall also wrote the song “The Passing Widow”, which has a gentle jazz feel to it, courtesy of Danny Manners’ piano and bass accompaniment, and simple, uplifting lyrics about a real-life runner for cancer awareness who has run all over the world after the death of her husband; and continues to run into her 70’s.

You could say that The Second Brightest Star is a combination of new and old because “The Second Brightest Star”, “Haymaking”, “Skylon”, “The Passing Widow”, and “The Leaden Stour” are totally new works, whereas the rest of the pieces are based upon musical motifs from previous compositions. But each of these older motifs have been altered and reworked to bring out a different feel from the original, and when you hear them they bring out a different feeling to your ears.  

Although they designate the work as a companion piece to two previous albums, Big Big Train gives us enough quality music on The Second Brightest Star so that it stands on it’s own strengths as a very fine album of melodic, soulful and thoughtful music.

The Second Brightest Star
Big Big Train

Released on June 23rd, 2017
English Electric Recordings (UK)

TRACK LISTING

    1. The Second Brightest Star Words and music by David Longdon
    2. London Stone Music by Rikard Sjöblom and Danny Manners
    3. The Leaden Stour
    4. Brooklands
    5. London Plane
    6. The Gentlemen’s Reprise Words and music by Greg Spawton
    7. Haymaking
    8. The Passing Widow Words and music by Rachel Hall
    9. Skylon Words and music by David Longdon, Greg Spawton and Rikard Sjöblom
    10. Terra Australis Incognita
    11. On the Racing Line Music by Greg Spawton and Danny Manners

    Recorded at English Electric Studios
    Vocals and double bass recorded at Aubitt Studios by Rob Aubrey
    Drums recorded at Sweetwater Studios by Mark Hornsby and at Real World Studios by Rob Aubrey
    Strings arranged by Rachel Hall and recorded at Aubitt Studios by Rob Aubrey and at Ashwood Studios by Sotos Yiasimi
    Brass arrangements by Dave Desmond with Greg Spawton and David Longdon, recorded at Southampton Solent University by Rob Aubrey
    Mixed and mastered at Aubitt Studios by Rob Aubrey
    Cover painting by Sarah Louise Ewing
    Photograph by Simon Hogg
    Cover and booklet design by Andy Poole

    Discography

    BIG BIG TRAIN
    Nick D’Virgilio – Drums & Percussion, Backing Vocals
    Danny Manners – Keyboards, Double Bass
    Rikard Sjöblom – Guitars, Keyboards, Backing Vocals
    Rachel Hall – Violin, Viola, Cello, Backing Vocals
    Greg Spawton – Bass Guitar, Bass Pedals, Backing Vocals on The Second Brightest Star
    David Longdon – Vocals, Flute, Piano, Guitars, Synths, Percussion
    Mandolin, Banjo, Lute, Melodica, Celesta on The Second Brightest Star
    Dave Gregory – Guitars
    Andy Poole – Acoustic Guitars, Keyboards, Backing Vocals

    With:

    Dave Desmond Trombone
    Ben Godfrey – Trumpet and cornet
    Nick Stones French horn
    John Storey – Euphonium
    Jon Truscott Tuba
    Lucy Curnow – Violin
    Keith Hobday Viola
    Evie Anderson – Cello
    Philip Trzebiatowski Cello

Dr. Steven Blomerth

BA (English Lit.), Northeastern University 1973

Doctorate of Chiropractic, Logan College 1982

Steve treats patients with a combination of manual therapy, exercise and nutrition.
Tennis, hiking and songwriting have been long term, year round pursuits that provide continual education for me.

My ears were first opened to Progressive Rock in 1969 by listening to King Crimson’s album In the Court of the Crimson King.
By having some formal musical education, many friends professionally involved in music and a home recording studio I have gained insight into what it takes to write as well as perform music. I try to apply what I have learned both as a fan and as a musician to my writing about Progressive Rock music.

 

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