For Eponine, My Cat, Whom Dr. Moreau Could Not Improve Upon
By Janna Layton
Illustrated by Amanda Yskamp
It is upsetting,
To read of Moreau’s experiments
while beside me, my white and gray cat
has curled herself into an oval,
snoring indelicately through her pink nose.
To think of her being hurt by human hands,
deliberately, like the puma—
dread and ire flare in my chest,
and as an antidote, I have to believe
that if Moreau stole her,
I would run across the ocean.
I would run across the ocean,
or at least commandeer a ship,
and speed to Noble’s Isle,
that fictional island where nothing noble happened.
Sea and sand and rocks and locks
could not stop me from storming the enclosure,
from snatching my cat back from that old man’s hands.
But what if I were too late?
Behind that gate might be a homunculus:
naked in her bright pink skin
with bovine spots,
balancing on two disjointed legs,
her paunch hanging,
her dainty paws stretched to lemur-like fingers,
tail gone, face flattened,
eyes with the imprint of pain.
Like Prendick,
I would shudder.
But then I would scoop up my misshapen Eponine
and raze the building more thoroughly
than any fallen oil lamp.
On the journey home,
what would we say—
me to her altered brain
and her with her altered larynx?
I could explain what money is,
and why I must leave the apartment each morning.
I could teach her how to read a clock,
and tell her that her breakfast is at seven,
so there should be no crying before then
(but I know she would ignore that).
What would she say to me
that she cannot say already?
She has no difficulty
voicing her complaints
or her joys.
As she is, every day
when I end my evening commute at our door,
she meets me and proclaims,
You are home! Now we will go
to the designated spot
and I will put my head on your knee
and you will scratch my chin
and pet me and pat me
and I will rub my face on your leg
and then you will lean down
and I will press my nose against your nose,
again and again and again.

